Gary Tomlinson
Dados Biográficos
| ID | 3595183 |
|---|---|
| NOME | Gary Tomlinson |
| PRENOMES | Gary |
| SOBRENOME | Tomlinson |
| ASSINATURA | TOMLINSON G |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 14 |
| TOTAL DE CITAÇÕES | 32 |
| TOTAL COMO AUTOR | 14 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1981 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2021 |
| ÍNDICE H | 4 |
Cantologies
Cantology names an approach to the songish impulses that are a ubiquitous aspect of human cultures. It aims to divert our attention from the more restricted objects of musicological and ethnomusicological scrutiny by discerning song formations, conditions of possibility that define experiences of society and history along songish lines. These formations, local phenomena in cantology's broad purview, emerge from the interactions of levels of cultu…
Culture and the Course of Human Evolution
Two Deep-Historical Models of Climate Crisis
In a series of recent essays, Dipesh Chakrabarty has analyzed the Anthropocene as a problem of incommensurable conceptual scales and offered a historiographic meditation on the difficulty of visualizing its threat. After surveying Chakrabarty's analysis, this essay poses two thought experiments in such visualization. Each takes its start from a type of model used in evolutionary studies, respectively, the feedback systems of niche construction an…
Sign, Affect, and Musicking before the Human
Viewed in broad and deep-historical perspective, human musicking can help us to discern a semiotics reaching far beyond the human sign, clarifying its signifying processes while at the same time delimiting them within the larger realm of information. These categories and distinctions, brought to bear on recent affect theory, show it to be often inadequate in its use of key concepts. This biosemiotic analysis, then, indicates three directions forw…
Evolutionary Studies in the Humanities
The Singing of the New World
In The Singing of the New World Gary Tomlinson offers histories of ancient music long since silent: the songs of the Indians that Europeans met in the sixteenth century. Merging recent cultural history, early European accounts, archaeological findings, and rare indigenous documents for the Mexica (or Aztecs), the Incas, and the Tupinamba of lowland Brazil, Tomlinson explores the place of singing in these societies. He details the expressive and r…
Music and Historical Critique
Contents: Introduction List of published writings The web of culture: a context for musicology Music and the claims of text: Monteverdi, Rinuccini and Marino Opera and drame Hugo, Donizetti and Verdi Italian romanticism and Italian opera: an essay in their affinities Pastoral and musical magic in the birth of opera Musical pasts and postmodern musicologies: A Response to Lawrence Kramer and Tomlinson Responds Giaches de Wert and the discourse of …
Monumental Musicology
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Cultural Dialogics and Jazz
Free of the white person's gaze, black people created their own unique vernacular structures and relished in the double play that these forms bore to white forms. Repetition and revision are fundamental to black artistic forms, from painting and sculpture to music and language use. I decided to analyze the nature and function of precisely because it is repetition and revision, or repetition with a signal difference. Whatever is black about black …
Music in the Culture of the Renaissance and Other Essays
Edward E. Lowinsky. Music in the Culture of the Renaissance and Other Essays Ed. Bonnie J. Blackburn. Chicago: The University of Chicago Press, 1989. 2 vols.; 15 pls., 104 halftones, music exx.; xxi + 993 pp. $250. - Volume 45 Issue 2
Cultural Dialogics and Jazz
Humanism in Italian Renaissance Musical Thought . Claude V. Palisca
Music and the Claims of Text
Madrigal, Monody, and Monteverdi's Via Naturale Alla Immitatione
Research Article| April 01 1981 Madrigal, Monody, and Monteverdi's Via Naturale Alla Immitatione Gary Tomlinson Gary Tomlinson Search for other works by this author on: This Site PubMed Google Scholar Journal of the American Musicological Society (1981) 34 (1): 60-108. https://doi.org/10.2307/831035 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get …
Cultural Dialogics and Jazz
Free of the white person's gaze, black people created their own unique vernacular structures and relished in the double play that these forms bore to white forms. Repetition and revision are fundamental to black artistic forms, from painting and sculpture to music and language use. I decided to analyze the nature and function of precisely because it is repetition and revision, or repetition with a signal difference. Whatever is black about black …
Sign, Affect, and Musicking before the Human
Viewed in broad and deep-historical perspective, human musicking can help us to discern a semiotics reaching far beyond the human sign, clarifying its signifying processes while at the same time delimiting them within the larger realm of information. These categories and distinctions, brought to bear on recent affect theory, show it to be often inadequate in its use of key concepts. This biosemiotic analysis, then, indicates three directions forw…
