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Joseph Nevadomsky

Dados Biográficos

ID3611991
NOMEJoseph Nevadomsky
PRENOMESJoseph
SOBRENOMENevadomsky
ASSINATURANEVADOMSKY J
AFILIAÇÕESCalifornia State University, Fullerton
VERIFICADONão
TOTAL DE OBRAS41
TOTAL DE CITAÇÕES53
TOTAL COMO AUTOR41
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1981
ANO MAIS RECENTE DE PUBLICAÇÃO2020
ÍNDICE H4
  • The Identification of the “Bird of Prophecy” in Benin Kingdom Art

    Joseph Nevadomsky•ARTICLE•African Arts•2020•Referências: 3

    The identity of the bird of prophecy depicted on Benin ideophones is enigmatic. The iconic brass castings of this bird serve as a reminder of the Benin-Idah War of ca. 1515–1517 and offer one of the visual props of that event among the do (Bini) who inhabit what is now do State in southern Nigeria. As a commemorative icon the bird of prophecy ideophone is used at Ugie r (Festival of the Bird of Prophecy). Senior chiefs clack a brass casting of th…

  • The Dating Game

    Open Access•Joseph Nevadomsky•ARTICLE•Open Access Journal of…•2019

    To determine the age and authenticity of Benin bronzes collectors and curators have turned to scientific analyses for certainty. Galleries increasingly offer every security from TL Dating to spectrography for the Benin objects they advertise. These watertight guarantees for objects that appear stylistically anomalous, even contemporary, have created a stir among art historians who are aware of TL and other methods usually through hearsay and conf…

  • The Vigango Affair

    Joseph Nevadomsky•ARTICLE•African Arts•2018•Citada por: 4•Referências: 10

    Fullerton (CSUF), repatriated twenty-seven Mijikenda vigango memorial wood posts. Ten days later the vigango gures were air-freighted to Kenya, their place of origin. e success of this endeavor depends on one's point of view. University administrators and Kenyan embassy o cials in had signed the transfer documents with a no blame proviso. Bureaucratic procedures and unanticipated hindrances delayed the repatriation and almost thwarted it. Assiste…

  • Commentary

    Open Access•Joseph Nevadomsky•ARTICLE•Global Journal of Archaeology &…•2017

    The prelude to the film version of Don Quixote opens with Don Manuel Cervantes jailed by the Inquisition for putting on charades. When inmates express amazement that anyone could be imprisoned for staging plays, someone replies that plays are not always what they seem. His fellow prisoners then put Cervantes on mock trial for being a poet. "Poets!" says one, "Spinning nonsense out of nothing! Blurring men's eyes to reality." Cervantes retorts: "R…

  • The Owegbe Cult

    Open Access•Joseph Nevadomsky•CHAPTER•Minority Rights and the National…•2017

  • Exhibition Reviews

    Joseph Nevadomsky•ARTICLE•African Arts•2015•Referências: 1

  • An Ethnographic and Space Syntax Analysis of Benin Kingdom Nobility Architecture

    Open Access•Joseph Nevadomsky, Natalie Lawson et al.•ARTICLE•African Archaeological Review•2014•Citada por: 4•Referências: 18

  • Iconoclash or Iconoconstrain

    Joseph Nevadomsky•ARTICLE•African Arts•2012•Referências: 5

    September 01 2012 Iconoclash or Iconoconstrain: Truth and Consequence in Contemporary Benin B®and Brass Castings Joseph Nevadomsky Joseph Nevadomsky Joseph Nevadomsky is H&SS Distinguished Professor (2000) in the Department of Anthropology at California State University, Fullerton. His interests include Benin art, ritual, and material culture. He is presently researching Benin traditional architecture and cartography and translating Oro, a contem…

  • Rosalinde Gregor Wilcox (March 30, 1936–April 15, 2009)

    Joseph Nevadomsky•ARTICLE•African Arts•2009

    December 01 2009 Rosalinde Gregor Wilcox (March 30, 1936–April 15, 2009) Joseph Nevadomsky Joseph Nevadomsky Professor of Anthropology at California State University, Fullerton. He spent twenty-two years in Africa, mostly in Nigeria. [email protected] Search for other works by this author on: This Site Google Scholar Author and Article Information Joseph Nevadomsky Professor of Anthropology at California State University, Fullerton. He sp…

