Erica Weaver
Dados Biográficos
| ID | 3594012 |
|---|---|
| NOME | Erica Weaver |
| PRENOMES | Erica |
| SOBRENOME | Weaver |
| ASSINATURA | WEAVER E |
| AFILIAÇÕES | University of California, Los Angeles |
| ORCID | 0000-0002-4063-1435 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 6 |
| TOTAL DE CITAÇÕES | 2 |
| TOTAL COMO AUTOR | 6 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2016 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2020 |
| ÍNDICE H | 1 |
Epistolary Acts
Global Exchanges in the North Atlantic, ca. 350–1300
Confessing in Old English
Performing (In)Attention
The central regulatory document of the tenth-century English Benedictine Reform, Æthelwold of Winchester's Regularis concordia, contains an important performance piece: the Visitatio sepulchri, which standard theater histories understand as an anomalous originary text that marks the reemergence of drama in the European Middle Ages. This article resituates it alongside the schoolroom colloquies of Æthelwold's student Ælfric of Eynsham and his stud…
Premodern and Postcritical
Premodern and Postcritical:Medieval Enigmata and the Hermeneutic Style Erica Weaver (bio) JEAN STEIN: Some people say they can't understand your writing, even after they read it two or three times. What approach would you suggest for them? WILLIAM FAULKNER: Read it four times. -1956 interview for The Paris Review1 I did the jumble two ways and both ways were right.I got VERSE and LIVED and RANKED and VEINEDAnd ENVIED and DANKER and DEVIL and SEVE…
Hybrid forms
Critics have long wondered about the setting and intent of the Old English translation of Boethius's De consolatione philosophiae , first into prose and then into prosimetrum. This article situates the dual translation within the broader context of ninth- and tenth-century literary culture, challenging the received view of the two versions as separate projects and arguing instead that the Old English Boethius was conceived and received as a verna…
Premodern and Postcritical
Premodern and Postcritical:Medieval Enigmata and the Hermeneutic Style Erica Weaver (bio) JEAN STEIN: Some people say they can't understand your writing, even after they read it two or three times. What approach would you suggest for them? WILLIAM FAULKNER: Read it four times. -1956 interview for The Paris Review1 I did the jumble two ways and both ways were right.I got VERSE and LIVED and RANKED and VEINEDAnd ENVIED and DANKER and DEVIL and SEVE…
Hybrid forms
Critics have long wondered about the setting and intent of the Old English translation of Boethius's De consolatione philosophiae , first into prose and then into prosimetrum. This article situates the dual translation within the broader context of ninth- and tenth-century literary culture, challenging the received view of the two versions as separate projects and arguing instead that the Old English Boethius was conceived and received as a verna…
Hybrid forms
Critics have long wondered about the setting and intent of the Old English translation of Boethius's De consolatione philosophiae , first into prose and then into prosimetrum. This article situates the dual translation within the broader context of ninth- and tenth-century literary culture, challenging the received view of the two versions as separate projects and arguing instead that the Old English Boethius was conceived and received as a verna…
Premodern and Postcritical
Premodern and Postcritical:Medieval Enigmata and the Hermeneutic Style Erica Weaver (bio) JEAN STEIN: Some people say they can't understand your writing, even after they read it two or three times. What approach would you suggest for them? WILLIAM FAULKNER: Read it four times. -1956 interview for The Paris Review1 I did the jumble two ways and both ways were right.I got VERSE and LIVED and RANKED and VEINEDAnd ENVIED and DANKER and DEVIL and SEVE…
Epistolary Acts
Global Exchanges in the North Atlantic, ca. 350–1300
Confessing in Old English
Performing (In)Attention
The central regulatory document of the tenth-century English Benedictine Reform, Æthelwold of Winchester's Regularis concordia, contains an important performance piece: the Visitatio sepulchri, which standard theater histories understand as an anomalous originary text that marks the reemergence of drama in the European Middle Ages. This article resituates it alongside the schoolroom colloquies of Æthelwold's student Ælfric of Eynsham and his stud…
Art (5 obras) · History (5 obras) · Medieval Literature and History (5 obras) · Literature (4 obras) · Philosophy (4 obras) · Classics (3 obras) · History (3 obras) · Linguistics (3 obras) · Philosophy (3 obras) · Reformation and Early Modern Christianity (3 obras)