Jill Jarvis
Dados Biográficos
| ID | 3597411 |
|---|---|
| NOME | Jill Jarvis |
| PRENOMES | Jill |
| SOBRENOME | Jarvis |
| ASSINATURA | JARVIS J |
| AFILIAÇÕES | Yale University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAÇÕES | 15 |
| TOTAL COMO AUTOR | 8 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2014 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2023 |
| ÍNDICE H | 2 |
Forget Decolonizing
This paper considers the possibilities and limits of anticolonial resistance alongside the transmedial artworks of Tuareg poet and artist Mahmoudan Hawad, setting what he calls his "furigraphies" in a radioactive historical and geographical context that presently extends from Taourirt Tan Afela (Algeria) to Arlit (Niger) because of indelible-and currently unfolding-French nuclear imperialism that includes both nuclear bomb and uranium extraction …
Empire and catastrophe
Radiant Matter
Beginning in 1960, the French military carried out seventeen nuclear bomb detonations at bases constructed for this purpose in what is now the Algerian Sahara. This French imperial "radiance" has left an enduring radiological and epistemological legacy whose effects are not yet known. Grounded by close attention to transmedial works by Elisabeth Leuvrey, Bruno Hadjih, and Ammar Bouras, this essay investigates the critical potential of aesthetic r…
Decolonizing Memory
The magnitude of the legal violence exercised by the French to colonize and occupy Algeria (1830–1962) is such that only aesthetic works have been able to register its enduring effects. In Decolonizing Memory Jill Jarvis examines the power of literature to provide what demographic data, historical facts, and legal trials have not in terms of attesting to and accounting for this destruction. Taking up the unfinished work of decolonization since 19…
Decolonizing Memory
Jill Jarvis examines the crucial role that writers and artists have played in cultivating historical memory and nurturing political resistance in Algeria, showing how literature offers the unique ability to reckon with colonial violence and to render the experiences of those marginalized by the state
Lines of Flight
Cet article développe une réflexion critique sur la capacité de la fiction littéraire à rendre visible les vérités dissimulées par le discours étatique pendant et après la violence non-résolue de la « décennie noire » algérienne. Le point de départ est une analyse stylistique de deux romans rédigés au début de cette guerre enigmatique : Sayyidatu al-maqam de Waciny Laredj (Al-Jamal, 1993), traduit de l'arabe et publié en France sous le titre Les …
Violence and the politics of aesthetics
A guiding premise of this collective project is that Maghrebi writers, artists, filmmakers, and activists are - as they have long been - important theorists and critics of violence. The articles th
Remnants of Muslims
Remnants of Muslims:Reading Agamben’s Silence Jill Jarvis (bio) A crush. A surge. Muslims. Skeletons. Skeletons. You do not see them. Just as you do not see the paper but the words written on it. —Ka-Tzetnik1 I. Ironical names Giorgio agamben’s formulations of “the state of exception” and “bare life” have become touchstones for analyses of sovereign violence and biopolitics, yet it seems to have escaped note that Agamben’s use of these terms is m…
Violence and the politics of aesthetics
A guiding premise of this collective project is that Maghrebi writers, artists, filmmakers, and activists are - as they have long been - important theorists and critics of violence. The articles th
Remnants of Muslims
Remnants of Muslims:Reading Agamben’s Silence Jill Jarvis (bio) A crush. A surge. Muslims. Skeletons. Skeletons. You do not see them. Just as you do not see the paper but the words written on it. —Ka-Tzetnik1 I. Ironical names Giorgio agamben’s formulations of “the state of exception” and “bare life” have become touchstones for analyses of sovereign violence and biopolitics, yet it seems to have escaped note that Agamben’s use of these terms is m…
Forget Decolonizing
This paper considers the possibilities and limits of anticolonial resistance alongside the transmedial artworks of Tuareg poet and artist Mahmoudan Hawad, setting what he calls his "furigraphies" in a radioactive historical and geographical context that presently extends from Taourirt Tan Afela (Algeria) to Arlit (Niger) because of indelible-and currently unfolding-French nuclear imperialism that includes both nuclear bomb and uranium extraction …
Decolonizing Memory
Jill Jarvis examines the crucial role that writers and artists have played in cultivating historical memory and nurturing political resistance in Algeria, showing how literature offers the unique ability to reckon with colonial violence and to render the experiences of those marginalized by the state
Empire and catastrophe
Radiant Matter
Beginning in 1960, the French military carried out seventeen nuclear bomb detonations at bases constructed for this purpose in what is now the Algerian Sahara. This French imperial "radiance" has left an enduring radiological and epistemological legacy whose effects are not yet known. Grounded by close attention to transmedial works by Elisabeth Leuvrey, Bruno Hadjih, and Ammar Bouras, this essay investigates the critical potential of aesthetic r…
Remnants of Muslims
Remnants of Muslims:Reading Agamben’s Silence Jill Jarvis (bio) A crush. A surge. Muslims. Skeletons. Skeletons. You do not see them. Just as you do not see the paper but the words written on it. —Ka-Tzetnik1 I. Ironical names Giorgio agamben’s formulations of “the state of exception” and “bare life” have become touchstones for analyses of sovereign violence and biopolitics, yet it seems to have escaped note that Agamben’s use of these terms is m…
Lines of Flight
Cet article développe une réflexion critique sur la capacité de la fiction littéraire à rendre visible les vérités dissimulées par le discours étatique pendant et après la violence non-résolue de la « décennie noire » algérienne. Le point de départ est une analyse stylistique de deux romans rédigés au début de cette guerre enigmatique : Sayyidatu al-maqam de Waciny Laredj (Al-Jamal, 1993), traduit de l'arabe et publié en France sous le titre Les …
Violence and the politics of aesthetics
A guiding premise of this collective project is that Maghrebi writers, artists, filmmakers, and activists are - as they have long been - important theorists and critics of violence. The articles th
Decolonizing Memory
The magnitude of the legal violence exercised by the French to colonize and occupy Algeria (1830–1962) is such that only aesthetic works have been able to register its enduring effects. In Decolonizing Memory Jill Jarvis examines the power of literature to provide what demographic data, historical facts, and legal trials have not in terms of attesting to and accounting for this destruction. Taking up the unfinished work of decolonization since 19…
Decolonizing Memory
Jill Jarvis examines the crucial role that writers and artists have played in cultivating historical memory and nurturing political resistance in Algeria, showing how literature offers the unique ability to reckon with colonial violence and to render the experiences of those marginalized by the state
Empire and catastrophe
Radiant Matter
Beginning in 1960, the French military carried out seventeen nuclear bomb detonations at bases constructed for this purpose in what is now the Algerian Sahara. This French imperial "radiance" has left an enduring radiological and epistemological legacy whose effects are not yet known. Grounded by close attention to transmedial works by Elisabeth Leuvrey, Bruno Hadjih, and Ammar Bouras, this essay investigates the critical potential of aesthetic r…
Forget Decolonizing
This paper considers the possibilities and limits of anticolonial resistance alongside the transmedial artworks of Tuareg poet and artist Mahmoudan Hawad, setting what he calls his "furigraphies" in a radioactive historical and geographical context that presently extends from Taourirt Tan Afela (Algeria) to Arlit (Niger) because of indelible-and currently unfolding-French nuclear imperialism that includes both nuclear bomb and uranium extraction …
Art (5 obras) · History (4 obras) · Law (4 obras) · Political science (4 obras) · Politics (4 obras) · Philosophy (3 obras) · Aesthetics (2 obras) · African Studies and Geopolitics (2 obras) · Archaeology (2 obras) · Ethnology (2 obras)