Julian Dodd
Dados Biográficos
| ID | 3602109 |
|---|---|
| NOME | Julian Dodd |
| PRENOMES | Julian |
| SOBRENOME | Dodd |
| ASSINATURA | DODD J |
| AFILIAÇÕES | University of Manchester |
| ORCID | 0000-0003-1737-7616 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 20 |
| TOTAL DE CITAÇÕES | 54 |
| TOTAL COMO AUTOR | 20 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1986 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 5 |
Not Funny Any More? Morality, Meaning, and Manhattan
In a sense that will be made more precise in the essay that follows, someone might think that it is possible for an artist's work to be rendered less artistically successful by mere dint of her own immoral behaviour or character. Using Woody Allen's film, Manhattan , as a case study, I explain what lies in the way of making good such a claim and, ultimately, why I am highly sceptical about such a project's prospects. In short, what must be establ…
Discussion of Julian Dodd’s ‘Not Funny Anymore? Morality, Meaning, and Manhattan ’
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Rails Invisibly Laid to Infinity’
This paper addresses what I call ‘the constitutive question’ concerning the rules we follow: namely, what determines the standard for a rule's correct application. John McDowell has offered a putative ‘middle position’ between two extreme, unacceptable answers: empirical idealism, which takes the requirements of a rule in any given situation to be constituted by our reaction to the case; and hard platonism, which takes these requirements to be de…
Style Appropriation, Intimacy, and Expressiveness
This paper is about style appropriation: the use by someone of stylistic cultural innovations distinctive of a cultural group that is not her own. While I agree with the key insight of C. Thi Nguyen and Matthew Strohl (Philosophical Studies 176 (2019): 981-1002) - namely, that style appropriation is sometimes found objectionable because group intimacy is believed to have been breached - I disagree with their core claim that the settled beliefs of…
The Possibility of Profound Music
Journal Article The Possibility of Profound Music Get access Julian Dodd Julian Dodd University of Manchester Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 54, Issue 3, July 2014, Pages 299–322, https://doi.org/10.1093/aesthj/ayu031 Published: 12 November 2014
Defending the Discovery Model in the Ontology of Art
Confessions of an Unrepentant Timbral Sonicist
Journal Article Confessions of an Unrepentant Timbral Sonicist Get access Julian Dodd Julian Dodd Julian Dodd, University of Manchester Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 50, Issue 1, January 2010, Pages 33–52, https://doi.org/10.1093/aesthj/ayp044 Published: 01 January 2010
Teaching & Learning Guide for
Author's IntroductionA work of music is repeatable in the following sense: it can be multiply performed or played in different places at the same time, and each such datable, locatable performance or playing is an occurrence of it: an item in which the work itself is somehow present, and which thereby makes the work manifest to an audience. As I see it, the central challenge in the ontology of musical works is to come up with an ontological propo…
Musical Works
The ontological nature of works of music has been a particularly lively area of philosophical debate during the past few years. This paper serves to introduce the reader to some of the most fertile and interesting issues. Starting by distinguishing three questions - the categorial question, the individuation question, and the persistence question - the article goes on to focus on the first: the question of which ontological category musical works…
Negative truths and truthmaker principles
Truthmakers
The concept of truthmaking is attracting much attention in contemporary metaphysics. This work asks how the truthmaker principle should be formulated, whether it is well motivated whether it genuinely has the explanatory roles claimed for it and whether more modest principles might serve just as well.
