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Jonathan Stock

Dados Biográficos

ID3648414
NOMEJonathan Stock
PRENOMESJonathan
SOBRENOMEStock
ASSINATURASTOCK J
VERIFICADONão
TOTAL DE OBRAS14
TOTAL DE CITAÇÕES28
TOTAL COMO AUTOR14
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1992
ANO MAIS RECENTE DE PUBLICAÇÃO2023
ÍNDICE H2
  • The Oxford Handbook of Music in China and the Chinese Diaspora

    Jonathan Stock, Jonathan P J Stock et al.•BOOK•Oxford Handbook of Music in China…•2023

    This volume provides an innovative vision for Chinese music studies in the twenty-first century. Each chapter advances research insights into a genre or context in Chinese music and develops a theoretical model applicable beyond the case studies. The volume includes contributions from researchers based in anglophone Europe and North America and also in sinophone settings including China, Taiwan, Malaysia, and Hong Kong SAR, and in Chinese diaspor…

  • Scoring Alien Worlds

    Open Access•Jonathan P J Stock, Jonathan Stock•ARTICLE•Malaysian Journal of Music•2021

    This article provides three case studies of the use of world music resources to build alien worlds in mainstream screen media with Sci-Fi or Fantasy settings. The case studies—the TV series Battlestar Galactica: Blood and Chrome, the film Avatar and the Massively Multiplayer Online Role-Playing Game (MMORPG) video game World of Warcraft—show how composers and associated music professionals in the early twenty-first century increasingly draw on su…

  • Peripheries and interfaces

    Open Access•Jonathan P J Stock, Jonathan Stock•CHAPTER•CAMBRIDGE HISTORY OF TWENTIETH-CENT…•2004

    Introduction The theme of this chapter is the encounter with Western musics of other peoples during the past one hundred years. Often only occasional and sporadic at the start of the twentieth century, contact with the music of elsewhere was by the end of that century part of the everyday lives of huge numbers of people worldwide (as much within as outside the Western world). The history of this shift might be written in several ways. From a tech…

  • Paleohydrology of arid southeastern Maui, Hawaiian Islands, and its implications for prehistoric human settlement

    Open Access•Jonathan Stock, J D Stock et al.•ARTICLE•Quaternary Research•2003

    Arid slopes on the southeastern side of Maui are densely covered with archaeological remains of Hawaiian settlement from the late prehistoric to early postcontact period (ca. A.D. 1500–1860). Permanent habitation sites, agricultural features, and religious structures indicate perennial occupation and farming in a subregion called Kahikinui, yet there is presently no year-round water source. We explore the possibility that postcontact deforestatio…

  • China

    Jonathan Stock, Joanna Ching-Yun Lee•CHAPTER•The new Grove dictionary of music…•2001

  • China, People’s Republic of

    Alan R Thrasher, Joseph S C Lam et al.•CHAPTER•The new Grove dictionary of music…•2001

  • China

    Jonathan Stock•CHAPTER•The new Grove dictionary of music…•2001

  • Celestial Airs of Antiquity

    Jonathan P J Stock, Jonathan Stock et al.•ARTICLE•Asian Music•1998

  • Chinese Folk Songs and Folk Singers

    Jonathan P J Stock, Jonathan Stock et al.•ARTICLE•Asian Music•1998

  • Music, Culture, and Experience

    Jonathan P J Stock, Jonathan Stock et al.•ARTICLE•The Musical Times•1995•Citada por: 25

    One of the most important ethnomusicologists of the century, John Blacking is known for his interest in the relationship of music to biology, psychology, dance and politics. He attempted to document the ways in which music-making expresses the human condition, how it transcends social divisions and how it can be used to improve the quality of human life. This volume brings together eight of Blacking's most important theoretical papers which revea…

  • Reconsidering the Past

    Jonathan P J Stock, Jonathan Stock•ARTICLE•Asian Music•1995•Citada por: 1

    Le renouveau de la « musique jaune » chinoise des annees 1930, et plus particulierement des chants de Zhou Xuan, a deux reprises, en 1985 et en 1993, s'est effectuee pour des raisons et dans des contextes socio-politiques differents. La premiere fois, il s'agissait pour le gouvernement de ramener la population aux chansons de masse et a la detourner du « mauvais » chemin tout en introduisant la musique electronique. La deuxieme fois, Zhou Xuan ex…

