Patricia Malone
Dados Biográficos
| ID | 3586432 |
|---|---|
| NOME | Patricia Malone |
| PRENOMES | Patricia |
| SOBRENOME | Malone |
| ASSINATURA | MALONE P |
| AFILIAÇÕES | University of Edinburgh |
| ORCID | 0000-0002-1275-7479 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAÇÕES | 1 |
| TOTAL COMO AUTOR | 3 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2021 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2022 |
| ÍNDICE H | 1 |
Measures of obliviousness and disarming obliqueness in Anna Burns' Milkman
In this essay, I explore the techniques by which Burns uses and explodes the myth of the unspeakable through the deployment of a picaresque mode that enables an ethical trauma narrative. I demonstrate how Burns’ work refutes an ‘event-based’ reading of trauma and discuss how the narrative of Milkman enacts the difficulty of finding vocabulary with which to make traumatic experience intelligible. I suggest that the novel enacts a refusal of suspic…
I Can See Through You
In this essay, I read Jennifer Egan and Alexandra Kleeman’s work within a distinct strand of contemporary literature, characterized by a turn away from skepticism as regards the transparency of language, a revitalized faith in literary form, and a pronounced interest in the capacity of the novel form as well as a centering of the existential experience of the subject socialized as “woman.” Charting a shift from the paranoid mode of the high postm…
Marketing Madness
How do we solve a problem like Elizabeth? This might well have been the title of Elizabeth Wurtzel’s ‘depression memoir,’ Prozac Nation (1994); or rather, it might have been the title if the book had been a memoir, rather than a piece of first-person gonzo-style reporting from the field of chemical imbalance. This reading forms the basis of a deeper reconsideration of Wurtzel’s position in the popular imagination as the ‘voice of a generation.’ I…
I Can See Through You
In this essay, I read Jennifer Egan and Alexandra Kleeman’s work within a distinct strand of contemporary literature, characterized by a turn away from skepticism as regards the transparency of language, a revitalized faith in literary form, and a pronounced interest in the capacity of the novel form as well as a centering of the existential experience of the subject socialized as “woman.” Charting a shift from the paranoid mode of the high postm…
I Can See Through You
In this essay, I read Jennifer Egan and Alexandra Kleeman’s work within a distinct strand of contemporary literature, characterized by a turn away from skepticism as regards the transparency of language, a revitalized faith in literary form, and a pronounced interest in the capacity of the novel form as well as a centering of the existential experience of the subject socialized as “woman.” Charting a shift from the paranoid mode of the high postm…
Marketing Madness
How do we solve a problem like Elizabeth? This might well have been the title of Elizabeth Wurtzel’s ‘depression memoir,’ Prozac Nation (1994); or rather, it might have been the title if the book had been a memoir, rather than a piece of first-person gonzo-style reporting from the field of chemical imbalance. This reading forms the basis of a deeper reconsideration of Wurtzel’s position in the popular imagination as the ‘voice of a generation.’ I…
Measures of obliviousness and disarming obliqueness in Anna Burns' Milkman
In this essay, I explore the techniques by which Burns uses and explodes the myth of the unspeakable through the deployment of a picaresque mode that enables an ethical trauma narrative. I demonstrate how Burns’ work refutes an ‘event-based’ reading of trauma and discuss how the narrative of Milkman enacts the difficulty of finding vocabulary with which to make traumatic experience intelligible. I suggest that the novel enacts a refusal of suspic…
Art (3 obras) · Psychoanalysis (3 obras) · Psychology (3 obras) · Sociology (3 obras) · Aesthetics (2 obras) · Contemporary Literature and Criticism (2 obras) · Gender, Feminism, and Media (2 obras) · History (2 obras) · Law (2 obras) · Law (2 obras)