William Flesch
Dados Biográficos
| ID | 363764 |
|---|---|
| NOME | William Flesch |
| PRENOMES | William |
| SOBRENOME | Flesch |
| ASSINATURA | FLESCH W |
| AFILIAÇÕES | Brandeis University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAÇÕES | 4 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1987 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2020 |
| ÍNDICE H | 1 |
Extravagance
Blanchot uses the word extravagance to mean the unworldliness of both love and literature—a wandering beyond the limits of the world. Extravagance is the standard English translation of Ludwig Binswanger's Verstiegenheit, which means a climbing to a perilous altitude from which one cannot rescue oneself. For Blanchot that peril is the space of literature and of love because it is an unteleological attentiveness to the other. This is not an attent…
Facing Fictions
In Evolving Hamlet: Seventeenth Century English Tragedy and the Ethics of Natural Selection, Angus Fletcher rightly argues against the idea, enthusiastically embraced by literary Darwinism, that evolution explains how exquisitely the individual mind and perhaps the progressive powers of the whole species are fitted to the world and therefore how exquisitely the world is fitted to the mind (in Wordsworth's famous phrase). Fletcher sees us as large…
Quoting Poetry
Proximity and Power
It is the odd fate of cinematic representation to be at once infinitely more fragile than its theatrical counterpart and infinitely more robust. Film occurs in a kind of virtual space. Lacking a dimension lacks a basic presence in the world we live in. Nothing in a film can touch or be touched. It is pure apparition, insubstantial but unchangeable, like the ghost of Hamlet's father. Touching this vision here, / It is an ghost, that let me tell yo…
Proximity and Power
It is the odd fate of cinematic representation to be at once infinitely more fragile than its theatrical counterpart and infinitely more robust. Film occurs in a kind of virtual space. Lacking a dimension lacks a basic presence in the world we live in. Nothing in a film can touch or be touched. It is pure apparition, insubstantial but unchangeable, like the ghost of Hamlet's father. Touching this vision here, / It is an ghost, that let me tell yo…
Quoting Poetry
Proximity and Power
It is the odd fate of cinematic representation to be at once infinitely more fragile than its theatrical counterpart and infinitely more robust. Film occurs in a kind of virtual space. Lacking a dimension lacks a basic presence in the world we live in. Nothing in a film can touch or be touched. It is pure apparition, insubstantial but unchangeable, like the ghost of Hamlet's father. Touching this vision here, / It is an ghost, that let me tell yo…
Quoting Poetry
Facing Fictions
In Evolving Hamlet: Seventeenth Century English Tragedy and the Ethics of Natural Selection, Angus Fletcher rightly argues against the idea, enthusiastically embraced by literary Darwinism, that evolution explains how exquisitely the individual mind and perhaps the progressive powers of the whole species are fitted to the world and therefore how exquisitely the world is fitted to the mind (in Wordsworth's famous phrase). Fletcher sees us as large…
Extravagance
Blanchot uses the word extravagance to mean the unworldliness of both love and literature—a wandering beyond the limits of the world. Extravagance is the standard English translation of Ludwig Binswanger's Verstiegenheit, which means a climbing to a perilous altitude from which one cannot rescue oneself. For Blanchot that peril is the space of literature and of love because it is an unteleological attentiveness to the other. This is not an attent…
Art (3 obras) · Aesthetics (2 obras) · Epistemology (2 obras) · Literature (2 obras) · Philosophy (2 obras) · Psychology (2 obras) · Visual arts (2 obras) · Aesthetic Perception and Analysis (1 obras) · Alterity (1 obras) · Art history (1 obras)