Michael Fried
Dados Biográficos
| ID | 3587387 |
|---|---|
| NOME | Michael Fried |
| PRENOMES | Michael |
| SOBRENOME | Fried |
| ASSINATURA | FRIED M |
| AFILIAÇÕES | Ben-Gurion University of the Negev |
| ORCID | 0000-0001-6883-8174 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 51 |
| TOTAL DE CITAÇÕES | 77 |
| TOTAL COMO AUTOR | 51 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1961 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2026 |
| ÍNDICE H | 5 |
All or Nothing
Conversation in Lisbon University
Facingness meets mindedness
Conic sections
Conic sections are curves obtained by cutting a cone with a plane which does not pass through the vertex of the cone. The principal conic sections are the parabola, the hyperbola, and ellipse. The circle can also be obtained as a conic section, but, in Greek mathematics, the circle is usually defined by simpler means. Conic sections were studied intensely throughout the Hellenistic period, but particularly by Apollonios of Perge, whose work Conic…
Food vs money? Effects of hunger on mood and behavioral reactivity to reward in anorexia nervosa
Picasso and Truth
Book Review| April 01 2019 Picasso and Truth: From Cubism to Guernica by T. J. Clark Clark, T. J., Picasso and Truth: From Cubism to Guernica (Princeton, NJ: Princeton University Press, 2013), 344 pp. Michael Fried Michael Fried Search for other works by this author on: This Site Google Common Knowledge (2019) 25 (1-3): 453. https://doi.org/10.1215/0961754X-7312621 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Searc…
Apollonios of Perge
Apollonios of Perge, along with Euclid and Archimedes, was one of the greatest mathematicians of the Hellenistic period. The work for which he is best known is his Conics in Eight Books. Even in the ancient period, this was a celebrated work and was the reason Apollonios came to be known as the “great geometer.” Most of his other works seem to have been geometrical in character, but there are some which may have been of a more general nature, and…
Sztuka i przedmiotowość
Fragment pierwszego kompletnego i krytycznego polskiego przekładu jednego z najbardziej znanych tekstów Michaela Frieda, "Sztuka i przedmiotowość", który w całości ukaże się wkrótce w książce Krzysztofa Pijarskiego "Michael Fried: archeologia modernizmu
Thomas Demand e suas alegorias da intenção; "exclusão" em Candida Höfer, Hiroshi Sugimoto, e Thomas Struth
Em 2008, com a publicação de Why Photography Matters as Art as Never Before, Michael Fried retoma as discussões iniciadas em "Arte e Objetidade", ensaio de 1967, em especial a ideia de "absorção" ou antiteatralidade da arte, suposta característica da arte modernista em contraposição à minimalista/ literalista. Fried debate a questão da "presença", argumentando em prol da antiteatralidade, considerando a "absorção" como a principal qualidade nos t…
No Problem
This essay is a reflection on the supposed difficulties of "description" in the writing of art history and art criticism
Otto Toeplitz's 1927 Paper on the Genetic Method in the Teaching of Mathematics
Argument “The problem of university courses on infinitesimal calculus and their demarcation from infinitesimal calculus in high schools” (1927) is the published version of an address Otto Toeplitz delivered at a meeting of the German Mathematical Society held in Düsseldorf in 1926. It contains the most detailed exposition of Toeplitz's ideas about mathematics education, particularly his thinking about the role of the history of mathematics in mat…
Picasso and Truth
Book Review| August 01 2014 Picasso and Truth: From Cubism to Guernica Clark, T. J., Picasso and Truth: From Cubism to Guernica. (Princeton, NJ: Princeton University Press, 2013), 344 pp. Michael Fried Michael Fried Search for other works by this author on: This Site Google Common Knowledge (2014) 20 (3): 499. https://doi.org/10.1215/0961754X-2732904 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Sha…
Constantin Constantius Goes to the Theater
Constantin Constantius Goes to the Theater Michael Fried A basic assumption behind the remarks that follow is that Kierkegaard's writings, especially Either/Or (1842) and Repetition (1843), contain long stretches that deserve to be recognized as among the most luminous and far-reaching adventures in esthetic thinking, reflection on the arts, in the entire nineteenth century. This is true, or so I contend, despite the fact that the esthetic as suc…
Apollonios of Perge
As with so many mathematicians of the Hellenistic period, little about the life of Apollonios of Perge is known and, with the exception of his great work on conics, the Conica ( Konikon ), only hints of the true breadth of his mathematical activities survive.
