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Herman Gray

Dados Biográficos

ID3604358
NOMEHerman Gray
PRENOMESHerman
SOBRENOMEGray
ASSINATURAGRAY H
AFILIAÇÕESUniversity of California, Santa Cruz
VERIFICADONão
TOTAL DE OBRAS36
TOTAL DE CITAÇÕES65
TOTAL COMO AUTOR35
TOTAL COMO EDITOR1
PRIMEIRO ANO DE PUBLICAÇÃO1986
ANO MAIS RECENTE DE PUBLICAÇÃO2026
ÍNDICE H5
  • Race, culture and media

    Open Access•A Saha, Herman Gray•ARTICLE•Media Culture & Society•2026

    To mark the publication of the second edition of Race, Culture and Media , the author, Anamik Saha, is interviewed by Herman Gray, one of the leading figures in race and media scholarship. In this wide-ranging conversation, the two draw out key themes from the book, including the value of an interdisciplinary approach that brings together cultural studies, political economy, postcolonial studies and media studies, and the importance of historical…

  • The fire this time

    Angela Y Davis, Herman Gray et al.•ARTICLE•Cultural Studies•2022

  • Race after Race

    Open Access•Herman Gray•CHAPTER•Racism Postrace•2019

  • Racism Postrace

    Roopali Mukherjee, Sarah Banet-Weiser et al.•BOOK•Racism Postrace•2019

  • Cultural Politics As Outrage(Ous)

    Herman Gray•CHAPTER•Cultural Moves•2019

  • Introduction

    Herman Gray•ARTICLE•Souls•2016•Citada por: 7

    Both Prince and Mohammad Ali died in the spring of 2016. Their passing marked a moment in the history of struggle over black respect and the role of black respectability politics in America’s cultu

  • The Sage Handbook of Television Studies

    Manuel Alvarado, Milly Buonanno et al.•BOOK•The SAGE Handbook of Television…•2015

  • Race, Media, and the Cultivation of Concern

    Herman Gray•ARTICLE•Communication and Critical/Cultural…•2013•Citada por: 6

    These reflections on critical communication and cultural studies of race draw on Bruno Latour's idea of ‘matters of concern’ to propose that scholars expand the focus of inquiry from empirical questions of veracity and accuracy in representations of race to concerns with how (and where) media gather and mobilize sentiments and affective investments that increasingly underwrite quotidian practices of racial inequality and racism in the post racial…

  • Recovered, Reinvented, Reimagined

    Open Access•Herman Gray•ARTICLE•Television & New Media•2012•Citada por: 1•Referências: 2

    This article explores the role of scripted cable television in the making and remaking of place in the conjuncture of postdisaster crisis and the neoliberal transformation of urban space. I suggest that Treme contributes to the remaking of New Orleans by engaging conceptions of authenticity, dwelling on the elements of cuisine, music, and diversity that mark New Orleans as distinctive, and highlighting individual enterprise as a condition of poss…

  • Toward a Sociology of the Trace

    Herman Gray, Macarena Gómez-Barris•BOOK•Toward a Sociology of the Trace•2010

  • Prologue

    Macarena Gómez-Barris, Herman Gray•CHAPTER•Toward a Sociology of the Trace•2010

  • A Power Stronger Than Itself

    Herman Gray•ARTICLE•Jazz Perspectives•2010

    By George E. Lewis. Chicago: University of Chicago Press, 2008. ISBN‐13: 978‐0‐226‐47695‐7 (hardcover). 676 Pp. $35.00. Chicago figures prominently in the American cultural and intellectual landsca

  • Our Media Studies

    Open Access•Sarah Banet‐weiser, Herman Gray•ARTICLE•Television & New Media•2008•Citada por: 1•Referências: 1

  • Michael Jackson, Television, and Post-Op Disasters

    Open Access•Macarena Gómez‐Barris, Herman Gray•ARTICLE•Television & New Media•2006•Citada por: 1

    This article analyzes Martin Bashir's television documentary Living with Michael Jackson in light of U.S. national preoccupations with the fixity and, conversely, the indeterminacy of racial, sexual, and gendered subjectivities. On one hand, the authors center Bashir's film within the broader context of recent cultural moves by neoconservatives and the broader U.S. public to express a moral core regarding issues of race, gender, family, and sexua…

  • Cultural Moves

    Herman Gray•BOOK•Cultural Moves•2005

  • Watching race

    Herman Gray•BOOK•Watching race•2004

    "With a new introduction, Herman Gray's classic investigation of television and race shows how the meaning of blackness on-screen has changed over the years by examining the portrayal of blacks on series such as The Jack Benny Show and Amos 'n' Andy, continuing through The Cosby Show and In Living Color."--BOOK JACKET.

  • Real Love

    Herman Gray•ARTICLE•American Literature•2000

    Book Review| December 01 2000 Real Love: In Pursuit of Cultural Justice By Andrew Ross. New York: New York Univ. Press. 1998. ix, 243 pp. Cloth,$55.00; paper, $18.00. Herman Gray Herman Gray Search for other works by this author on: This Site Google American Literature (2000) 72 (4): 896–897. https://doi.org/10.1215/00029831-72-4-896 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Herman Gray; Real…

  • A different dream of difference

    Herman Gray•ARTICLE•Critical Studies in Mass…•1999

  • The Color of Jazz

    Herman Gray, Jon Panish•ARTICLE•Journal of American History•1998•Citada por: 4

    Journal Article The Color of Jazz: Race and Representation in Postwar American Culture. By Jon Panish. (Jackson: University Press of Mississippi, 1997. xxiv, 166 pp. Cloth, $45.00, ISBN 1-57806-035-4. Paper, $18.00, ISBN 1-57806-033-8.) Get access Herman Gray Herman Gray University of California, Santa Cruz, California Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 85, Issue 3, Decembe…

  • Authenticity, anxiety and masculinity

    Open Access•Herman Gray•ARTICLE•American Quarterly•1998•Citada por: 1

    Authenticity, Anxiety and Masculinity Herman Gray (bio) Are We Not Men: Masculine Anxiety And The Problem of African American Identity. By Phillip Brian Harper. New York: Oxford University Press, 1996. 254 pages. $30.00. If we are not our brother’s keeper then we are still our brother’s witness. We are co-conspirator in his story and in his future. —August Wilson, from the Foreword to Speak My Name Some of the most eloquent observations about bla…

  • Sociology

    Open Access•Herman Gray•ARTICLE•The Annals of the American…•1997

  • Black Masculinity and Visual Culture

    Herman Gray•ARTICLE•Callaloo•1995•Citada por: 18•Referências: 1

    Black Masculinity and Visual Culture* Herman Gray (bio) I want to inquire into the social circumstances and cultural conditions in which contemporary representations of black masculinity are produced and circulate. Recognizing the dense intertextual nature of electronic visual media, my aim is to unsettle as much as possible the formal and largely constructed ways in which we see and understand visual representations of black masculinity. Much as…

  • Response to Justin Lewis and Sut Jhally

    Open Access•Herman Gray•ARTICLE•American Quarterly•1994

  • Race and cultural production

    Herman Gray•ARTICLE•Critical Studies in Mass…•1993

    (1993). Race and cultural production: Responses to the birth of a nation. Critical Studies in Mass Communication: Vol. 10, No. 2, pp. 190-197

  • Black and White and in Color

    Open Access•Herman Gray, Sut Jhally et al.•ARTICLE•American Quarterly•1993•Citada por: 2

    THE RECENT CELEBRATIONS OF CHEERS NOTWITHSTANDING, COMMERcial network television in the 1980s, especially the late eighties, might be appropriately characterized as the decade. Appearing during the reign of a political regime hostile to the aspirations and advancement of African Americans, Cosby Show made a significant mark in the landscape of American commercial network television. One measure of the show's cultural and social significance is th…

