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Susan Rosenberg

Dados Biográficos

ID3604360
NOMESusan Rosenberg
PRENOMESSusan
SOBRENOMERosenberg
ASSINATURAROSENBERG S
AFILIAÇÕESSUSAN ROSENBERG, Associate Professor of Art History at St. John's University, New York, is completing a book on Trisha Brown, to be published by Wesleyan University Press.
ORCID0000-0002-6054-3184
VERIFICADOSim
TOTAL DE OBRAS9
TOTAL DE CITAÇÕES1
TOTAL COMO AUTOR9
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1981
ANO MAIS RECENTE DE PUBLICAÇÃO2022
ÍNDICE H1
  • Cointelpro Continues

    Susan Rosenberg, Linda Evans•ARTICLE•Souls•2022

    Keywords: COINTELPROcounterinsurgencyinstitutional violencemedical neglectmedical tortureMutulu Shakurparolepolitical repressionparole standardsprisonsUnited States Parole CommissionUSPC Additional informationNotes on contributorsSusan RosenbergSusan Rosenberg is a human rights and prisoners’ rights advocate, adjunct lecturer, award-winning writer, speaker and a former political prisoner. Her memoir, An American Radical, details her 16+ years in …

  • Guest Editors' Note

    Akinyele Umoja, Susan Rosenberg•ARTICLE•Souls•2022

  • Investigating Theatricality in Trisha Brown’s Work

    Open Access•Susan Rosenberg•ARTICLE•Arts•2021

    Trisha Brown (1936–2017) forged her artistic identity as part of Judson Dance Theater, which embraced everyday pedestrian movement as dance. Between 1966 and 1969, Brown’s work took a surprisingly theatrical turn. Five unstudied dances from this period reflect concerns with autobiography, psychology, and catharsis, influences of her exposure to trends in Gestalt therapy and dance therapy during a sojourn in California (1963–1965). Brown let these…

  • Trisha Brown

    Open Access•Susan Rosenberg•ARTICLE•Arts•2020

    Choreographer Trisha Brown (1936–2017) is renowned as one of the most influential abstract artists of the twentieth and twenty-first centuries. Emerging from Judson Dance Theater and the 1960s avant-garde, Brown invented what she termed her ‘pure movement’ abstract vocabulary in the 1970s, rejecting narrative, psychology and character as bases for dance-making. Yet Brown’s notion of abstraction, when examined across the long arc of her fifty-year…

  • Trisha Brown's Water Motor

    Susan Rosenberg•ARTICLE•TDR/The Drama Review•2012

    Trisha Brown's signature solo Water Motor (1978) was the first of her choreographies to make the physical intelligence and virtuosity of Brown's unique dancing body the basis for movement and choreography. Preserved in Babette Mangolte's 1978 film, Water Motor returned to the stage in 2011 in its first performance by a dancer other than Brown—an occasion for reexamining the dance's pivotal role in Brown's career

  • Trisha Brown's Notebooks

    Susan Rosenberg•ARTICLE•October•2012

    May 01 2012 Trisha Brown's Notebooks Susan Rosenberg Susan Rosenberg SUSAN ROSENBERG, Associate Professor of Art History at St. John's University, New York, is completing a book on Trisha Brown, to be published by Wesleyan University Press. Search for other works by this author on: This Site Google Scholar Author and Article Information Susan Rosenberg SUSAN ROSENBERG, Associate Professor of Art History at St. John's University, New York, is comp…

  • Trisha Brown

    Susan Rosenberg•ARTICLE•October•2012•Citada por: 1•Referências: 3

    May 01 2012 Trisha Brown: Choreography as Visual Art Susan Rosenberg Susan Rosenberg SUSAN ROSENBERG, Associate Professor of Art History at St. John's University, New York, is completing a book on Trisha Brown, to be published by Wesleyan University Press. Search for other works by this author on: This Site Google Scholar Author and Article Information Susan Rosenberg SUSAN ROSENBERG, Associate Professor of Art History at St. John's University, N…

  • Alice Neel

    Ann Temkin, Susan Rosenberg et al.•ARTICLE•Woman s Art Journal•2001

  • Microbial sampling variables and recreational water quality standards

    Gary R Brenniman, Susan Rosenberg et al.•ARTICLE•American Journal of Public Health•1981•Referências: 10

    A study was conducted at two beaches on Lake Erie to evaluate the water sampling design for the collection of several microbiological indicator organisms in relation to day, time, and location of collection. The concentrations of these organisms were generally found to vary significantly (P less than 0.05) by the specific time of day and day of weekend that collection took place. However, the concentrations of these organisms did not vary signifi…

