Paul Oliver

• Field holler

  Paul Oliver•CHAPTER•The new Grove dictionary of music…•2014

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• Dorsey, Thomas A(ndrew)

  Paul Oliver•CHAPTER•The new Grove dictionary of music…•2014

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• Hinduism and the 1960s

  Paul Oliver•BOOK•Hinduism and the 1960s•2014

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  The West has drawn upon Hinduism on a wide scale, from hatha yoga and meditation techniques, to popular culture in music and fashion, yet the contribution of Hinduism to the counter-culture of the 1960s has not been analysed in full. Hinduism and the 1960s looks at the youth culture of the 1960s and early 1970s, and the way in which it was influenced by Hinduism and Indian culture. It examines the origins of the 1960s counter-culture in the Beat …

• Davis, (Blind) Gary

  Paul Oliver•CHAPTER•The new Grove dictionary of music…•2013

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• Sport and the Law

  Open Access•Paul Oliver•ARTICLE•Alternative Law Journal•2007

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• Bloomsbury Encyclopedia of Popular Music of the World

  John Shepherd, David Horn et al.•BOOK•Bloomsbury Encyclopedia of…•2003

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  The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as …

• Smith, Bessie (jazz)

  Paul Oliver•CHAPTER•The new Grove dictionary of music…•2003

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• Turner, (Big) Joe (jazz) (ii)

  Paul Oliver, Barry Kernfeld•CHAPTER•The new Grove dictionary of music…•2003

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• Boogie-woogie (jazz)

  Paul Oliver•CHAPTER•The new Grove dictionary of music…•2003

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• Blues (jazz)

  Paul Oliver, Barry Kernfeld•CHAPTER•The new Grove dictionary of music…•2003

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• Africa

  Paul Oliver•CHAPTER•2003

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• Smith, Bessie

  Paul Oliver•CHAPTER•The new Grove dictionary of music…•2001

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• Barrelhouse

  Paul Oliver•CHAPTER•The new Grove dictionary of music…•2001

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• The Power of Place; Urban Landscapes as Public History

  Open Access•Paul Oliver•ARTICLE•URBAN DESIGN International•1996•Citada por: 3

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• That certain feeling

  Open Access•Paul Oliver•ARTICLE•Popular Music•1991•Citada por: 1•Referências: 1

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  ‘And this, after all, we do know with certainty: that in the 1880s in and around New Orleans and in other parts of the South, they were beginning to play the music we call jazz.’ So wrote Barry Ulanov who was convinced that jazz ‘reached back to the twelve bar form of the folk tune ... and evolved that most durable and most thoroughly adaptable of jazz forms, the blues’. Picked out by ‘men and women in the backwoods and the front parlors making t…

• An Aural-Oral Art

  Wilfrid Mellers, Paul Oliver•ARTICLE•The Musical Times•1990

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• Music, History, Democracy

  Open Access•Paul Oliver•ARTICLE•Popular Music•1990

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• Folklore, Oral History, Popular Culture

  Open Access•Paul Oliver, Paul M Oliver•ARTICLE•Popular Music•1990

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• Puerto Rican Houses in Sociohistorical Perspective

  Paul Oliver, Carol F Jopling•ARTICLE•Man•1990

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• Festa New Orleans

  Open Access•Paul Oliver•ARTICLE•Popular Music•1989

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• Son House 1902-88

  Open Access•Paul Oliver•ARTICLE•Popular Music•1989•Citada por: 1

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• Dwellings

  Open Access•Allen G Noble, Paul Oliver et al.•ARTICLE•Geographical Review•1988•Citada por: 25

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• Introduction

  Open Access•Paul Oliver•ARTICLE•Popular Music•1988

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  Budding ethno-musicologists, step this way. If you ever wanted a bit of everything on a record, this is it,' wrote a reviewer in the Melody Maker for 18 April 1981. The record that covered 'a baffling amount of ground' was Revenge of the Mozabites by the Suns of Arqa on Rocksteady Records MICKLO1. Other reviewers were as puzzled, and in some cases, stimulated by the issue. To Johnny Black writing in London Trax theysound as if they lost their fro…

• Musico-ethnological approaches to musical instruments

  Open Access•Paul Oliver•ARTICLE•Popular Music•1988•Citada por: 1

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• Dunroamin'

  Paul Oliver, I G Davis et al.

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  Born between the Wars, British suburbia has endured and prospered, despite being so often the butt of architectural and social snobbery. In words and pictures, this book investigates the suburbs in which half the population of Britain live.

• Dwellings

  Open Access•Allen G Noble, Paul Oliver et al.•ARTICLE•Geographical Review•1988•Citada por: 25

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• Ethnic and Tourist Arts

  Open Access•Paul Oliver, Nelson H H Graburn et al.•ARTICLE•RAIN•1977•Citada por: 25

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• The Cultural Context of Shelter Provision

  Open Access•Paul Oliver, P O Oliver•ARTICLE•Disasters•1978•Citada por: 5

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• The Meaning of the Blues

  Ed Cray, Paul Oliver et al.•ARTICLE•Western Folklore•1964•Citada por: 5

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• The Power of Place; Urban Landscapes as Public History

  Open Access•Paul Oliver•ARTICLE•URBAN DESIGN International•1996•Citada por: 3

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• Twixt midnight and day

  Open Access•Paul Oliver•ARTICLE•Popular Music•1982•Citada por: 3•Referências: 4

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  Well the blues come to Texas lopin' like a muleWell the blues come to Texas lopin' like a muleYou take a high brown woman man she's hard to foolYou can't ever tell what a woman's got on her mindMan you can't tell what a woman's got on her mindYou might think she's crazy 'bout you she's leavin' you all the timeShe ain't so good looking and her teeth don't shine like pearlsShe ain't so good looking and her teeth don't shine like pearlsBut that nice…

• The Music of Black Americans

  Open Access•Paul Oliver•ARTICLE•Popular Music•1985•Citada por: 2

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• That certain feeling

  Open Access•Paul Oliver•ARTICLE•Popular Music•1991•Citada por: 1•Referências: 1

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  ‘And this, after all, we do know with certainty: that in the 1880s in and around New Orleans and in other parts of the South, they were beginning to play the music we call jazz.’ So wrote Barry Ulanov who was convinced that jazz ‘reached back to the twelve bar form of the folk tune ... and evolved that most durable and most thoroughly adaptable of jazz forms, the blues’. Picked out by ‘men and women in the backwoods and the front parlors making t…

• Son House 1902-88

  Open Access•Paul Oliver•ARTICLE•Popular Music•1989•Citada por: 1

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• Musico-ethnological approaches to musical instruments

  Open Access•Paul Oliver•ARTICLE•Popular Music•1988•Citada por: 1

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• "Mining "The True Folk Vein

  Paul Oliver•ARTICLE•Black Music Research Journal•1985•Citada por: 1

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  Just a century ago, on January 21, 1885, Huddie William Ledbetter was born at Mooringsport, Caddo Parrish, Louisiana.1 He died sixty-four years later in New York, by which time he had led a tempestuous life, that included time served as a convicted murderer, for attempted homicide and for assault. But he had also had his own radio show, appeared at concerts all over the United States, travelled to Europe, and had been lionized everywhere. For as …

• Mother of the Blues

  Open Access•Paul Oliver•ARTICLE•Popular Music•1983•Citada por: 1

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• Toward a Better Understanding of the Blues

  William Randle, William M Randle et al.•ARTICLE•Phylon (1960•1962

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• The Meaning of the Blues

  Ed Cray, Paul Oliver et al.•ARTICLE•Western Folklore•1964•Citada por: 5

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• Conversation with the Blues

  Open Access•John F Szwed, Paul Oliver•ARTICLE•Western Folklore•1966

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• All That Jazz

  Wilfrid Mellers, Albert Mccarthy et al.•ARTICLE•The Musical Times•1969

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• Living Country Blues

  Roger D Abrahams, Harry Oster et al.•ARTICLE•Western Folklore•1971

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• Savannah Syncopators

  William R Ferris, Paul Oliver et al.•ARTICLE•Ethnomusicology•1972

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• Shelter in Africa

  Daniel J Crowley, Paul Oliver•ARTICLE•African Arts•1973

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• The Story of the Blues

  Eileen Southern, Paul Oliver•ARTICLE•The Black Perspective in Music•1974

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• Vernacular Shelter

  Open Access•Paul Oliver•ARTICLE•RAIN•1975

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• Shelter, Sign and Symbol

  Open Access•Caroline Humphrey, Paul Oliver•ARTICLE•RAIN•1976

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• Ethnic and Tourist Arts

  Open Access•Paul Oliver, Nelson H H Graburn et al.•ARTICLE•RAIN•1977•Citada por: 25

