Pular para o conteúdo principal

ETHNOS_APP

Início • Busca • Periódicos • Lista 0

Alison Gerber

Dados Biográficos

ID3620146
NOMEAlison Gerber
PRENOMESAlison
SOBRENOMEGerber
ASSINATURAGERBER A
AFILIAÇÕESLund University
ORCID0000-0002-1357-3516
VERIFICADOSim
TOTAL DE OBRAS8
TOTAL DE CITAÇÕES31
TOTAL COMO AUTOR8
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2014
ANO MAIS RECENTE DE PUBLICAÇÃO2025
ÍNDICE H3
  • Shared Visions

    Open Access•Tobias Olofsson, Alison Gerber•ARTICLE•Minerva•2025•Referências: 18

    Issues of quality, value, and merit are perpetually lively and contentious in scientific and academic work, and research on evaluation panels have shown that organizational constraints and the methods of evaluation used, whether well-motivated or adopted ad hoc, have enormous influence on outcomes. But while previous studies have highlighted the influence exerted by particular methods of evaluation or by social psychological factors, this study s…

  • ‘Everyone’s Annoyed’

    Open Access•Alison Gerber•ARTICLE•Cultural Sociology•2022

    A growing literature illuminates the limits of claims made on the basis of sensory perception in scientized, rationalized, and bureaucratic contexts. How to understand exceptions to the rule – cases where claims based on sensory experience are taken at face value, even without corroborating evidence? Here, I focus on one such exception, in which citizen complaints about the smell of a small shantytown functioned successfully as both demands and j…

  • Talking Art

    Open Access•Alison Gerber•ARTICLE•Contemporary Sociology A Journal…•2019

  • Black Hole Suns

    Open Access•Alison Gerber•ARTICLE•Culture Unbound Journal of…•2019•Citada por: 2•Referências: 37

    Sociologicial analyses of artistic practice have long drawn on theoretical traditions grounded in binaries and dualisms. Such analytical strategies, exemplified here by field theoretical approaches, center art objects and their movements in and across markets, where binaristic visions of art worlds do offer significant leverage. But when the analyst moves away from markets for art objects and looks to artistic practices the binaristic lens provid…

  • The Economic World Obverse

    Open Access•Alison Gerber, Clayton Childre et al.•ARTICLE•American Behavioral Scientist•2017•Citada por: 14•Referências: 53

    What role does arts education play in artistic activity and income? In light of the rise of university arts education and its effects, especially the changing role of teaching in artistic careers, this article questions key assumptions of both winner-take-all and economic-world-reversed analyses of artistic careers. While almost all studies of remuneration in the creative arts find that income is highly skewed, these dominant perspectives take an…

  • I Don't Make Objects, I Make Projects

    Open Access•Alison Gerber, Clayton Childre et al.•ARTICLE•Cultural Sociology•2017•Citada por: 8•Referências: 50

    What role do artists play in the valuation of their activities? Theoretical perspectives on art have assumed that such value is closely linked to the prices of art objects and have minimized the place of content providers in the creation and definition of value. Through analysis of the writings of American, Canadian, and Swedish artists from 1967 to 2015, we find that artists move discursively from an object-oriented market logic to a market logi…

  • The MFA in Creative Writing

    Open Access•Clayton Childress, Alison Gerber•ARTICLE•Professions and Professionalism•2015

    Over half of today’s Masters of Fine Arts programs in creative writing in the United States were founded after the year 2000. Has the MFA-CW become a necessary credential for novelists? Relying on participant observation field research in the American literary field and interviews with authors, publishers, MFA graduates, and instructors, this work focuses on a paradox: Despite widespread agreement that the credential doesn’t “teach” enrollees to …

  • The Meaning of Indeterminacy

    Open Access•Joseph Klett, Alison Gerber•ARTICLE•Cultural Sociology•2014•Citada por: 7•Referências: 30

    In aesthetic terms, the category of 'sound' is often split in two: 'noise', which is chaotic, unfamiliar, and offensive; and 'music', which is harmonious, resonant, and divine. These opposing concepts are brought together in the phenomenon of Noise Music, but how do practitioners make sense of this apparent discordance? Analyses that treat recorded media as primary texts declare Noise Music to be a failure, as a genre without progress. These pain…

  • The Economic World Obverse

    Open Access•Alison Gerber, Clayton Childre et al.•ARTICLE•American Behavioral Scientist•2017•Citada por: 14•Referências: 53

    What role does arts education play in artistic activity and income? In light of the rise of university arts education and its effects, especially the changing role of teaching in artistic careers, this article questions key assumptions of both winner-take-all and economic-world-reversed analyses of artistic careers. While almost all studies of remuneration in the creative arts find that income is highly skewed, these dominant perspectives take an…

  • I Don't Make Objects, I Make Projects

    Open Access•Alison Gerber, Clayton Childre et al.•ARTICLE•Cultural Sociology•2017•Citada por: 8•Referências: 50

    What role do artists play in the valuation of their activities? Theoretical perspectives on art have assumed that such value is closely linked to the prices of art objects and have minimized the place of content providers in the creation and definition of value. Through analysis of the writings of American, Canadian, and Swedish artists from 1967 to 2015, we find that artists move discursively from an object-oriented market logic to a market logi…