Próximo
  • Black Masculinity and Visual Culture

    Herman Gray•ARTICLE•Callaloo•1995•Citada por: 18•Referências: 1

    Black Masculinity and Visual Culture* Herman Gray (bio) I want to inquire into the social circumstances and cultural conditions in which contemporary representations of black masculinity are produced and circulate. Recognizing the dense intertextual nature of electronic visual media, my aim is to unsettle as much as possible the formal and largely constructed ways in which we see and understand visual representations of black masculinity. Much as…

  • Race Relations As News

    Open Access•Herman Gray•ARTICLE•American Behavioral Scientist•1987•Citada por: 13•Referências: 11

  • Introduction

    Herman Gray•ARTICLE•Souls•2016•Citada por: 7

    Both Prince and Mohammad Ali died in the spring of 2016. Their passing marked a moment in the history of struggle over black respect and the role of black respectability politics in America’s cultu

  • Race, Media, and the Cultivation of Concern

    Herman Gray•ARTICLE•Communication and Critical/Cultural…•2013•Citada por: 6

    These reflections on critical communication and cultural studies of race draw on Bruno Latour's idea of ‘matters of concern’ to propose that scholars expand the focus of inquiry from empirical questions of veracity and accuracy in representations of race to concerns with how (and where) media gather and mobilize sentiments and affective investments that increasingly underwrite quotidian practices of racial inequality and racism in the post racial…

  • Television and the new black man

    Open Access•Herman Gray•ARTICLE•Media Culture & Society•1986•Citada por: 6•Referências: 7

  • The Color of Jazz

    Herman Gray, Jon Panish•ARTICLE•Journal of American History•1998•Citada por: 4

    Journal Article The Color of Jazz: Race and Representation in Postwar American Culture. By Jon Panish. (Jackson: University Press of Mississippi, 1997. xxiv, 166 pp. Cloth, $45.00, ISBN 1-57806-035-4. Paper, $18.00, ISBN 1-57806-033-8.) Get access Herman Gray Herman Gray University of California, Santa Cruz, California Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 85, Issue 3, Decembe…

  • Recodings

    Herman Gray•ARTICLE•Quarterly Review of Film Studies•1991•Citada por: 3•Referências: 1

    1991). Recodings: Possibilities and limitations in commercial television representations of African American culture. Quarterly Review of Film and Video: Vol. 13, No. 1-3, pp. 117-130

  • Black and White and in Color

    Open Access•Herman Gray, Sut Jhally et al.•ARTICLE•American Quarterly•1993•Citada por: 2

    THE RECENT CELEBRATIONS OF CHEERS NOTWITHSTANDING, COMMERcial network television in the 1980s, especially the late eighties, might be appropriately characterized as the decade. Appearing during the reign of a political regime hostile to the aspirations and advancement of African Americans, Cosby Show made a significant mark in the landscape of American commercial network television. One measure of the show's cultural and social significance is th…

  • African-American political desire and the seductions of contemporary cultural politics

    Herman Gray•ARTICLE•Cultural Studies•1993•Citada por: 2•Referências: 6

    (1993). African-American political desire and the seductions of contemporary cultural politics. Cultural Studies: Vol. 7, No. 3, pp. 364-373

  • Recovered, Reinvented, Reimagined

    Open Access•Herman Gray•ARTICLE•Television & New Media•2012•Citada por: 1•Referências: 2

    This article explores the role of scripted cable television in the making and remaking of place in the conjuncture of postdisaster crisis and the neoliberal transformation of urban space. I suggest that Treme contributes to the remaking of New Orleans by engaging conceptions of authenticity, dwelling on the elements of cuisine, music, and diversity that mark New Orleans as distinctive, and highlighting individual enterprise as a condition of poss…

  • Our Media Studies

    Open Access•Sarah Banet‐weiser, Herman Gray•ARTICLE•Television & New Media•2008•Citada por: 1•Referências: 1

  • Michael Jackson, Television, and Post-Op Disasters

    Open Access•Macarena Gómez‐Barris, Herman Gray•ARTICLE•Television & New Media•2006•Citada por: 1

    This article analyzes Martin Bashir's television documentary Living with Michael Jackson in light of U.S. national preoccupations with the fixity and, conversely, the indeterminacy of racial, sexual, and gendered subjectivities. On one hand, the authors center Bashir's film within the broader context of recent cultural moves by neoconservatives and the broader U.S. public to express a moral core regarding issues of race, gender, family, and sexua…

  • Authenticity, anxiety and masculinity

    Open Access•Herman Gray•ARTICLE•American Quarterly•1998•Citada por: 1

    Authenticity, Anxiety and Masculinity Herman Gray (bio) Are We Not Men: Masculine Anxiety And The Problem of African American Identity. By Phillip Brian Harper. New York: Oxford University Press, 1996. 254 pages. $30.00. If we are not our brother’s keeper then we are still our brother’s witness. We are co-conspirator in his story and in his future. —August Wilson, from the Foreword to Speak My Name Some of the most eloquent observations about bla…

  • Independent Cultural Production

    Herman Gray•ARTICLE•Popular Music & Society•1986•Referências: 1

  • Television and the new black man

    Open Access•Herman Gray•ARTICLE•Media Culture & Society•1986•Citada por: 6•Referências: 7

  • Race Relations As News

    Open Access•Herman Gray•ARTICLE•American Behavioral Scientist•1987•Citada por: 13•Referências: 11

  • Television, black Americans, and the American dream

    Herman Gray•ARTICLE•Critical Studies in Mass…•1989

    This essay examines fictional television representations of black middle class success and nonfictional representations of black urban poverty. It suggests that these representations operate intertextually to produce an ideology which explains black middle class success and urban poverty by privileging individual attributes and middle class values and by displacing social and structural factors. Jameson's notions of reification and utopia in popu…

  • Producing Jazz

    Kip Lornell, Herman Gray•ARTICLE•American Music•1989

  • Rate the records

    Herman Gray•ARTICLE•Popular Music & Society•1989•Referências: 1

  • Producing Jazz

    Stephen L Markson, Herman Gray•ARTICLE•Contemporary Sociology A Journal…•1989

  • Popular Cultures and Political Practices

    Herman Gray, Richard Gruneau•ARTICLE•Contemporary Sociology A Journal…•1990

  • Producing Jazz

    Robert Witmer, Herman Gray•ARTICLE•Ethnomusicology•1990

  • Recodings

    Herman Gray•ARTICLE•Quarterly Review of Film Studies•1991•Citada por: 3•Referências: 1

    1991). Recodings: Possibilities and limitations in commercial television representations of African American culture. Quarterly Review of Film and Video: Vol. 13, No. 1-3, pp. 117-130

  • Race and cultural production

    Herman Gray•ARTICLE•Critical Studies in Mass…•1993

    (1993). Race and cultural production: Responses to the birth of a nation. Critical Studies in Mass Communication: Vol. 10, No. 2, pp. 190-197

  • Black and White and in Color

    Open Access•Herman Gray, Sut Jhally et al.•ARTICLE•American Quarterly•1993•Citada por: 2

    THE RECENT CELEBRATIONS OF CHEERS NOTWITHSTANDING, COMMERcial network television in the 1980s, especially the late eighties, might be appropriately characterized as the decade. Appearing during the reign of a political regime hostile to the aspirations and advancement of African Americans, Cosby Show made a significant mark in the landscape of American commercial network television. One measure of the show's cultural and social significance is th…

  • African-American political desire and the seductions of contemporary cultural politics

    Herman Gray•ARTICLE•Cultural Studies•1993•Citada por: 2•Referências: 6

    (1993). African-American political desire and the seductions of contemporary cultural politics. Cultural Studies: Vol. 7, No. 3, pp. 364-373