  • Raga Bilaskhani Todi; Raga Puriya; Raga Pilu

    Jonathan P J Stock, Jonathan Stock et al.•ARTICLE•The Musical Times•1994

  • Three "Erhu" Pieces by Abing

    Jonathan P J Stock, Jonathan Stock•ARTICLE•Asian Music•1993

    L'analyse de la construction musicale de trois partitions pour « erhu » issues du repertoire chinois d'Abing (ou Hua Yanjun) montre une serie de relations entre ces pieces qui laisse supposer l'emploi d'une technique de recomposition, ou d'improvisation, lors de la performance fondee sur une chaine de themes varies. L'existence d'un lien etroit entre le theme et la structure est demontree

  • Contemporary recital solos for the Chinese two-stringed fiddleerhu

    Jonathan P J Stock, Jonathan Stock•ARTICLE•British Journal of Ethnomusicology•1992•Citada por: 2•Referências: 7

    Music for the Chinese two‐stringed fiddle erhu falls into several major categories: traditional ensemble music, ballad and opera accompaniments and newly written pieces by conservatory‐trained composers for modernized forms of traditional Chinese instruments. This essay focuses on the third category, examining the growth of a large repertory of solos for the erhu over the past seventy years. It takes account of political and social change within …

  • Music, Culture, and Experience

    Jonathan P J Stock, Jonathan Stock et al.•ARTICLE•The Musical Times•1995•Citada por: 25

    One of the most important ethnomusicologists of the century, John Blacking is known for his interest in the relationship of music to biology, psychology, dance and politics. He attempted to document the ways in which music-making expresses the human condition, how it transcends social divisions and how it can be used to improve the quality of human life. This volume brings together eight of Blacking's most important theoretical papers which revea…

  • Contemporary recital solos for the Chinese two-stringed fiddleerhu

    Jonathan P J Stock, Jonathan Stock•ARTICLE•British Journal of Ethnomusicology•1992•Citada por: 2•Referências: 7

    Music for the Chinese two‐stringed fiddle erhu falls into several major categories: traditional ensemble music, ballad and opera accompaniments and newly written pieces by conservatory‐trained composers for modernized forms of traditional Chinese instruments. This essay focuses on the third category, examining the growth of a large repertory of solos for the erhu over the past seventy years. It takes account of political and social change within …

  • Reconsidering the Past

    Jonathan P J Stock, Jonathan Stock•ARTICLE•Asian Music•1995•Citada por: 1

    Le renouveau de la « musique jaune » chinoise des annees 1930, et plus particulierement des chants de Zhou Xuan, a deux reprises, en 1985 et en 1993, s'est effectuee pour des raisons et dans des contextes socio-politiques differents. La premiere fois, il s'agissait pour le gouvernement de ramener la population aux chansons de masse et a la detourner du « mauvais » chemin tout en introduisant la musique electronique. La deuxieme fois, Zhou Xuan ex…

  • Contemporary recital solos for the Chinese two-stringed fiddleerhu

    Jonathan P J Stock, Jonathan Stock•ARTICLE•British Journal of Ethnomusicology•1992•Citada por: 2•Referências: 7

    Music for the Chinese two‐stringed fiddle erhu falls into several major categories: traditional ensemble music, ballad and opera accompaniments and newly written pieces by conservatory‐trained composers for modernized forms of traditional Chinese instruments. This essay focuses on the third category, examining the growth of a large repertory of solos for the erhu over the past seventy years. It takes account of political and social change within …

  • Three "Erhu" Pieces by Abing

    Jonathan P J Stock, Jonathan Stock•ARTICLE•Asian Music•1993

    L'analyse de la construction musicale de trois partitions pour « erhu » issues du repertoire chinois d'Abing (ou Hua Yanjun) montre une serie de relations entre ces pieces qui laisse supposer l'emploi d'une technique de recomposition, ou d'improvisation, lors de la performance fondee sur une chaine de themes varies. L'existence d'un lien etroit entre le theme et la structure est demontree

  • Raga Bilaskhani Todi; Raga Puriya; Raga Pilu

    Jonathan P J Stock, Jonathan Stock et al.•ARTICLE•The Musical Times•1994

  • Music, Culture, and Experience

    Jonathan P J Stock, Jonathan Stock et al.•ARTICLE•The Musical Times•1995•Citada por: 25

    One of the most important ethnomusicologists of the century, John Blacking is known for his interest in the relationship of music to biology, psychology, dance and politics. He attempted to document the ways in which music-making expresses the human condition, how it transcends social divisions and how it can be used to improve the quality of human life. This volume brings together eight of Blacking's most important theoretical papers which revea…

  • Reconsidering the Past

    Jonathan P J Stock, Jonathan Stock•ARTICLE•Asian Music•1995•Citada por: 1

    Le renouveau de la « musique jaune » chinoise des annees 1930, et plus particulierement des chants de Zhou Xuan, a deux reprises, en 1985 et en 1993, s'est effectuee pour des raisons et dans des contextes socio-politiques differents. La premiere fois, il s'agissait pour le gouvernement de ramener la population aux chansons de masse et a la detourner du « mauvais » chemin tout en introduisant la musique electronique. La deuxieme fois, Zhou Xuan ex…

  • Celestial Airs of Antiquity

    Jonathan P J Stock, Jonathan Stock et al.•ARTICLE•Asian Music•1998

  • Chinese Folk Songs and Folk Singers

    Jonathan P J Stock, Jonathan Stock et al.•ARTICLE•Asian Music•1998

  • China

    Jonathan Stock, Joanna Ching-Yun Lee•CHAPTER•The new Grove dictionary of music…•2001

  • China, People’s Republic of

    Alan R Thrasher, Joseph S C Lam et al.•CHAPTER•The new Grove dictionary of music…•2001

  • China

    Jonathan Stock•CHAPTER•The new Grove dictionary of music…•2001

  • Paleohydrology of arid southeastern Maui, Hawaiian Islands, and its implications for prehistoric human settlement

    Open Access•Jonathan Stock, J D Stock et al.•ARTICLE•Quaternary Research•2003

    Arid slopes on the southeastern side of Maui are densely covered with archaeological remains of Hawaiian settlement from the late prehistoric to early postcontact period (ca. A.D. 1500–1860). Permanent habitation sites, agricultural features, and religious structures indicate perennial occupation and farming in a subregion called Kahikinui, yet there is presently no year-round water source. We explore the possibility that postcontact deforestatio…

  • Peripheries and interfaces

    Open Access•Jonathan P J Stock, Jonathan Stock•CHAPTER•CAMBRIDGE HISTORY OF TWENTIETH-CENT…•2004

    Introduction The theme of this chapter is the encounter with Western musics of other peoples during the past one hundred years. Often only occasional and sporadic at the start of the twentieth century, contact with the music of elsewhere was by the end of that century part of the everyday lives of huge numbers of people worldwide (as much within as outside the Western world). The history of this shift might be written in several ways. From a tech…

  • Scoring Alien Worlds

    Open Access•Jonathan P J Stock, Jonathan Stock•ARTICLE•Malaysian Journal of Music•2021

    This article provides three case studies of the use of world music resources to build alien worlds in mainstream screen media with Sci-Fi or Fantasy settings. The case studies—the TV series Battlestar Galactica: Blood and Chrome, the film Avatar and the Massively Multiplayer Online Role-Playing Game (MMORPG) video game World of Warcraft—show how composers and associated music professionals in the early twenty-first century increasingly draw on su…

  • The Oxford Handbook of Music in China and the Chinese Diaspora

    Jonathan Stock, Jonathan P J Stock et al.•BOOK•Oxford Handbook of Music in China…•2023

    This volume provides an innovative vision for Chinese music studies in the twenty-first century. Each chapter advances research insights into a genre or context in Chinese music and develops a theoretical model applicable beyond the case studies. The volume includes contributions from researchers based in anglophone Europe and North America and also in sinophone settings including China, Taiwan, Malaysia, and Hong Kong SAR, and in Chinese diaspor…

Art (9 obras) · Literature (7 obras) · History (6 obras) · Visual arts (5 obras) · Archaeology (4 obras) · Asian Culture and Media Studies (4 obras) · China (4 obras) · Political science (4 obras) · Ancient history (3 obras) · Music History and Culture (3 obras)

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