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• African Traditional Architecture

  Open Access•Paul Oliver, Susan Denyer•ARTICLE•RAIN•1978

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• The Cultural Context of Shelter Provision

  Open Access•Paul Oliver, P O Oliver•ARTICLE•Disasters•1978•Citada por: 5

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• The International Workshop on Earthen Buildings in Seismic Areas* Albuquerque, Mew Mexico 24-28th May 1981

  Open Access•Ian Davis, Paul Oliver•ARTICLE•Disasters•1981

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• Twixt midnight and day

  Open Access•Paul Oliver•ARTICLE•Popular Music•1982•Citada por: 3•Referências: 4

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  Well the blues come to Texas lopin' like a muleWell the blues come to Texas lopin' like a muleYou take a high brown woman man she's hard to foolYou can't ever tell what a woman's got on her mindMan you can't tell what a woman's got on her mindYou might think she's crazy 'bout you she's leavin' you all the timeShe ain't so good looking and her teeth don't shine like pearlsShe ain't so good looking and her teeth don't shine like pearlsBut that nice…

• Can't Even Write

  Paul Oliver•ARTICLE•MELUS Multi-Ethnic Literature of…•1983

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  Journal Article Can’t Even Write: The Blues and Ethnic Literature Get access Paul Oliver Paul Oliver Oxford Polytechnic Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 10, Issue 1, March 1983, Pages 7–14, https://doi.org/10.2307/467484 Published: 01 March 1983

• Perfected for needs

  Open Access•Paul Oliver•ARTICLE•Habitat International•1983

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• Mother of the Blues

  Open Access•Paul Oliver•ARTICLE•Popular Music•1983•Citada por: 1

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• Songsters and Saints; Vocal Traditions on Race Records

  Steven C Tracy, Paul Oliver•ARTICLE•MELUS Multi-Ethnic Literature of…•1985

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  Journal Article Songsters and Saints; Vocal Tradition on Race Records. Paul Oliver. Cambridge: Cambridge University Press, 1984. Get access Songsters and Saints; Vocal Tradition on Race Records. Paul Oliver. Cambridge: Cambridge University Press, 1984. Steven C. Tracy Steven C. Tracy University of Cincinnati Search for other works by this author on: Oxford Academic Google Scholar MELUS, Volume 12, Issue 2, June 1985, Pages 93–97, https://doi.org/…

• "Mining "The True Folk Vein

  Paul Oliver•ARTICLE•Black Music Research Journal•1985•Citada por: 1

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  Just a century ago, on January 21, 1885, Huddie William Ledbetter was born at Mooringsport, Caddo Parrish, Louisiana.1 He died sixty-four years later in New York, by which time he had led a tempestuous life, that included time served as a convicted murderer, for attempted homicide and for assault. But he had also had his own radio show, appeared at concerts all over the United States, travelled to Europe, and had been lionized everywhere. For as …

• Development technology

  Open Access•Paul Oliver•ARTICLE•Habitat International•1985

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• Self-help housing

  Open Access•Paul Oliver•ARTICLE•Habitat International•1985

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• Disasters and development

  Open Access•Paul Oliver•ARTICLE•Habitat International•1985

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• Rural development

  Open Access•Paul Oliver•ARTICLE•Habitat International•1985

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• Songsters and Saints. Vocal Traditions on Race Records

  André J M Prévos, André Prévos et al.•ARTICLE•The Black Perspective in Music•1985

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  Do the Bombashay 2. Under the chicken tree 3 The long-tailed blue 4. If luck don't change 5. As the eagle stirreth her nest 6. Three ways to praise 7. Honey in the rock 8. Natural-born men 9. Next week, sometime...? Notes Bibliography A guide to reissued recordings Index of song titles Index of artists General index

Art (32 obras) · History (28 obras) · Art history (17 obras) · Computer Science (17 obras) · History (17 obras) · Music History and Culture (17 obras) · Blues (13 obras) · Sociology (13 obras) · Geography (12 obras) · Visual arts (10 obras)