  • Casting in Contemporary Benin Art

    Joseph Nevadomsky•ARTICLE•African Arts•2005•Citada por: 3

  • Books

    Joseph Nevadomsky, Natalie Lawson•ARTICLE•African Arts•2005

  • Art and Science in Benin Bronzes

    Joseph Nevadomsky•ARTICLE•African Arts•2004

  • Ways of the Rivers

    Joseph Nevadomsky•ARTICLE•African Arts•2003

  • Museums and Archaeology in West Africa

    Open Access•Joseph Nevadomsky•ARTICLE•American Anthropologist•1999•Citada por: 1

    Museums and Archaeology in West Africa. Claude Daniel Ardouin. ed. Washington, DC: Smithsonian Institution Press, 1998.178 pp

  • The Benin Centenary Special Issues

    Sidney Littlefield Kasfir, John Picton et al.•ARTICLE•African Arts•1998

  • The Benin Centenary Issue, Part 1

    Joseph Nevadomsky, Adam Jones et al.•ARTICLE•African Arts•1998

  • The Great Benin Centenary

    Joseph Nevadomsky•ARTICLE•African Arts•1997

  • Studies of Benin Art and Material Culture, 1897-1997

    Joseph Nevadomsky•ARTICLE•African Arts•1997•Citada por: 7

    L'A. propose une synthese des etudes sur l'art africain du Benin et sur la culture materielle depuis la conquete britannique en 1897 jusqu'a la periode contemporaine. Le centenaire de l'invasion et de la conquete coloniale britannique celebre la vitalite creative de la societe Edo. L'A. divise ce siecle en quatre periodes 1897-1930, 1930-1950, 1950-1970, et enfin de 1970 a aujourd'hui. Les recherches sur l'art et la culture materielle se sont foc…

  • Practice and Agency in Mammy Wata Worship in Southern Nigeria

    Charles Gore, Joseph Nevadomsky•ARTICLE•African Arts•1997•Citada por: 6

    Dans les langues vernaculaires pidgin d'Afrique Occidentale, le terme Mammy Wata designe un complexe de croyances et de pratiques mettant en scene les esprits de l'eau qui favorisent la chance ou entrainent des desastres personnels suite a un certain type de relations liees le plus souvent a l'attirance sexuelle. «Mammy Wata» est le terme pidgin egalement utilise pour designer diverses divinites locales, appelees dieux d'eau pour les etrangers au…

  • Benin Kingdom of West Africa

    Joseph Nevadomsky, John Peffer-Engels et al.•ARTICLE•African Arts•1997

  • Contemporary Art and Artists in Benin City

    Joseph Nevadomsky•ARTICLE•African Arts•1997•Citada por: 4

    Pendant longtemps l'art contemporain de la ville de Benin (Nigeria) etait neglige des etudes en histoire de l'art ou en ethnologie, alors qu'il est d'une grande qualite artistique et s'accompagne, parallelement, d'une revitalisation pour les techniques traditionnelles. L'A. montre dans cet article la multiplicite et la complexite des pratiques artistiques inluencees aussi bien par la tradition que par les innovations observables sur le marche int…

  • The Clothing of Political Identity

    Joseph Nevadomsky, Ekhaguosa Aisien•ARTICLE•African Arts•1995•Citada por: 3

    La scarification et le tatouage («iwu ») chez l'homme et la femme bini furent longtemps d'une grande importance au royaume benin (Nigeria) car ils marquaient l'appartenance sociale. Pratiques par des « osiwu », ils ont aujourd'hui disparu. L'adoption de modes vestimentaires alternatives entraina le declin des tatouages qui sont desormais representes sur les costumes (« ewu iwu »). Ils manifestent une revendication identitaire, une reconnaissance …

  • Divine Inspiration -- From Benin to Bahia

    D Glazier, Stephen D Glazier et al.•ARTICLE•Journal for the Scientific Study…•1995

  • The Neglected Ape

    Norm Rosen, Lori K Sheeran et al.•ARTICLE•Current Anthropology•1995•Citada por: 3

  • Icons

    Open Access•Joseph Nevadomsky•ARTICLE•American Ethnologist•1994

Próximo
  • Studies of Benin Art and Material Culture, 1897-1997

    Joseph Nevadomsky•ARTICLE•African Arts•1997•Citada por: 7

    L'A. propose une synthese des etudes sur l'art africain du Benin et sur la culture materielle depuis la conquete britannique en 1897 jusqu'a la periode contemporaine. Le centenaire de l'invasion et de la conquete coloniale britannique celebre la vitalite creative de la societe Edo. L'A. divise ce siecle en quatre periodes 1897-1930, 1930-1950, 1950-1970, et enfin de 1970 a aujourd'hui. Les recherches sur l'art et la culture materielle se sont foc…

