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Lindsay Kelley

Dados Biográficos

ID3634870
NOMELindsay Kelley
PRENOMESLindsay
SOBRENOMEKelley
ASSINATURAKELLEY L
AFILIAÇÕESAustralian National University
ORCID0000-0002-6393-2767
VERIFICADOSim
TOTAL DE OBRAS9
TOTAL DE CITAÇÕES12
TOTAL COMO AUTOR9
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2013
ANO MAIS RECENTE DE PUBLICAÇÃO2023
ÍNDICE H2
  • Invert Syrup, Feminist Snap

    Open Access•Lindsay Kelley•ARTICLE•Catalyst Feminism Theory…•2023

    Baked for Anzac Day in April but eaten all year, Anzac biscuits memorialize the Australian and New Zealand Army Corps (ANZAC) participation in the Gallipoli Campaign during World War I. The chemical and culinary capacities of one of the biscuit’s key ingredients, golden syrup, offer strategies for figuring snaps, breaks, and refusals. Golden syrup catalyzes a feminist digestion of a food often perceived as culturally conservative or nationalistic…

  • Kitchen Futures

    Open Access•Lindsay Kelley•ARTICLE•Australian Feminist Studies•2023•Citada por: 2•Referências: 26

    Since 2016 I have been developing and performing what I call 'participatory taste workshops'. Embedded within art festivals, the workshops research taste by using taste as a transdisciplinary method. Site-responsive kitchen laboratories invite experimental ethnographies of culturally specific tasting conditions. In April 2020, at the start of the COVID-19 pandemic, I collaborated with culinary historian Allison Reynolds to organize a Zoom event, …

  • Biscuit production and consumption as war re-enactment

    Lindsay Kelley•ARTICLE•Continuum•2022•Citada por: 1•Referências: 5

    This paper argues that eating biscuits produces a small-scale war re-enactment with each bite. I focus on Anzac biscuits, which are sold at cafes, baked at home, nibbled at morning tea, and are a crucial fundraiser for veterans’ organizations across Australia and Aotearoa New Zealand. The biscuit’s commemorative function starts with the Australia New Zealand Army Corps’ participation in the Gallipoli campaign during World War I. Anzac biscuits co…

  • The Political Life of Cancer

    Open Access•Lindsay Kelley•ARTICLE•Environmental Humanities•2017•Citada por: 1•Referências: 19

    One of the late Beatriz da Costa's last projects, Dying for the Other (2011), presents three channels of video footage from testing environments, including laboratories, hospitals, kitchens, and living rooms offset by pink mice wriggling in their cage, living and dead mice weighed and handled by breast cancer researchers, and the materials of laboratory and medical work: test tubes, petri dishes, scalpels. Together across three shared video chann…

  • Menagerie À Tranimals

    Lindsay Kelley•ARTICLE•Angelaki•2017•Referências: 25

    The prefix "trans-" surrounds "animal" with a pluralizing effect: tranimals. This portmanteau word describes creatures at once real and imagined who traverse taxonomic categories. This essay considers two of many threads of trananimality: the transgenic and the prosthetic. Artist Jodi Clark imagines the Menagerie à Trois as a space for carnal humanimality, where sexual entanglements commingle with chimeric forms. This menagerie à tranimals extend…

  • Recipe 1

    Open Access•Lindsay Kelley•CHAPTER•Multispecies Salon•2014

  • Tranimals

    Lindsay Kelley•ARTICLE•TSQ Transgender Studies Quarterly•2014•Citada por: 3

    This section includes eighty-six short original essays commissioned for the inaugural issue of TSQ: Transgender Studies Quarterly. Written by emerging academics, community-based writers, and senior scholars, each essay in this special issue, “Postposttranssexual: Key Concepts for a Twenty-First-Century Transgender Studies,” revolves around a particular keyword or concept. Some contributions focus on a concept central to transgender studies; other…

  • Amuse Gueule

    Lindsay Kelley, Lynn Turner•ARTICLE•Parallax•2013

  • Carnal Light

    Lindsay Kelley, Eva Hayward•ARTICLE•Parallax•2013•Citada por: 5

  • Carnal Light

    Lindsay Kelley, Eva Hayward•ARTICLE•Parallax•2013•Citada por: 5

  • Tranimals

    Lindsay Kelley•ARTICLE•TSQ Transgender Studies Quarterly•2014•Citada por: 3

    This section includes eighty-six short original essays commissioned for the inaugural issue of TSQ: Transgender Studies Quarterly. Written by emerging academics, community-based writers, and senior scholars, each essay in this special issue, “Postposttranssexual: Key Concepts for a Twenty-First-Century Transgender Studies,” revolves around a particular keyword or concept. Some contributions focus on a concept central to transgender studies; other…

  • Kitchen Futures

    Open Access•Lindsay Kelley•ARTICLE•Australian Feminist Studies•2023•Citada por: 2•Referências: 26

    Since 2016 I have been developing and performing what I call 'participatory taste workshops'. Embedded within art festivals, the workshops research taste by using taste as a transdisciplinary method. Site-responsive kitchen laboratories invite experimental ethnographies of culturally specific tasting conditions. In April 2020, at the start of the COVID-19 pandemic, I collaborated with culinary historian Allison Reynolds to organize a Zoom event, …