Conic sections
Although the modern theory of conic sections largely concerns solutions of irreducible second‐order equations, ax 2 + by 2 + cxy + dx + ey + f = 0, the ancient theory was quite literally about the sections of a cone. Why such curves produced by cutting a cone became a subject for inquiry among the Greeks is not entirely clear. One possibility is that the study of conic sections originated in the investigation of sundials and shadow curves; anothe…
Altered Psychobiological Responsiveness in Women With Irritable Bowel Syndrome
OBJECTIVE: Although stress has been considered an important pathophysiological factor in irritable bowel syndrome (IBS), there is incomplete understanding of its physiological mechanisms. The current study was designed to compare diurnal hypothalamic-pituitary-adrenal (HPA) axis activity in IBS patients and controls and their psychobiological response to a psychosocial stressor. METHODS: Basal and stimulated HPA axis activity was assessed in 57 w…
On Meeting Stanley Cavell
On Meeting Stanley Cavell Michael Fried In the marvelous book that we are celebrating today, Little Did I Know, Stanley Cavell devotes two pages—two absolutely thrilling pages, in my opinion—to our first encounter in Cambridge, Massachusetts one evening in the fall of 1962. For my contribution to this symposium, I thought it would be appropriate to describe the lead-up to that occasion from my point of view and then to go on and say something abo…
Reply to Naef and Mulhall
Weston Naef's commentary focuses on chapter 1 of my book. His basic point is simple: whereas in my earlier writing about abstract painting I evince a concern with and knowledge of the actual materials and techniques employed by the artists I discuss, in Why Photography Matters, or at least in chapter one, I say almost nothing about either of these. So, for example, Naef expands on my account of Sugimoto's movie theatre photos to explain in far gr…
Absorto na ação
O filme Zidane, um retrato do século XXI, de Douglas Gordon e Philippe Parreno (2006) pertence à tradição de absorção que desempenhou um papel crucial na evolução da arte moderna. O autor explora a tensão entre absorção e teatralidade - central tanto para a pintura francesa do século XVIII como para a fotografia dos séculos XX e XXI - e tira conseqüências estéticas e filosóficas do filme que retrata, ao longo de todos os noventa minutos de uma pa…
A Self-Correction
Seven Poems
Jeff Wall, Wittgenstein, and the Everyday
Three Poems
Should Science be Taught in Early Childhood?
Unfurled
Absorption and Theatricality
Barthes's Punctum
Absorption and Theatricality. Painting and Beholder in the Age of Diderot
With this widely acclaimed work, Fried revised the way in which eighteenth-century French painting and criticism were viewed and understood.A reinterpretation supported by immense learning and by a series of brilliantly perceptive readings of paintings and criticism alike. . . . An exhilarating book.--John Barrell, London Review of Books
Jeff Wall, Wittgenstein, and the Everyday
How Modernism Works
Painting Memories
Between Realisms
Almayer's Face
Antiquity Now
In an essay that has long been recognized as perhaps the founding statement of international neoclassicism as well as one of the key early instances of modern thinking about the arts, Johann Winckelmann's Reflections on the Imitation of the Painting and Sculpture of the Ancient Greeks (1755),' a desire not only to locate but actually to renew a lost origin is everywhere in play. But throughout that essay Winckelmann's first published work origina…
Facingness meets mindedness
Food vs money? Effects of hunger on mood and behavioral reactivity to reward in anorexia nervosa
Manet in His Generation
A Question of Form
Absorption
Toward a Supreme Fiction
Michael Fried, Toward a Supreme Fiction: Genre and Beholder in the Art Criticism of Diderot and His Contemporaries, New Literary History, Vol. 6, No. 3, History and Criticism: II (Spring, 1975), pp. 543-585
Absorption and Theatricality
How Modernism Works
Absorption and Theatricality. Painting and Beholder in the Age of Diderot
With this widely acclaimed work, Fried revised the way in which eighteenth-century French painting and criticism were viewed and understood.A reinterpretation supported by immense learning and by a series of brilliantly perceptive readings of paintings and criticism alike. . . . An exhilarating book.--John Barrell, London Review of Books
Painter into Painting
The Structure of Beholding in Courbet's 'Burial at Ornans
Courbet's Metaphysics
This essay is mainly concerned with a single work by the nineteenth-century painter, Gustave Courbet (1819-77). The work is The Quarry, painted in 1856 and exhibited along with several other pictures by the artist in the Salon the following year (Fig. 1).' As the first full-dress hunting scene in Courbet's oeuvre, The Quarry has a special claim on our attention. It is also one of numerous self-portraits that he painted in the course of his career…
Painting Memories
Realism, Writing, and Disfiguration in Thomas Eakins's Gross Clinic, with a Postscript on Stephen Crane's Upturned Faces
Research Article| January 01 1985 Realism, Writing, and Disfiguration in Thomas Eakins's Gross Clinic, with a Postscript on Stephen Crane's Upturned Faces Michael Fried Michael Fried Search for other works by this author on: This Site PubMed Google Scholar Representations (1985) 9: 33–104. https://doi.org/10.2307/3043766 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn…
Forget It
Antiquity Now
In an essay that has long been recognized as perhaps the founding statement of international neoclassicism as well as one of the key early instances of modern thinking about the arts, Johann Winckelmann's Reflections on the Imitation of the Painting and Sculpture of the Ancient Greeks (1755),' a desire not only to locate but actually to renew a lost origin is everywhere in play. But throughout that essay Winckelmann's first published work origina…
Statistical Persons
Realism, Writing, Disfiguration
Absorption and Theatricality
Almayer's Face
Courbet's Realism
Response to Bill Brown
Manet in His Generation
Between Realisms
Thoughts on Caravaggio
Caillebotte's Impressionism
Research Article| April 01 1999 Caillebotte's Impressionism Michael Fried Michael Fried Search for other works by this author on: This Site PubMed Google Scholar Representations (1999) 66: 1–51. https://doi.org/10.2307/2902878 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Michael Fri…
Response to Caroline A. Jones
The Use of Analogy in Book VII of Apollonius’ Conica
ArgumentApollonius of Perga’s Conica, like almost all Greek mathematical works, relies heavily on the use of proportion, of analogia. Analogy as the assertion of a resemblance, however, also plays a role in the Conica. The homologue, which Apollonius introduces in Book VII, is a striking example of analogia in both senses. On the one hand, the homologue is defined by means of a precise proportion relating the diameter and latus rectum of a conic …
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