  • Response to Justin Lewis and Sut Jhally

    Open Access•Herman Gray•ARTICLE•American Quarterly•1994

  • Black Masculinity and Visual Culture

    Herman Gray•ARTICLE•Callaloo•1995•Citada por: 18•Referências: 1

    Black Masculinity and Visual Culture* Herman Gray (bio) I want to inquire into the social circumstances and cultural conditions in which contemporary representations of black masculinity are produced and circulate. Recognizing the dense intertextual nature of electronic visual media, my aim is to unsettle as much as possible the formal and largely constructed ways in which we see and understand visual representations of black masculinity. Much as…

  • Sociology

    Open Access•Herman Gray•ARTICLE•The Annals of the American…•1997

  • The Color of Jazz

    Herman Gray, Jon Panish•ARTICLE•Journal of American History•1998•Citada por: 4

    Journal Article The Color of Jazz: Race and Representation in Postwar American Culture. By Jon Panish. (Jackson: University Press of Mississippi, 1997. xxiv, 166 pp. Cloth, $45.00, ISBN 1-57806-035-4. Paper, $18.00, ISBN 1-57806-033-8.) Get access Herman Gray Herman Gray University of California, Santa Cruz, California Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 85, Issue 3, Decembe…

  • Authenticity, anxiety and masculinity

    Open Access•Herman Gray•ARTICLE•American Quarterly•1998•Citada por: 1

    Authenticity, Anxiety and Masculinity Herman Gray (bio) Are We Not Men: Masculine Anxiety And The Problem of African American Identity. By Phillip Brian Harper. New York: Oxford University Press, 1996. 254 pages. $30.00. If we are not our brother’s keeper then we are still our brother’s witness. We are co-conspirator in his story and in his future. —August Wilson, from the Foreword to Speak My Name Some of the most eloquent observations about bla…

  • A different dream of difference

    Herman Gray•ARTICLE•Critical Studies in Mass…•1999

  • Real Love

    Herman Gray•ARTICLE•American Literature•2000

    Book Review| December 01 2000 Real Love: In Pursuit of Cultural Justice By Andrew Ross. New York: New York Univ. Press. 1998. ix, 243 pp. Cloth,$55.00; paper, $18.00. Herman Gray Herman Gray Search for other works by this author on: This Site Google American Literature (2000) 72 (4): 896–897. https://doi.org/10.1215/00029831-72-4-896 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn Email Permissions Search Site Citation Herman Gray; Real…

  • Watching race

    Herman Gray•BOOK•Watching race•2004

    "With a new introduction, Herman Gray's classic investigation of television and race shows how the meaning of blackness on-screen has changed over the years by examining the portrayal of blacks on series such as The Jack Benny Show and Amos 'n' Andy, continuing through The Cosby Show and In Living Color."--BOOK JACKET.

  • Cultural Moves

    Herman Gray•BOOK•Cultural Moves•2005

  • Michael Jackson, Television, and Post-Op Disasters

    Open Access•Macarena Gómez‐Barris, Herman Gray•ARTICLE•Television & New Media•2006•Citada por: 1

    This article analyzes Martin Bashir's television documentary Living with Michael Jackson in light of U.S. national preoccupations with the fixity and, conversely, the indeterminacy of racial, sexual, and gendered subjectivities. On one hand, the authors center Bashir's film within the broader context of recent cultural moves by neoconservatives and the broader U.S. public to express a moral core regarding issues of race, gender, family, and sexua…

  • Our Media Studies

    Open Access•Sarah Banet‐weiser, Herman Gray•ARTICLE•Television & New Media•2008•Citada por: 1•Referências: 1

  • Toward a Sociology of the Trace

    Herman Gray, Macarena Gómez-Barris•BOOK•Toward a Sociology of the Trace•2010

Sociology (21 obras) · Art (12 obras) · Gender Studies (11 obras) · History (11 obras) · Political science (11 obras) · Law (9 obras) · Politics (9 obras) · Media Studies and Communication (8 obras) · Art history (7 obras) · Gender Studies (7 obras)

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