  • Practice and Agency in Mammy Wata Worship in Southern Nigeria

    Charles Gore, Joseph Nevadomsky•ARTICLE•African Arts•1997•Citada por: 6

    Dans les langues vernaculaires pidgin d'Afrique Occidentale, le terme Mammy Wata designe un complexe de croyances et de pratiques mettant en scene les esprits de l'eau qui favorisent la chance ou entrainent des desastres personnels suite a un certain type de relations liees le plus souvent a l'attirance sexuelle. «Mammy Wata» est le terme pidgin egalement utilise pour designer diverses divinites locales, appelees dieux d'eau pour les etrangers au…

  • Economic Organization, Social Mobility, and Changing Social Status among East Indians in Rural Trinidad

    Open Access•Joseph Nevadomsky•ARTICLE•Ethnology•1983•Citada por: 5

  • The Vigango Affair

    Joseph Nevadomsky•ARTICLE•African Arts•2018•Citada por: 4•Referências: 10

    Fullerton (CSUF), repatriated twenty-seven Mijikenda vigango memorial wood posts. Ten days later the vigango gures were air-freighted to Kenya, their place of origin. e success of this endeavor depends on one's point of view. University administrators and Kenyan embassy o cials in had signed the transfer documents with a no blame proviso. Bureaucratic procedures and unanticipated hindrances delayed the repatriation and almost thwarted it. Assiste…

  • An Ethnographic and Space Syntax Analysis of Benin Kingdom Nobility Architecture

    Open Access•Joseph Nevadomsky, Natalie Lawson et al.•ARTICLE•African Archaeological Review•2014•Citada por: 4•Referências: 18

  • Contemporary Art and Artists in Benin City

    Joseph Nevadomsky•ARTICLE•African Arts•1997•Citada por: 4

    Pendant longtemps l'art contemporain de la ville de Benin (Nigeria) etait neglige des etudes en histoire de l'art ou en ethnologie, alors qu'il est d'une grande qualite artistique et s'accompagne, parallelement, d'une revitalisation pour les techniques traditionnelles. L'A. montre dans cet article la multiplicite et la complexite des pratiques artistiques inluencees aussi bien par la tradition que par les innovations observables sur le marche int…

  • The Benin Bronze Horseman as the Ata of Idah

    Joseph Nevadomsky•ARTICLE•African Arts•1986•Citada por: 4

    L'A. emet l'hypothese que les cavaliers de bronze typiques de l'art du Benin (Nigeria) representeraient l'Ata du royaume d'Idah avec lequel le royaume du Benin fut longtemps en conflit

  • Casting in Contemporary Benin Art

    Joseph Nevadomsky•ARTICLE•African Arts•2005•Citada por: 3

  • The Clothing of Political Identity

    Joseph Nevadomsky, Ekhaguosa Aisien•ARTICLE•African Arts•1995•Citada por: 3

    La scarification et le tatouage («iwu ») chez l'homme et la femme bini furent longtemps d'une grande importance au royaume benin (Nigeria) car ils marquaient l'appartenance sociale. Pratiques par des « osiwu », ils ont aujourd'hui disparu. L'adoption de modes vestimentaires alternatives entraina le declin des tatouages qui sont desormais representes sur les costumes (« ewu iwu »). Ils manifestent une revendication identitaire, une reconnaissance …

  • The Neglected Ape

    Norm Rosen, Lori K Sheeran et al.•ARTICLE•Current Anthropology•1995•Citada por: 3

  • Kemwin-Kemwin

    Joseph Nevadomsky•ARTICLE•African Arts•1988•Citada por: 3

  • Changing Conceptions of Family Regulation among the Hindu East Indians in Rural Trinidad

    Joseph Nevadomsky•ARTICLE•Anthropological Quarterly•1982•Citada por: 2

    The Hindu East Indians in rural Trinidad are used as an example to illustrate the hypothesis that socioeconomic conditions are critical in determining strategies of family formation. The difference between past and present attitudes to family planning seems to lie in villagers changing perceptions of social and economic advantage. Present receptivity to family limitation seems to be linked to economic necessity. New educational and occupational o…

  • Museums and Archaeology in West Africa

    Open Access•Joseph Nevadomsky•ARTICLE•American Anthropologist•1999•Citada por: 1

    Museums and Archaeology in West Africa. Claude Daniel Ardouin. ed. Washington, DC: Smithsonian Institution Press, 1998.178 pp

  • The House That Idah Built

    Joseph Nevadomsky•ARTICLE•African Arts•1986•Citada por: 1

  • Developmental Sequences of Domestic Groups in an East Indian Community in Rural Trinidad