Truthmakers
Critical Study
Journal Article Critical Study: Artworks and Generative Performances Get access Julian Dodd Julian Dodd Government, International Politics and Philosophy, School of Social Science, University of Manchester, Oxford Road, Manchester M13 9PL, UK Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 45, Issue 1, January 2005, Pages 69–87, https://doi.org/10.1093/bjaesthetics/ayi006 Publishe…
Types, Continuants, and the Ontology of Music
Journal Article TYPES, CONTINUANTS, AND THE ONTOLOGY OF MUSIC Get access Julian Dodd Julian Dodd Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 44, Issue 4, October 2004, Pages 342–360, https://doi.org/10.1093/bjaesthetics/44.4.342 Published: 01 October 2004
Defending Musical Platonism
This paper sees me clarify, elaborate, and defend the conclusions reached in my ‘Musical Works as Eternal Types’ in the wake of objections raised by Robert Howell, R. A. Sharpe, and Saam Trivedi. In particular, I claim that the thesis that musical works are discovered rather than created by their composers is obligatory once we commit ourselves to thinking of works of music as types, and once we properly understand the ontological nature of types…
An Identity Theory of Truth
Preface Truthmakers, Facts and States of Affairs: A Critique of Correspondence Propositions, Indirect Speech and Truthbearers The Nature of Propositions: Thoughts versus States of Affairs Facts are True Thoughts From Correspondence to Identity A Variety of Deflationism Defended Aberrations of Rival Identity Theories Bibliography Index
Musical works as eternal types
Critique de l'argument de la creatabilite developpe par J. Levinson afin de definir la composition musicale en tant qu'entite generique, et non pas en tant que structure sonore. Examinant le statut ontologique des proprietes et l'identite des types musicaux, l'A. rejette la troisieme premisse de l'argument selon laquelle les oeuvres musicales sont creees par les compositeurs
McDowell and identity theories of truth
Journal Article McDowell and identity theories of truth Get access Julian Dodd Julian Dodd Humanities Division, Bolton InstituteChadwick Street, Bolton BL2 1JW Search for other works by this author on: Oxford Academic Google Scholar Analysis, Volume 55, Issue 3, July 1995, Pages 160–165, https://doi.org/10.1093/analys/55.3.160 Published: 01 July 1995
The Is/Ought Gap, the Fact/Value Distinction and the Naturalistic Fallacy
For the last 40 years or so the is/ought gap, the fact/value distinction and the naturalistic fallacy have figured prominently in ethical debates. This longevity, however, has had an adverse side effect. So familiar have they become that they-and their respective rationales-have tended to become blurred. It is the purpose of this paper to explain why they should be kept distinct
The Ovary
Musical works as eternal types
Critique de l'argument de la creatabilite developpe par J. Levinson afin de definir la composition musicale en tant qu'entite generique, et non pas en tant que structure sonore. Examinant le statut ontologique des proprietes et l'identite des types musicaux, l'A. rejette la troisieme premisse de l'argument selon laquelle les oeuvres musicales sont creees par les compositeurs
Negative truths and truthmaker principles
The Possibility of Profound Music
Journal Article The Possibility of Profound Music Get access Julian Dodd Julian Dodd University of Manchester Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 54, Issue 3, July 2014, Pages 299–322, https://doi.org/10.1093/aesthj/ayu031 Published: 12 November 2014
Musical Works
The ontological nature of works of music has been a particularly lively area of philosophical debate during the past few years. This paper serves to introduce the reader to some of the most fertile and interesting issues. Starting by distinguishing three questions - the categorial question, the individuation question, and the persistence question - the article goes on to focus on the first: the question of which ontological category musical works…
Defending the Discovery Model in the Ontology of Art
Defending Musical Platonism
This paper sees me clarify, elaborate, and defend the conclusions reached in my ‘Musical Works as Eternal Types’ in the wake of objections raised by Robert Howell, R. A. Sharpe, and Saam Trivedi. In particular, I claim that the thesis that musical works are discovered rather than created by their composers is obligatory once we commit ourselves to thinking of works of music as types, and once we properly understand the ontological nature of types…
The Is/Ought Gap, the Fact/Value Distinction and the Naturalistic Fallacy
For the last 40 years or so the is/ought gap, the fact/value distinction and the naturalistic fallacy have figured prominently in ethical debates. This longevity, however, has had an adverse side effect. So familiar have they become that they-and their respective rationales-have tended to become blurred. It is the purpose of this paper to explain why they should be kept distinct
Types, Continuants, and the Ontology of Music
Journal Article TYPES, CONTINUANTS, AND THE ONTOLOGY OF MUSIC Get access Julian Dodd Julian Dodd Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 44, Issue 4, October 2004, Pages 342–360, https://doi.org/10.1093/bjaesthetics/44.4.342 Published: 01 October 2004
Style Appropriation, Intimacy, and Expressiveness
This paper is about style appropriation: the use by someone of stylistic cultural innovations distinctive of a cultural group that is not her own. While I agree with the key insight of C. Thi Nguyen and Matthew Strohl (Philosophical Studies 176 (2019): 981-1002) - namely, that style appropriation is sometimes found objectionable because group intimacy is believed to have been breached - I disagree with their core claim that the settled beliefs of…
The Ovary
McDowell and identity theories of truth
Journal Article McDowell and identity theories of truth Get access Julian Dodd Julian Dodd Humanities Division, Bolton InstituteChadwick Street, Bolton BL2 1JW Search for other works by this author on: Oxford Academic Google Scholar Analysis, Volume 55, Issue 3, July 1995, Pages 160–165, https://doi.org/10.1093/analys/55.3.160 Published: 01 July 1995
The Is/Ought Gap, the Fact/Value Distinction and the Naturalistic Fallacy
For the last 40 years or so the is/ought gap, the fact/value distinction and the naturalistic fallacy have figured prominently in ethical debates. This longevity, however, has had an adverse side effect. So familiar have they become that they-and their respective rationales-have tended to become blurred. It is the purpose of this paper to explain why they should be kept distinct
An Identity Theory of Truth
Preface Truthmakers, Facts and States of Affairs: A Critique of Correspondence Propositions, Indirect Speech and Truthbearers The Nature of Propositions: Thoughts versus States of Affairs Facts are True Thoughts From Correspondence to Identity A Variety of Deflationism Defended Aberrations of Rival Identity Theories Bibliography Index
Musical works as eternal types
Critique de l'argument de la creatabilite developpe par J. Levinson afin de definir la composition musicale en tant qu'entite generique, et non pas en tant que structure sonore. Examinant le statut ontologique des proprietes et l'identite des types musicaux, l'A. rejette la troisieme premisse de l'argument selon laquelle les oeuvres musicales sont creees par les compositeurs
Defending Musical Platonism
This paper sees me clarify, elaborate, and defend the conclusions reached in my ‘Musical Works as Eternal Types’ in the wake of objections raised by Robert Howell, R. A. Sharpe, and Saam Trivedi. In particular, I claim that the thesis that musical works are discovered rather than created by their composers is obligatory once we commit ourselves to thinking of works of music as types, and once we properly understand the ontological nature of types…
Types, Continuants, and the Ontology of Music
Journal Article TYPES, CONTINUANTS, AND THE ONTOLOGY OF MUSIC Get access Julian Dodd Julian Dodd Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 44, Issue 4, October 2004, Pages 342–360, https://doi.org/10.1093/bjaesthetics/44.4.342 Published: 01 October 2004
Truthmakers
The concept of truthmaking is attracting much attention in contemporary metaphysics. This work asks how the truthmaker principle should be formulated, whether it is well motivated whether it genuinely has the explanatory roles claimed for it and whether more modest principles might serve just as well.
Truthmakers
Critical Study
Journal Article Critical Study: Artworks and Generative Performances Get access Julian Dodd Julian Dodd Government, International Politics and Philosophy, School of Social Science, University of Manchester, Oxford Road, Manchester M13 9PL, UK Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 45, Issue 1, January 2005, Pages 69–87, https://doi.org/10.1093/bjaesthetics/ayi006 Publishe…
Negative truths and truthmaker principles
Musical Works
The ontological nature of works of music has been a particularly lively area of philosophical debate during the past few years. This paper serves to introduce the reader to some of the most fertile and interesting issues. Starting by distinguishing three questions - the categorial question, the individuation question, and the persistence question - the article goes on to focus on the first: the question of which ontological category musical works…
Confessions of an Unrepentant Timbral Sonicist
Journal Article Confessions of an Unrepentant Timbral Sonicist Get access Julian Dodd Julian Dodd Julian Dodd, University of Manchester Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 50, Issue 1, January 2010, Pages 33–52, https://doi.org/10.1093/aesthj/ayp044 Published: 01 January 2010
Teaching & Learning Guide for
Author's IntroductionA work of music is repeatable in the following sense: it can be multiply performed or played in different places at the same time, and each such datable, locatable performance or playing is an occurrence of it: an item in which the work itself is somehow present, and which thereby makes the work manifest to an audience. As I see it, the central challenge in the ontology of musical works is to come up with an ontological propo…
Defending the Discovery Model in the Ontology of Art
The Possibility of Profound Music
Journal Article The Possibility of Profound Music Get access Julian Dodd Julian Dodd University of Manchester Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 54, Issue 3, July 2014, Pages 299–322, https://doi.org/10.1093/aesthj/ayu031 Published: 12 November 2014
Style Appropriation, Intimacy, and Expressiveness
This paper is about style appropriation: the use by someone of stylistic cultural innovations distinctive of a cultural group that is not her own. While I agree with the key insight of C. Thi Nguyen and Matthew Strohl (Philosophical Studies 176 (2019): 981-1002) - namely, that style appropriation is sometimes found objectionable because group intimacy is believed to have been breached - I disagree with their core claim that the settled beliefs of…
Rails Invisibly Laid to Infinity’
This paper addresses what I call ‘the constitutive question’ concerning the rules we follow: namely, what determines the standard for a rule's correct application. John McDowell has offered a putative ‘middle position’ between two extreme, unacceptable answers: empirical idealism, which takes the requirements of a rule in any given situation to be constituted by our reaction to the case; and hard platonism, which takes these requirements to be de…
Not Funny Any More? Morality, Meaning, and Manhattan
In a sense that will be made more precise in the essay that follows, someone might think that it is possible for an artist's work to be rendered less artistically successful by mere dint of her own immoral behaviour or character. Using Woody Allen's film, Manhattan , as a case study, I explain what lies in the way of making good such a claim and, ultimately, why I am highly sceptical about such a project's prospects. In short, what must be establ…
Discussion of Julian Dodd’s ‘Not Funny Anymore? Morality, Meaning, and Manhattan ’
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Philosophy (14 obras) · Epistemology (13 obras) · Art (10 obras) · Computer Science (7 obras) · Aesthetics (6 obras) · Musicology and Musical Analysis (6 obras) · Philosophy (6 obras) · Psychology (5 obras) · Sociology (5 obras) · Literature (4 obras)