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Mike Alleyne

Dados Biográficos

ID3596485
NOMEMike Alleyne
PRENOMESMike
SOBRENOMEAlleyne
ASSINATURAALLEYNE M
AFILIAÇÕESMiddle Tennessee State University
ORCID0000-0002-5436-7399
VERIFICADOSim
TOTAL DE OBRAS16
TOTAL DE CITAÇÕES5
OBRAS COMO AUTOR15
OBRAS COMO EDITOR1
PRIMEIRO ANO DE PUBLICAÇÃO2000
ANO MAIS RECENTE DE PUBLICAÇÃO2026
ÍNDICE H1
  • Sly Stone (1943–2025)

    Open Access•Mike Alleyne•ARTICLE•Rock Music Studies•2026

    Sly Stone’s life ended on 9 June 2025, and it provides cautionary lessons about drug-related excess. He survived long enough to author a memoir with philosophical reflections on his life and career

  • Jimmy Cliff (1944–2025)

    Open Access•Mike Alleyne•ARTICLE•Popular Music & Society•2026

    Reggae legend Jimmy Cliff died on November 24 2025, aged 81, after a seizure and pneumonia. The singer’s passing was recognized by Jamaica’s Prime Minister, Andrew Holness, and honored with an offi...

  • Reggae in the United States

    Mike Alleyne•CHAPTER•The new Grove dictionary of music…•2024

  • Special Issue

    Open Access•Mike Alleyne, Kirsty Fairclough•ARTICLE•Interactions Studies in…•2022

    This editorial examines historical and artistic contexts within which Prince’s Sign o’ the Times box set reissue might be viewed and heard, while also considering the overall posthumous output from the Estate. The discussion therefore explores the commercial and other functions of box sets in general and Prince’s reissued recordings in in particular, potential symbolic signification, and the critical polarization that often accompanies such relea…

  • Housing the quake

    Open Access•Mike Alleyne•ARTICLE•Interactions Studies in…•2022

    This interview features Todd Herreman who worked for Prince as a general keyboard technician between 1986 and 1987 when material for the Sign o’ the Times album was being recorded. Herreman, credited on the 2020 Super Deluxe edition as an assistant engineer, recalls how he first became involved in working with Prince, the overall nature of his support roles, the challenges of recording a prolific artist and aspects of tracking the sessions for Ma…

  • Bob Marley

    Mike Alleyne•ARTICLE•Rock Music Studies•2019

  • Trajectories and themes in world popular music

    Mike Alleyne•ARTICLE•British Journal of Ethnomusicology•2018

    The term ‘globalisation’ carries multiple discursive interpretations and embedded cultural subtexts within the context of popular music, and this study confronts numerous central issues adopting a

  • Special issue of Rock Music Studies

    Mike Alleyne•ARTICLE•Rock Music Studies•2017

  • Special issue of Rock Music Studies

    Mike Alleyne•ARTICLE•Popular Music & Society•2016

    Guest-edited by Mike AlleyneSubmissions are invited for a special issue of Rock Music Studies that examines the art and legacies of reggae’s best-known figure in the particular context of the forti

  • After the Storm

    Mike Alleyne•ARTICLE•Rock Music Studies•2014

    The London-based design agency known as Hipgnosis, comprising primarily Storm Thorgerson, Aubrey Powell and later Peter Christopherson (along with several itinerant freelance collaborators), stood at the forefront of rock's imaginative leap from the mundane to the magical (and also occasionally into the absurd and grotesque) during its operation from 1968 to 1983. The studio helped to make the album cover more integral to a record's artistic tota…

  • Jones, Quincy (Delight)

    Mike Alleyne•CHAPTER•The new Grove dictionary of music…•2013

  • Inside Out

    Mike Alleyne•ARTICLE•Small Axe A Caribbean Journal of…•2006•Citada por: 1

    The function of metaphor and role-play in Caribbean popular culture is not always fully understood within and outside the indigenous context. Thus, the lyrics of Jamaica's dancehall DJ's, taken all too literally, have increasingly come under attack at home and abroad (176-77). The epigraph taken from Carolyn Cooper's essay collection emphasizes one of its most central concerns: the loss and misrepresentation of dancehall's meanings in both mainst…

  • Ranglin, Ernest

    Val Wilmer, Mike Alleyne•EDITOR•CHAPTER•The new Grove dictionary of music…•2003

  • Marley, Bob

    Mike Alleyne•CHAPTER•The new Grove dictionary of music…•2001

  • Uncovered Roots

    Mike Alleyne•ARTICLE•Small Axe A Caribbean Journal of…•2001

  • White reggae

    Mike Alleyne•ARTICLE•Popular Music & Society•2000•Citada por: 4•Referências: 3

    (2000). White reggae: Cultural dilution in the record industry. Popular Music and Society: Vol. 24, No. 1, pp. 15-30

  • White reggae

    Mike Alleyne•ARTICLE•Popular Music & Society•2000•Citada por: 4•Referências: 3

    (2000). White reggae: Cultural dilution in the record industry. Popular Music and Society: Vol. 24, No. 1, pp. 15-30

  • Inside Out

    Mike Alleyne•ARTICLE•Small Axe A Caribbean Journal of…•2006•Citada por: 1

    The function of metaphor and role-play in Caribbean popular culture is not always fully understood within and outside the indigenous context. Thus, the lyrics of Jamaica's dancehall DJ's, taken all too literally, have increasingly come under attack at home and abroad (176-77). The epigraph taken from Carolyn Cooper's essay collection emphasizes one of its most central concerns: the loss and misrepresentation of dancehall's meanings in both mainst…

  • White reggae

    Mike Alleyne•ARTICLE•Popular Music & Society•2000•Citada por: 4•Referências: 3

    (2000). White reggae: Cultural dilution in the record industry. Popular Music and Society: Vol. 24, No. 1, pp. 15-30

  • Marley, Bob

    Mike Alleyne•CHAPTER•The new Grove dictionary of music…•2001

  • Uncovered Roots

    Mike Alleyne•ARTICLE•Small Axe A Caribbean Journal of…•2001

  • Ranglin, Ernest

    Val Wilmer, Mike Alleyne•EDITOR•CHAPTER•The new Grove dictionary of music…•2003

  • Inside Out

    Mike Alleyne•ARTICLE•Small Axe A Caribbean Journal of…•2006•Citada por: 1

    The function of metaphor and role-play in Caribbean popular culture is not always fully understood within and outside the indigenous context. Thus, the lyrics of Jamaica's dancehall DJ's, taken all too literally, have increasingly come under attack at home and abroad (176-77). The epigraph taken from Carolyn Cooper's essay collection emphasizes one of its most central concerns: the loss and misrepresentation of dancehall's meanings in both mainst…

  • Jones, Quincy (Delight)

    Mike Alleyne•CHAPTER•The new Grove dictionary of music…•2013

  • After the Storm

    Mike Alleyne•ARTICLE•Rock Music Studies•2014

    The London-based design agency known as Hipgnosis, comprising primarily Storm Thorgerson, Aubrey Powell and later Peter Christopherson (along with several itinerant freelance collaborators), stood at the forefront of rock's imaginative leap from the mundane to the magical (and also occasionally into the absurd and grotesque) during its operation from 1968 to 1983. The studio helped to make the album cover more integral to a record's artistic tota…

  • Special issue of Rock Music Studies

    Mike Alleyne•ARTICLE•Popular Music & Society•2016

    Guest-edited by Mike AlleyneSubmissions are invited for a special issue of Rock Music Studies that examines the art and legacies of reggae’s best-known figure in the particular context of the forti

  • Special issue of Rock Music Studies

    Mike Alleyne•ARTICLE•Rock Music Studies•2017

  • Trajectories and themes in world popular music

    Mike Alleyne•ARTICLE•British Journal of Ethnomusicology•2018

    The term ‘globalisation’ carries multiple discursive interpretations and embedded cultural subtexts within the context of popular music, and this study confronts numerous central issues adopting a

  • Bob Marley

    Mike Alleyne•ARTICLE•Rock Music Studies•2019

  • Special Issue

    Open Access•Mike Alleyne, Kirsty Fairclough•ARTICLE•Interactions Studies in…•2022

    This editorial examines historical and artistic contexts within which Prince’s Sign o’ the Times box set reissue might be viewed and heard, while also considering the overall posthumous output from the Estate. The discussion therefore explores the commercial and other functions of box sets in general and Prince’s reissued recordings in in particular, potential symbolic signification, and the critical polarization that often accompanies such relea…

  • Housing the quake

    Open Access•Mike Alleyne•ARTICLE•Interactions Studies in…•2022

    This interview features Todd Herreman who worked for Prince as a general keyboard technician between 1986 and 1987 when material for the Sign o’ the Times album was being recorded. Herreman, credited on the 2020 Super Deluxe edition as an assistant engineer, recalls how he first became involved in working with Prince, the overall nature of his support roles, the challenges of recording a prolific artist and aspects of tracking the sessions for Ma…

  • Reggae in the United States

    Mike Alleyne•CHAPTER•The new Grove dictionary of music…•2024

  • Sly Stone (1943–2025)

    Open Access•Mike Alleyne•ARTICLE•Rock Music Studies•2026

    Sly Stone’s life ended on 9 June 2025, and it provides cautionary lessons about drug-related excess. He survived long enough to author a memoir with philosophical reflections on his life and career

  • Jimmy Cliff (1944–2025)

    Open Access•Mike Alleyne•ARTICLE•Popular Music & Society•2026

    Reggae legend Jimmy Cliff died on November 24 2025, aged 81, after a seizure and pneumonia. The singer’s passing was recognized by Jamaica’s Prime Minister, Andrew Holness, and honored with an offi...

Art (10 obras) · Music History and Culture (8 obras) · Art history (5 obras) · Caribbean history, culture, and politics (5 obras) · Sociology (4 obras) · History (3 obras) · Psychology (3 obras) · Visual arts (3 obras) · Aesthetics (2 obras) · Archaeology (2 obras)

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