    Open Access•Joseph Nevadomsky•ARTICLE•Ethnology•1985•Citada por: 1

    Changements economique, social et culturel dans l'organisation de la famille (nucleaire et etendue) dans une communaute d'Indiens (Inde), immigres dans la seconde partie du 19 siecle a Amity (Trinidad). Analyse de la situation maritale des femmes et de la composition de la famille par tranches d'âges des femmes

  • Kingship Succession Rituals in Benin. 3

    Joseph Nevadomsky•ARTICLE•African Arts•1984•Citada por: 1

    As the eldest son of the late Oba, Prince Akenzua had earlier been invested as the Edaiken of Benin (see Part 1 of this series, November 1983), a title that officially acknowledged his right to the throne. As Edaiken, or Crown Prince, he ruled over Uselu, a community outside Benin City that in almost every way replicated in extreme miniature the one he would inherit as king. During his apprenticeship the Edaiken learned the elusive art of statecr…

  • Kingship Succession Rituals in Benin. 1

    Joseph Nevadomsky, Daniel E Inneh•ARTICLE•African Arts•1983•Citada por: 1

  • Cultural and Structural Dimensions of Occupational Prestige in an East Indian Community in Trinidad

    Joseph Nevadomsky•ARTICLE•Journal of Anthropological Research•1981

    One consequence of the far-reaching social and economic changes taking place among the East Indians in a rural Trinidadian village has been a lengthening of the status hierarchy. Traditional labor activities have been replaced by a broad spectrum of occupational possibilities, with local aspirations geared to urban and white-collar employment. However, while the processes of economic development seem to have altered the social structure of the co…

  • Changing Conceptions of Family Regulation among the Hindu East Indians in Rural Trinidad

    Joseph Nevadomsky•ARTICLE•Anthropological Quarterly•1982•Citada por: 2

    The Hindu East Indians in rural Trinidad are used as an example to illustrate the hypothesis that socioeconomic conditions are critical in determining strategies of family formation. The difference between past and present attitudes to family planning seems to lie in villagers changing perceptions of social and economic advantage. Present receptivity to family limitation seems to be linked to economic necessity. New educational and occupational o…

  • On Ecological Theory and Ethnic Differentiation

    Françoise Morin, Joseph Nevadomsky et al.•ARTICLE•Current Anthropology•1982

  • Kingship Succession Rituals in Benin. 1

    Joseph Nevadomsky, Daniel E Inneh•ARTICLE•African Arts•1983•Citada por: 1

  • Economic Organization, Social Mobility, and Changing Social Status among East Indians in Rural Trinidad

    Open Access•Joseph Nevadomsky•ARTICLE•Ethnology•1983•Citada por: 5

  • Kingship Succession Rituals in Benin. 3

    Joseph Nevadomsky•ARTICLE•African Arts•1984•Citada por: 1

    As the eldest son of the late Oba, Prince Akenzua had earlier been invested as the Edaiken of Benin (see Part 1 of this series, November 1983), a title that officially acknowledged his right to the throne. As Edaiken, or Crown Prince, he ruled over Uselu, a community outside Benin City that in almost every way replicated in extreme miniature the one he would inherit as king. During his apprenticeship the Edaiken learned the elusive art of statecr…

  • Kingship Succession Rituals in Benin. 2

    Joseph Nevadomsky•ARTICLE•African Arts•1984

  • A Note on the Benin Bronze Horseman

    Joseph Nevadomsky•ARTICLE•African Arts•1984

  • Developmental Sequences of Domestic Groups in an East Indian Community in Rural Trinidad

    Open Access•Joseph Nevadomsky•ARTICLE•Ethnology•1985•Citada por: 1

    Changements economique, social et culturel dans l'organisation de la famille (nucleaire et etendue) dans une communaute d'Indiens (Inde), immigres dans la seconde partie du 19 siecle a Amity (Trinidad). Analyse de la situation maritale des femmes et de la composition de la famille par tranches d'âges des femmes

  • The Benin Bronze Horseman as the Ata of Idah

    Joseph Nevadomsky•ARTICLE•African Arts•1986•Citada por: 4

    L'A. emet l'hypothese que les cavaliers de bronze typiques de l'art du Benin (Nigeria) representeraient l'Ata du royaume d'Idah avec lequel le royaume du Benin fut longtemps en conflit

  • The House That Idah Built

    Joseph Nevadomsky•ARTICLE•African Arts•1986•Citada por: 1

  • The Initiation of a Priestess

    Joseph Nevadomsky, Norma Rosen•ARTICLE•TDR/The Drama Review•1988

    The setting-an impluvium, a courtyard, or a large room-is airy and cool. The suffused light of the late-afternoon tropical sky illuminates the performance space. The participants, mostly women dressed in white cotton garments decorated with cowrie shells and brass cutouts, sing, dance, clap, and play calabash rattles. Bells are rung to invoke the deity whom they have come to worship. Prayers are chanted over and over. A white fowl is killed. Some…

