Delia Casadei
Dados Biográficos
| ID | 3595166 |
|---|---|
| NOME | Delia Casadei |
| PRENOMES | Delia |
| SOBRENOME | Casadei |
| ASSINATURA | CASADEI D |
| AFILIAÇÕES | University of California System |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 6 |
| TOTAL DE CITAÇÕES | 1 |
| TOTAL COMO AUTOR | 6 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2016 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 1 |
Opera and the Art of Anaesthetics
Review-essay of the opera Il diluvio universale. Music by Gaetano Donizetti, libretto by Domenico Gilardoni. Riccardo Frizza (Conductor), Masbedo (Project, directors, live directors and costumes), Mariano Furlani (Visual dramaturgy), 2050+ (Scenography). Teatro Donizetti, Bergamo (November–December 2023)
The Acoustemology of the Witch
This paper offers an acoustemological exploration of a set of taped interviews on the subject of witchcraft made in the 1960s and 1970s by historian and ethnomusicologist Cesare Bermani in the village of Villa Zaccheo (Abruzzo, Italy). Bermani’s extraordinary research has resulted in a celebrated monograph as well as more than 90 hours of taped interviews and songs made available through the Archivio Cesare Bermani in Orta San Giulio (Novara, Ita…
Risible
Risible explores the forgotten history of laughter, from ancient Greece to the sitcom stages of Hollywood. Delia Casadei approaches laughter not as a phenomenon that can be accounted for by studies of humor and theories of comedy but rather as a technique of the human body, knowable by its repetitive, clipped, and proliferating sound and its enduring links to the capacity for language and reproduction. This buried genealogy of laughter re-emerges…
Vico Signifying Nothing
This essay offers a reconsideration of Giambattista Vico's work for scholars interested in history, sound, and aurality. It takes as its point of departure the chronological table that stands at the opening of The New Science, homing in on its blind spots, raw absences, and tangled claims to objectivity. Vico's understanding of history relies-this essay goes on to argue-on a lively world of aural metaphors involved in the act of its writing: imag…
Sound Evidence, 1969
On 19 November 1969, two members of Milan's neofolk music collective the Nuovo Canzoniere Italiano (NCI) armed themselves with portable sound recorders and wandered amongst a crowd of demonstrators near Milan's Duomo. The resulting LP, I fatti di Milano (The events of Milan), is a puzzling hybrid of artistic and political intent. As the sleeve note explains, the demonstration degenerated into a riot and resulted in the violent-and to this day leg…
Milan's Studio di Fonologia
The Studio di Fonologia Musicale of Milan, Italy's first electronic music studio, opened in 1955. Housed in the national broadcasting (RAI) studios in Milan, the studio was founded by two celebrated Italian composers: Luciano Berio and Bruno Maderna. The institution is often remembered nowadays for being the first electronic music studio to focus its activity on the human voice. As I argue, this focus was not only of an aesthetic nature, but rath…
Milan's Studio di Fonologia
The Studio di Fonologia Musicale of Milan, Italy's first electronic music studio, opened in 1955. Housed in the national broadcasting (RAI) studios in Milan, the studio was founded by two celebrated Italian composers: Luciano Berio and Bruno Maderna. The institution is often remembered nowadays for being the first electronic music studio to focus its activity on the human voice. As I argue, this focus was not only of an aesthetic nature, but rath…
Milan's Studio di Fonologia
The Studio di Fonologia Musicale of Milan, Italy's first electronic music studio, opened in 1955. Housed in the national broadcasting (RAI) studios in Milan, the studio was founded by two celebrated Italian composers: Luciano Berio and Bruno Maderna. The institution is often remembered nowadays for being the first electronic music studio to focus its activity on the human voice. As I argue, this focus was not only of an aesthetic nature, but rath…
Sound Evidence, 1969
On 19 November 1969, two members of Milan's neofolk music collective the Nuovo Canzoniere Italiano (NCI) armed themselves with portable sound recorders and wandered amongst a crowd of demonstrators near Milan's Duomo. The resulting LP, I fatti di Milano (The events of Milan), is a puzzling hybrid of artistic and political intent. As the sleeve note explains, the demonstration degenerated into a riot and resulted in the violent-and to this day leg…
Vico Signifying Nothing
This essay offers a reconsideration of Giambattista Vico's work for scholars interested in history, sound, and aurality. It takes as its point of departure the chronological table that stands at the opening of The New Science, homing in on its blind spots, raw absences, and tangled claims to objectivity. Vico's understanding of history relies-this essay goes on to argue-on a lively world of aural metaphors involved in the act of its writing: imag…
Risible
Risible explores the forgotten history of laughter, from ancient Greece to the sitcom stages of Hollywood. Delia Casadei approaches laughter not as a phenomenon that can be accounted for by studies of humor and theories of comedy but rather as a technique of the human body, knowable by its repetitive, clipped, and proliferating sound and its enduring links to the capacity for language and reproduction. This buried genealogy of laughter re-emerges…
Opera and the Art of Anaesthetics
Review-essay of the opera Il diluvio universale. Music by Gaetano Donizetti, libretto by Domenico Gilardoni. Riccardo Frizza (Conductor), Masbedo (Project, directors, live directors and costumes), Mariano Furlani (Visual dramaturgy), 2050+ (Scenography). Teatro Donizetti, Bergamo (November–December 2023)
The Acoustemology of the Witch
This paper offers an acoustemological exploration of a set of taped interviews on the subject of witchcraft made in the 1960s and 1970s by historian and ethnomusicologist Cesare Bermani in the village of Villa Zaccheo (Abruzzo, Italy). Bermani’s extraordinary research has resulted in a celebrated monograph as well as more than 90 hours of taped interviews and songs made available through the Archivio Cesare Bermani in Orta San Giulio (Novara, Ita…
Art (5 obras) · Law (3 obras) · Political science (3 obras) · Acoustics (2 obras) · Art history (2 obras) · Communication (2 obras) · Diverse Musicological Studies (2 obras) · Epistemology (2 obras) · History (2 obras) · Italian Fascism and Post-war Society (2 obras)