  • The Meaning of Indeterminacy

    Open Access•Joseph Klett, Alison Gerber•ARTICLE•Cultural Sociology•2014•Citada por: 7•Referências: 30

    In aesthetic terms, the category of 'sound' is often split in two: 'noise', which is chaotic, unfamiliar, and offensive; and 'music', which is harmonious, resonant, and divine. These opposing concepts are brought together in the phenomenon of Noise Music, but how do practitioners make sense of this apparent discordance? Analyses that treat recorded media as primary texts declare Noise Music to be a failure, as a genre without progress. These pain…

  • Black Hole Suns

    Open Access•Alison Gerber•ARTICLE•Culture Unbound Journal of…•2019•Citada por: 2•Referências: 37

    Sociologicial analyses of artistic practice have long drawn on theoretical traditions grounded in binaries and dualisms. Such analytical strategies, exemplified here by field theoretical approaches, center art objects and their movements in and across markets, where binaristic visions of art worlds do offer significant leverage. But when the analyst moves away from markets for art objects and looks to artistic practices the binaristic lens provid…

  • The Meaning of Indeterminacy

    Open Access•Joseph Klett, Alison Gerber•ARTICLE•Cultural Sociology•2014•Citada por: 7•Referências: 30

    In aesthetic terms, the category of 'sound' is often split in two: 'noise', which is chaotic, unfamiliar, and offensive; and 'music', which is harmonious, resonant, and divine. These opposing concepts are brought together in the phenomenon of Noise Music, but how do practitioners make sense of this apparent discordance? Analyses that treat recorded media as primary texts declare Noise Music to be a failure, as a genre without progress. These pain…

  • The MFA in Creative Writing

    Open Access•Clayton Childress, Alison Gerber•ARTICLE•Professions and Professionalism•2015

    Over half of today’s Masters of Fine Arts programs in creative writing in the United States were founded after the year 2000. Has the MFA-CW become a necessary credential for novelists? Relying on participant observation field research in the American literary field and interviews with authors, publishers, MFA graduates, and instructors, this work focuses on a paradox: Despite widespread agreement that the credential doesn’t “teach” enrollees to …

  • The Economic World Obverse

    Open Access•Alison Gerber, Clayton Childre et al.•ARTICLE•American Behavioral Scientist•2017•Citada por: 14•Referências: 53

    What role does arts education play in artistic activity and income? In light of the rise of university arts education and its effects, especially the changing role of teaching in artistic careers, this article questions key assumptions of both winner-take-all and economic-world-reversed analyses of artistic careers. While almost all studies of remuneration in the creative arts find that income is highly skewed, these dominant perspectives take an…

  • I Don't Make Objects, I Make Projects

    Open Access•Alison Gerber, Clayton Childre et al.•ARTICLE•Cultural Sociology•2017•Citada por: 8•Referências: 50

    What role do artists play in the valuation of their activities? Theoretical perspectives on art have assumed that such value is closely linked to the prices of art objects and have minimized the place of content providers in the creation and definition of value. Through analysis of the writings of American, Canadian, and Swedish artists from 1967 to 2015, we find that artists move discursively from an object-oriented market logic to a market logi…

  • Talking Art

    Open Access•Alison Gerber•ARTICLE•Contemporary Sociology A Journal…•2019

  • Black Hole Suns

    Open Access•Alison Gerber•ARTICLE•Culture Unbound Journal of…•2019•Citada por: 2•Referências: 37

    Sociologicial analyses of artistic practice have long drawn on theoretical traditions grounded in binaries and dualisms. Such analytical strategies, exemplified here by field theoretical approaches, center art objects and their movements in and across markets, where binaristic visions of art worlds do offer significant leverage. But when the analyst moves away from markets for art objects and looks to artistic practices the binaristic lens provid…

  • ‘Everyone’s Annoyed’

    Open Access•Alison Gerber•ARTICLE•Cultural Sociology•2022

    A growing literature illuminates the limits of claims made on the basis of sensory perception in scientized, rationalized, and bureaucratic contexts. How to understand exceptions to the rule – cases where claims based on sensory experience are taken at face value, even without corroborating evidence? Here, I focus on one such exception, in which citizen complaints about the smell of a small shantytown functioned successfully as both demands and j…

  • Shared Visions

    Open Access•Tobias Olofsson, Alison Gerber•ARTICLE•Minerva•2025•Referências: 18

    Issues of quality, value, and merit are perpetually lively and contentious in scientific and academic work, and research on evaluation panels have shown that organizational constraints and the methods of evaluation used, whether well-motivated or adopted ad hoc, have enormous influence on outcomes. But while previous studies have highlighted the influence exerted by particular methods of evaluation or by social psychological factors, this study s…

Sociology (7 obras) · Aesthetics (6 obras) · Art (6 obras) · Cultural Industries and Urban Development (5 obras) · Computer Science (4 obras) · Epistemology (4 obras) · Philosophy (4 obras) · Law (3 obras) · Linguistics (3 obras) · Political science (3 obras)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae