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Jürg Schneider

Dados Biográficos

ID3605848
NOMEJürg Schneider
PRENOMESJürg
SOBRENOMESchneider
ASSINATURASCHNEIDER J
AFILIAÇÕESORCID
ORCID0000-0001-7109-3994
VERIFICADOSim
TOTAL DE OBRAS12
TOTAL DE CITAÇÕES34
TOTAL COMO AUTOR12
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2007
ANO MAIS RECENTE DE PUBLICAÇÃO2024
ÍNDICE H3
  • La photographie africaine dans l’espace visuel atlantique

    Open Access•Jürg Schneider, Jean-François Cornu•ARTICLE•Photographica•2024

    Présentation de la traductionComment la photographie a-t-elle été adoptée en Afrique de l’Ouest et centrale au xixe siècle ? Et comment est-elle progressivement devenue un médium visuel omniprésent sur le continent africain ? Dans ce chapitre de synthèse publié en 2018, Jürg Schneider défend l’hypothèse suivante : si l’on veut retracer l’histoire de ces pratiques, alors il faut considérer la photographie en Afrique dans un contexte élargi, celui …

  • Douala-Bruyères/Vosges Mountains

    Jürg Schneider•ARTICLE•Journal of Colonialism and…•2024

    The study of two photographs from the 1950s, in the possession of a Cameroonian family, reveals little-noticed transnational flows of people from the geopolitical and national peripheries of the world, linked by the (post-)colonial relations and geopolitical alliances of their states. Bruyères, a small town in eastern France where these photographs were taken, turns out to be not only an unexpected and distant crossroads of French colonial politi…

  • Photo George, in Douala

    Open Access•Jürg Schneider•ARTICLE•Visual Anthropology•2024•Referências: 3

    The study of one of Cameroon's first permanent photo studios, Photo George in Douala, reveals a story of migration, social mobility, intellectual ambition, and a special ability to adapt to a challenging economic, political and social situation. Tracing the studio founder's family history back to the mid-19th century and considering Freetown's multicultural Krio society with its longstanding interactions with photographic practices, not only tell…

  • No Way Back – Reflections on the Future of the African Photographic Archive

    Open Access•Jürg Schneider, Paul Weinberg•ARTICLE•History in Africa•2020•Citada por: 3•Referências: 10

    The article examines from a global perspective the phenomenon of digital photographic archiving and questions its impact on African archives both on the continent and outside it. The authors deal with the multi-layered consequences of information technologies for African photographic archives, asking to what degree they have connected Africa to the world. They consider too how much access they have given Africans to materials that were previously…

  • African Photography in the Atlantic Visualscape

    Open Access•Jürg Schneider•CHAPTER•Global Photographies•2018

  • Views of continuity and change

    Jürg Schneider•ARTICLE•Visual Studies•2018

    The English-speaking part of Cameroon in the south western part of the country, two of a total of 10 regions and making up roughly 20% of the population, joined French Cameroun in 1961 to form the Federal Republic of Cameroon. In 1972, a new constitution replaced the federation with a unitary state called the United Republic of Cameroon. The Press Photo Archives in Buea, West Cameroon’s former capital, is a remnant of this period. Covering a shor…

  • Demand and Supply

    Jürg Schneider•ARTICLE•Visual Anthropology•2014•Citada por: 3•Referências: 5

    This article takes a closer look at photography's use and reception during its introduction in West and Central Africa, in the era of European imperial conquest. It considers patronage as well as the most popular forms and circulation of early photography. The latter part focuses on one of the first African photographers, Francis Wilberforce Joaque. His biography vividly illustrates a professional acumen in the dynamic markets where he met the de…

  • Beyond the "African" Archive Paradigm

    Erin Haney, Jürg Schneider•ARTICLE•Visual Anthropology•2014•Citada por: 5•Referências: 11

    Recently there has been an unprecedented surge of interest among scholars, curators and collectors in early photographic material from West Africa, galvanizing new multidisciplinary networks of scholarly research and exhibition practices. The transfer of photographs and even whole archives from the African continent to Europe and the United States has continued to increase as a consequence of the research and market demand, posing new questions a…

  • Portraiture and Photography in Africa

    John Peffer, Elisabeth L Cameron et al.•BOOK•Portraiture and Photography in…•2013