  • Trisha Brown

    Susan Rosenberg•ARTICLE•October•2012•Citada por: 1•Referências: 3

    May 01 2012 Trisha Brown: Choreography as Visual Art Susan Rosenberg Susan Rosenberg SUSAN ROSENBERG, Associate Professor of Art History at St. John's University, New York, is completing a book on Trisha Brown, to be published by Wesleyan University Press. Search for other works by this author on: This Site Google Scholar Author and Article Information Susan Rosenberg SUSAN ROSENBERG, Associate Professor of Art History at St. John's University, N…

  • Microbial sampling variables and recreational water quality standards

    Gary R Brenniman, Susan Rosenberg et al.•ARTICLE•American Journal of Public Health•1981•Referências: 10

    A study was conducted at two beaches on Lake Erie to evaluate the water sampling design for the collection of several microbiological indicator organisms in relation to day, time, and location of collection. The concentrations of these organisms were generally found to vary significantly (P less than 0.05) by the specific time of day and day of weekend that collection took place. However, the concentrations of these organisms did not vary signifi…

  • Alice Neel

    Ann Temkin, Susan Rosenberg et al.•ARTICLE•Woman s Art Journal•2001

  • Trisha Brown's Water Motor

    Susan Rosenberg•ARTICLE•TDR/The Drama Review•2012

    Trisha Brown's signature solo Water Motor (1978) was the first of her choreographies to make the physical intelligence and virtuosity of Brown's unique dancing body the basis for movement and choreography. Preserved in Babette Mangolte's 1978 film, Water Motor returned to the stage in 2011 in its first performance by a dancer other than Brown—an occasion for reexamining the dance's pivotal role in Brown's career

  • Trisha Brown's Notebooks

    Susan Rosenberg•ARTICLE•October•2012

    May 01 2012 Trisha Brown's Notebooks Susan Rosenberg Susan Rosenberg SUSAN ROSENBERG, Associate Professor of Art History at St. John's University, New York, is completing a book on Trisha Brown, to be published by Wesleyan University Press. Search for other works by this author on: This Site Google Scholar Author and Article Information Susan Rosenberg SUSAN ROSENBERG, Associate Professor of Art History at St. John's University, New York, is comp…

  • Trisha Brown

    Susan Rosenberg•ARTICLE•October•2012•Citada por: 1•Referências: 3

    May 01 2012 Trisha Brown: Choreography as Visual Art Susan Rosenberg Susan Rosenberg SUSAN ROSENBERG, Associate Professor of Art History at St. John's University, New York, is completing a book on Trisha Brown, to be published by Wesleyan University Press. Search for other works by this author on: This Site Google Scholar Author and Article Information Susan Rosenberg SUSAN ROSENBERG, Associate Professor of Art History at St. John's University, N…

  • Trisha Brown

    Open Access•Susan Rosenberg•ARTICLE•Arts•2020

    Choreographer Trisha Brown (1936–2017) is renowned as one of the most influential abstract artists of the twentieth and twenty-first centuries. Emerging from Judson Dance Theater and the 1960s avant-garde, Brown invented what she termed her ‘pure movement’ abstract vocabulary in the 1970s, rejecting narrative, psychology and character as bases for dance-making. Yet Brown’s notion of abstraction, when examined across the long arc of her fifty-year…

  • Investigating Theatricality in Trisha Brown’s Work

    Open Access•Susan Rosenberg•ARTICLE•Arts•2021

    Trisha Brown (1936–2017) forged her artistic identity as part of Judson Dance Theater, which embraced everyday pedestrian movement as dance. Between 1966 and 1969, Brown’s work took a surprisingly theatrical turn. Five unstudied dances from this period reflect concerns with autobiography, psychology, and catharsis, influences of her exposure to trends in Gestalt therapy and dance therapy during a sojourn in California (1963–1965). Brown let these…

  • Cointelpro Continues

    Susan Rosenberg, Linda Evans•ARTICLE•Souls•2022

    Keywords: COINTELPROcounterinsurgencyinstitutional violencemedical neglectmedical tortureMutulu Shakurparolepolitical repressionparole standardsprisonsUnited States Parole CommissionUSPC Additional informationNotes on contributorsSusan RosenbergSusan Rosenberg is a human rights and prisoners’ rights advocate, adjunct lecturer, award-winning writer, speaker and a former political prisoner. Her memoir, An American Radical, details her 16+ years in …

  • Guest Editors' Note

    Akinyele Umoja, Susan Rosenberg•ARTICLE•Souls•2022

Art (6 obras) · Art history (6 obras) · Dance (4 obras) · Diversity and Impact of Dance (4 obras) · Visual arts (4 obras) · Aesthetics (3 obras) · Art, Politics, and Modernism (3 obras) · Choreography (3 obras) · Computer Science (3 obras) · Theatre and Performance Studies (3 obras)

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