Cultural Dialogics and Jazz
Evolutionary Studies in the Humanities
Monumental Musicology
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Cantologies
Cantology names an approach to the songish impulses that are a ubiquitous aspect of human cultures. It aims to divert our attention from the more restricted objects of musicological and ethnomusicological scrutiny by discerning song formations, conditions of possibility that define experiences of society and history along songish lines. These formations, local phenomena in cantology's broad purview, emerge from the interactions of levels of cultu…
Madrigal, Monody, and Monteverdi's Via Naturale Alla Immitatione
Research Article| April 01 1981 Madrigal, Monody, and Monteverdi's Via Naturale Alla Immitatione Gary Tomlinson Gary Tomlinson Search for other works by this author on: This Site PubMed Google Scholar Journal of the American Musicological Society (1981) 34 (1): 60-108. https://doi.org/10.2307/831035 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get …
Madrigal, Monody, and Monteverdi's Via Naturale Alla Immitatione
Research Article| April 01 1981 Madrigal, Monody, and Monteverdi's Via Naturale Alla Immitatione Gary Tomlinson Gary Tomlinson Search for other works by this author on: This Site PubMed Google Scholar Journal of the American Musicological Society (1981) 34 (1): 60-108. https://doi.org/10.2307/831035 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get …
Music and the Claims of Text
Humanism in Italian Renaissance Musical Thought . Claude V. Palisca
Cultural Dialogics and Jazz
Music in the Culture of the Renaissance and Other Essays
Edward E. Lowinsky. Music in the Culture of the Renaissance and Other Essays Ed. Bonnie J. Blackburn. Chicago: The University of Chicago Press, 1989. 2 vols.; 15 pls., 104 halftones, music exx.; xxi + 993 pp. $250. - Volume 45 Issue 2
Cultural Dialogics and Jazz
Free of the white person's gaze, black people created their own unique vernacular structures and relished in the double play that these forms bore to white forms. Repetition and revision are fundamental to black artistic forms, from painting and sculpture to music and language use. I decided to analyze the nature and function of precisely because it is repetition and revision, or repetition with a signal difference. Whatever is black about black …
The Singing of the New World
In The Singing of the New World Gary Tomlinson offers histories of ancient music long since silent: the songs of the Indians that Europeans met in the sixteenth century. Merging recent cultural history, early European accounts, archaeological findings, and rare indigenous documents for the Mexica (or Aztecs), the Incas, and the Tupinamba of lowland Brazil, Tomlinson explores the place of singing in these societies. He details the expressive and r…
Music and Historical Critique
Contents: Introduction List of published writings The web of culture: a context for musicology Music and the claims of text: Monteverdi, Rinuccini and Marino Opera and drame Hugo, Donizetti and Verdi Italian romanticism and Italian opera: an essay in their affinities Pastoral and musical magic in the birth of opera Musical pasts and postmodern musicologies: A Response to Lawrence Kramer and Tomlinson Responds Giaches de Wert and the discourse of …
Monumental Musicology
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Evolutionary Studies in the Humanities
Sign, Affect, and Musicking before the Human
Viewed in broad and deep-historical perspective, human musicking can help us to discern a semiotics reaching far beyond the human sign, clarifying its signifying processes while at the same time delimiting them within the larger realm of information. These categories and distinctions, brought to bear on recent affect theory, show it to be often inadequate in its use of key concepts. This biosemiotic analysis, then, indicates three directions forw…
Two Deep-Historical Models of Climate Crisis
In a series of recent essays, Dipesh Chakrabarty has analyzed the Anthropocene as a problem of incommensurable conceptual scales and offered a historiographic meditation on the difficulty of visualizing its threat. After surveying Chakrabarty's analysis, this essay poses two thought experiments in such visualization. Each takes its start from a type of model used in evolutionary studies, respectively, the feedback systems of niche construction an…
Culture and the Course of Human Evolution
Cantologies
Cantology names an approach to the songish impulses that are a ubiquitous aspect of human cultures. It aims to divert our attention from the more restricted objects of musicological and ethnomusicological scrutiny by discerning song formations, conditions of possibility that define experiences of society and history along songish lines. These formations, local phenomena in cantology's broad purview, emerge from the interactions of levels of cultu…
Art (9 obras) · Diverse Musicological Studies (6 obras) · Musicology and Musical Analysis (6 obras) · Visual arts (6 obras) · Art history (5 obras) · Literature (4 obras) · Aesthetics (3 obras) · Computer Science (3 obras) · Download (3 obras) · History (3 obras)