    The cultural, social, and political practice of portraiture

  • De l'archive papier au vide numérique

    Rosario Mazuela Coll, Jürg Schneider et al.•ARTICLE•Africultures•2012

  • The Topography of the Early History of African Photography

    Jürg Schneider•ARTICLE•History of Photography•2010•Citada por: 23

    African historians' interest in photographic sources is still rather recent and can be traced back to the mid-1980s. Today, after more than twenty years of research, we know the general outlines of the history of African photography, but have yet to move beyond the larger picture. In having a close look at some centres of the early history of West and Central African photography such as Sierra Leone, Fernando Po and Gabon, as well as at the profe…

  • Strategische Führung von Nonprofit-Organisationen

    Jürg Schneider, Christoph Minnig et al.•BOOK•Strategische Führung von…•2007

    Dieses Lehrbuch stellt die Probleme der strategischen Führung von Nonprofit-Organisationen dar und präsentiert die wichtigsten Lösungskonzepte. Die Instrumente und Modelle des herkömmlichen strategischen Managements werden spezifisch auf Nonprofit-Organisationen bezogen und anhand von Fallbeispielen diskutiert. Kompakt und verständlich vermitteln die Autoren die gesamte relevante Managementtheorie und zeigen, wie man sinnvolle strategische Entsch…

  • The Topography of the Early History of African Photography

    Jürg Schneider•ARTICLE•History of Photography•2010•Citada por: 23

    African historians' interest in photographic sources is still rather recent and can be traced back to the mid-1980s. Today, after more than twenty years of research, we know the general outlines of the history of African photography, but have yet to move beyond the larger picture. In having a close look at some centres of the early history of West and Central African photography such as Sierra Leone, Fernando Po and Gabon, as well as at the profe…

  • Beyond the "African" Archive Paradigm

    Erin Haney, Jürg Schneider•ARTICLE•Visual Anthropology•2014•Citada por: 5•Referências: 11

    Recently there has been an unprecedented surge of interest among scholars, curators and collectors in early photographic material from West Africa, galvanizing new multidisciplinary networks of scholarly research and exhibition practices. The transfer of photographs and even whole archives from the African continent to Europe and the United States has continued to increase as a consequence of the research and market demand, posing new questions a…

  • No Way Back – Reflections on the Future of the African Photographic Archive

    Open Access•Jürg Schneider, Paul Weinberg•ARTICLE•History in Africa•2020•Citada por: 3•Referências: 10

    The article examines from a global perspective the phenomenon of digital photographic archiving and questions its impact on African archives both on the continent and outside it. The authors deal with the multi-layered consequences of information technologies for African photographic archives, asking to what degree they have connected Africa to the world. They consider too how much access they have given Africans to materials that were previously…

  • Demand and Supply

    Jürg Schneider•ARTICLE•Visual Anthropology•2014•Citada por: 3•Referências: 5

    This article takes a closer look at photography's use and reception during its introduction in West and Central Africa, in the era of European imperial conquest. It considers patronage as well as the most popular forms and circulation of early photography. The latter part focuses on one of the first African photographers, Francis Wilberforce Joaque. His biography vividly illustrates a professional acumen in the dynamic markets where he met the de…

  • Strategische Führung von Nonprofit-Organisationen

    Jürg Schneider, Christoph Minnig et al.•BOOK•Strategische Führung von…•2007

    Dieses Lehrbuch stellt die Probleme der strategischen Führung von Nonprofit-Organisationen dar und präsentiert die wichtigsten Lösungskonzepte. Die Instrumente und Modelle des herkömmlichen strategischen Managements werden spezifisch auf Nonprofit-Organisationen bezogen und anhand von Fallbeispielen diskutiert. Kompakt und verständlich vermitteln die Autoren die gesamte relevante Managementtheorie und zeigen, wie man sinnvolle strategische Entsch…

  • The Topography of the Early History of African Photography

    Jürg Schneider•ARTICLE•History of Photography•2010•Citada por: 23

    African historians' interest in photographic sources is still rather recent and can be traced back to the mid-1980s. Today, after more than twenty years of research, we know the general outlines of the history of African photography, but have yet to move beyond the larger picture. In having a close look at some centres of the early history of West and Central African photography such as Sierra Leone, Fernando Po and Gabon, as well as at the profe…

  • De l'archive papier au vide numérique

    Rosario Mazuela Coll, Jürg Schneider et al.•ARTICLE•Africultures•2012

  • Portraiture and Photography in Africa

    John Peffer, Elisabeth L Cameron et al.•BOOK•Portraiture and Photography in…•2013

    The cultural, social, and political practice of portraiture

  • Demand and Supply

    Jürg Schneider•ARTICLE•Visual Anthropology•2014•Citada por: 3•Referências: 5

    This article takes a closer look at photography's use and reception during its introduction in West and Central Africa, in the era of European imperial conquest. It considers patronage as well as the most popular forms and circulation of early photography. The latter part focuses on one of the first African photographers, Francis Wilberforce Joaque. His biography vividly illustrates a professional acumen in the dynamic markets where he met the de…

  • Beyond the "African" Archive Paradigm

    Erin Haney, Jürg Schneider•ARTICLE•Visual Anthropology•2014•Citada por: 5•Referências: 11

    Recently there has been an unprecedented surge of interest among scholars, curators and collectors in early photographic material from West Africa, galvanizing new multidisciplinary networks of scholarly research and exhibition practices. The transfer of photographs and even whole archives from the African continent to Europe and the United States has continued to increase as a consequence of the research and market demand, posing new questions a…

  • African Photography in the Atlantic Visualscape

    Open Access•Jürg Schneider•CHAPTER•Global Photographies•2018

  • Views of continuity and change

    Jürg Schneider•ARTICLE•Visual Studies•2018

    The English-speaking part of Cameroon in the south western part of the country, two of a total of 10 regions and making up roughly 20% of the population, joined French Cameroun in 1961 to form the Federal Republic of Cameroon. In 1972, a new constitution replaced the federation with a unitary state called the United Republic of Cameroon. The Press Photo Archives in Buea, West Cameroon’s former capital, is a remnant of this period. Covering a shor…

  • No Way Back – Reflections on the Future of the African Photographic Archive

    Open Access•Jürg Schneider, Paul Weinberg•ARTICLE•History in Africa•2020•Citada por: 3•Referências: 10

    The article examines from a global perspective the phenomenon of digital photographic archiving and questions its impact on African archives both on the continent and outside it. The authors deal with the multi-layered consequences of information technologies for African photographic archives, asking to what degree they have connected Africa to the world. They consider too how much access they have given Africans to materials that were previously…

  • La photographie africaine dans l’espace visuel atlantique

    Open Access•Jürg Schneider, Jean-François Cornu•ARTICLE•Photographica•2024

    Présentation de la traductionComment la photographie a-t-elle été adoptée en Afrique de l’Ouest et centrale au xixe siècle ? Et comment est-elle progressivement devenue un médium visuel omniprésent sur le continent africain ? Dans ce chapitre de synthèse publié en 2018, Jürg Schneider défend l’hypothèse suivante : si l’on veut retracer l’histoire de ces pratiques, alors il faut considérer la photographie en Afrique dans un contexte élargi, celui …

  • Douala-Bruyères/Vosges Mountains

    Jürg Schneider•ARTICLE•Journal of Colonialism and…•2024

    The study of two photographs from the 1950s, in the possession of a Cameroonian family, reveals little-noticed transnational flows of people from the geopolitical and national peripheries of the world, linked by the (post-)colonial relations and geopolitical alliances of their states. Bruyères, a small town in eastern France where these photographs were taken, turns out to be not only an unexpected and distant crossroads of French colonial politi…

  • Photo George, in Douala

    Open Access•Jürg Schneider•ARTICLE•Visual Anthropology•2024•Referências: 3

    The study of one of Cameroon's first permanent photo studios, Photo George in Douala, reveals a story of migration, social mobility, intellectual ambition, and a special ability to adapt to a challenging economic, political and social situation. Tracing the studio founder's family history back to the mid-19th century and considering Freetown's multicultural Krio society with its longstanding interactions with photographic practices, not only tell…

Art (9 obras) · African history and culture studies (8 obras) · History (7 obras) · Visual arts (7 obras) · Photography (6 obras) · Media studies (4 obras) · Sociology (4 obras) · Art history (3 obras) · Cultural Identity and Heritage (3 obras) · Geography (3 obras)

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