  • Kemwin-Kemwin

    Joseph Nevadomsky•ARTICLE•African Arts•1988•Citada por: 3

  • Bassey Andah, African Anthropology. Ibadan

    Open Access•Joseph Nevadomsky•ARTICLE•Africa•1989

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Changing Perspectives in African History

    Open Access•Joseph Nevadomsky•ARTICLE•Anthropology and Humanism Quarterly•1989

    Bogumil Jewsiewicki and David Newbury. eds. African Historiographies: What History for Which Africa? Beverly Hills: Sage Publications, 1985. 320 pp. $29.95 (cloth). Catherine Coquery‐Vidrovitch and Paul Lovejoy. eds. The Workers of African Trade . Beverly Hills: Sage Publications, 1985. 304 pp. $29.95 (cloth

  • Elephant

    Open Access•Joseph Nevadomsky•ARTICLE•Museum Anthropology•1993

    Elephant: The Animal and Its Ivory in African Culture. Fowler Museum of Cultural History, UCLA. (September 30, 1992. May 16, 1993

  • Icons

    Open Access•Joseph Nevadomsky•ARTICLE•American Ethnologist•1994

  • The Clothing of Political Identity

    Joseph Nevadomsky, Ekhaguosa Aisien•ARTICLE•African Arts•1995•Citada por: 3

    La scarification et le tatouage («iwu ») chez l'homme et la femme bini furent longtemps d'une grande importance au royaume benin (Nigeria) car ils marquaient l'appartenance sociale. Pratiques par des « osiwu », ils ont aujourd'hui disparu. L'adoption de modes vestimentaires alternatives entraina le declin des tatouages qui sont desormais representes sur les costumes (« ewu iwu »). Ils manifestent une revendication identitaire, une reconnaissance …

  • Divine Inspiration -- From Benin to Bahia

    D Glazier, Stephen D Glazier et al.•ARTICLE•Journal for the Scientific Study…•1995

  • The Neglected Ape

    Norm Rosen, Lori K Sheeran et al.•ARTICLE•Current Anthropology•1995•Citada por: 3

  • The Great Benin Centenary

    Joseph Nevadomsky•ARTICLE•African Arts•1997

  • Studies of Benin Art and Material Culture, 1897-1997

    Joseph Nevadomsky•ARTICLE•African Arts•1997•Citada por: 7

    L'A. propose une synthese des etudes sur l'art africain du Benin et sur la culture materielle depuis la conquete britannique en 1897 jusqu'a la periode contemporaine. Le centenaire de l'invasion et de la conquete coloniale britannique celebre la vitalite creative de la societe Edo. L'A. divise ce siecle en quatre periodes 1897-1930, 1930-1950, 1950-1970, et enfin de 1970 a aujourd'hui. Les recherches sur l'art et la culture materielle se sont foc…

  • Practice and Agency in Mammy Wata Worship in Southern Nigeria

    Charles Gore, Joseph Nevadomsky•ARTICLE•African Arts•1997•Citada por: 6

    Dans les langues vernaculaires pidgin d'Afrique Occidentale, le terme Mammy Wata designe un complexe de croyances et de pratiques mettant en scene les esprits de l'eau qui favorisent la chance ou entrainent des desastres personnels suite a un certain type de relations liees le plus souvent a l'attirance sexuelle. «Mammy Wata» est le terme pidgin egalement utilise pour designer diverses divinites locales, appelees dieux d'eau pour les etrangers au…

  • Benin Kingdom of West Africa

    Joseph Nevadomsky, John Peffer-Engels et al.•ARTICLE•African Arts•1997

  • Contemporary Art and Artists in Benin City

    Joseph Nevadomsky•ARTICLE•African Arts•1997•Citada por: 4

    Pendant longtemps l'art contemporain de la ville de Benin (Nigeria) etait neglige des etudes en histoire de l'art ou en ethnologie, alors qu'il est d'une grande qualite artistique et s'accompagne, parallelement, d'une revitalisation pour les techniques traditionnelles. L'A. montre dans cet article la multiplicite et la complexite des pratiques artistiques inluencees aussi bien par la tradition que par les innovations observables sur le marche int…

Art (26 obras) · Sociology (22 obras) · History (18 obras) · African history and culture studies (16 obras) · Geography (16 obras) · Political science (11 obras) · Visual arts (11 obras) · Anthropology (10 obras) · Archaeology (10 obras) · Law (10 obras)

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