  • Biscuit production and consumption as war re-enactment

    Lindsay Kelley•ARTICLE•Continuum•2022•Citada por: 1•Referências: 5

    This paper argues that eating biscuits produces a small-scale war re-enactment with each bite. I focus on Anzac biscuits, which are sold at cafes, baked at home, nibbled at morning tea, and are a crucial fundraiser for veterans’ organizations across Australia and Aotearoa New Zealand. The biscuit’s commemorative function starts with the Australia New Zealand Army Corps’ participation in the Gallipoli campaign during World War I. Anzac biscuits co…

  • The Political Life of Cancer

    Open Access•Lindsay Kelley•ARTICLE•Environmental Humanities•2017•Citada por: 1•Referências: 19

    One of the late Beatriz da Costa's last projects, Dying for the Other (2011), presents three channels of video footage from testing environments, including laboratories, hospitals, kitchens, and living rooms offset by pink mice wriggling in their cage, living and dead mice weighed and handled by breast cancer researchers, and the materials of laboratory and medical work: test tubes, petri dishes, scalpels. Together across three shared video chann…

  • Amuse Gueule

    Lindsay Kelley, Lynn Turner•ARTICLE•Parallax•2013

  • Carnal Light

    Lindsay Kelley, Eva Hayward•ARTICLE•Parallax•2013•Citada por: 5

  • Recipe 1

    Open Access•Lindsay Kelley•CHAPTER•Multispecies Salon•2014

  • Tranimals

    Lindsay Kelley•ARTICLE•TSQ Transgender Studies Quarterly•2014•Citada por: 3

    This section includes eighty-six short original essays commissioned for the inaugural issue of TSQ: Transgender Studies Quarterly. Written by emerging academics, community-based writers, and senior scholars, each essay in this special issue, “Postposttranssexual: Key Concepts for a Twenty-First-Century Transgender Studies,” revolves around a particular keyword or concept. Some contributions focus on a concept central to transgender studies; other…

  • The Political Life of Cancer

    Open Access•Lindsay Kelley•ARTICLE•Environmental Humanities•2017•Citada por: 1•Referências: 19

    One of the late Beatriz da Costa's last projects, Dying for the Other (2011), presents three channels of video footage from testing environments, including laboratories, hospitals, kitchens, and living rooms offset by pink mice wriggling in their cage, living and dead mice weighed and handled by breast cancer researchers, and the materials of laboratory and medical work: test tubes, petri dishes, scalpels. Together across three shared video chann…

  • Menagerie À Tranimals

    Lindsay Kelley•ARTICLE•Angelaki•2017•Referências: 25

    The prefix "trans-" surrounds "animal" with a pluralizing effect: tranimals. This portmanteau word describes creatures at once real and imagined who traverse taxonomic categories. This essay considers two of many threads of trananimality: the transgenic and the prosthetic. Artist Jodi Clark imagines the Menagerie à Trois as a space for carnal humanimality, where sexual entanglements commingle with chimeric forms. This menagerie à tranimals extend…

  • Biscuit production and consumption as war re-enactment

    Lindsay Kelley•ARTICLE•Continuum•2022•Citada por: 1•Referências: 5

    This paper argues that eating biscuits produces a small-scale war re-enactment with each bite. I focus on Anzac biscuits, which are sold at cafes, baked at home, nibbled at morning tea, and are a crucial fundraiser for veterans’ organizations across Australia and Aotearoa New Zealand. The biscuit’s commemorative function starts with the Australia New Zealand Army Corps’ participation in the Gallipoli campaign during World War I. Anzac biscuits co…

  • Invert Syrup, Feminist Snap

    Open Access•Lindsay Kelley•ARTICLE•Catalyst Feminism Theory…•2023

    Baked for Anzac Day in April but eaten all year, Anzac biscuits memorialize the Australian and New Zealand Army Corps (ANZAC) participation in the Gallipoli Campaign during World War I. The chemical and culinary capacities of one of the biscuit’s key ingredients, golden syrup, offer strategies for figuring snaps, breaks, and refusals. Golden syrup catalyzes a feminist digestion of a food often perceived as culturally conservative or nationalistic…

  • Kitchen Futures

    Open Access•Lindsay Kelley•ARTICLE•Australian Feminist Studies•2023•Citada por: 2•Referências: 26

    Since 2016 I have been developing and performing what I call 'participatory taste workshops'. Embedded within art festivals, the workshops research taste by using taste as a transdisciplinary method. Site-responsive kitchen laboratories invite experimental ethnographies of culturally specific tasting conditions. In April 2020, at the start of the COVID-19 pandemic, I collaborated with culinary historian Allison Reynolds to organize a Zoom event, …

Sociology (7 obras) · Geographies of human-animal interactions (5 obras) · Art (3 obras) · Culinary Culture and Tourism (3 obras) · Gender Studies (3 obras) · Gender Studies (3 obras) · Political science (3 obras) · Aesthetics (2 obras) · Aotearoa (2 obras) · Art history (2 obras)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae