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Marina Warner

Dados Biográficos

ID3654199
NOMEMarina Warner
PRENOMESMarina
SOBRENOMEWarner
ASSINATURAWARNER M
AFILIAÇÕESUniversity of Essex
VERIFICADONão
TOTAL DE OBRAS16
TOTAL DE CITAÇÕES92
TOTAL COMO AUTOR16
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1977
ANO MAIS RECENTE DE PUBLICAÇÃO2025
ÍNDICE H1
  • Interviste

    Open Access•Michael Warner, Marina Warner et al.•ARTICLE•Narrativa•2025

  • The Pinwill Sisters

    Open Access•Michael Warner, Marina Warner•ARTICLE•19 Interdisciplinary Studies in…•2023

    This study of the Pinwill Sisters traces their woodcarving designs across Cornwall and Devon, emphasizing their place as part of a wider aesthetic revolution. It addresses in particular the skill and craft of Violet Pinwill (1874–1957), studying her artistry alongside other woodcarvers such as Grinling Gibbons (1648–1721), as well as artists later into the twentieth century (Barbara Hepworth and John Skeaping)

  • Unknowability and Pleasure

    Michael Warner, Marina Warner•ARTICLE•Social research•2020

    Soon after experiencing the Blitz in London, the Anglo

  • Stranger Magic

    Michael Warner, Marina Warner•BOOK•Stranger Magic•2012

    Our foremost theorist of myth, fairytale, and folktale explores the magical realm of the imagination where carpets fly and genies grant prophetic wishes. Stranger Magic examines the profound impact of the Arabian Nights on the West, the progressive exoticization of magic, and the growing acceptance of myth and magic in contemporary experience.

  • Stranger Magic

    Marina Warner•BOOK•Stranger Magic•2012

  • Phew! Whaam! Aaargh! Boo

    Michael Warner, Marina Warner•ARTICLE•The Soundtrack•2008•Citada por: 1•Referências: 1

    The artists who created the conventions of comic strip graphics invented a way of visualizing noise that no predecessors had attempted. Since Popeye first landed his fist to a resounding Splat! or Batman and Captain America laid about them to accompanying sound effects, visualized noises have become a defining feature of this storytelling medium. This article explores the noises that material things make. In this article, Marina Warner offers ins…

  • The Word Unfleshed

    Michael Warner, Marina Warner•ARTICLE•Wasafiri•2007•Referências: 1

  • Among Flowers’

    Michael Warner, Marina Warner•ARTICLE•Wasafiri•2006

    Jamaica Kincaid was born in 1949 in St Johns, Antigua as Elaine Potter Richardson. She left Antigua at seventeen, before the island had gained independence, and moved to New York where she eventual

  • Cancellanda

    Michael Warner, Marina Warner•ARTICLE•Wasafiri•2004

  • Siren/Hyphen; Or, the Maid Beguiled

    Michael Warner, Marina Warner•ARTICLE•New left review•1997

    ‘This female savage’, noted the missionary Jean-Baptiste Labat, in his Nouveau voyage aux îles de l’Amérique, ‘was, I believe, one of the oldest creatures in the world. It is said she was very beautiful at one time. . .’ He was describing a Carib known as Madame Ouvernard

  • Ogres and storytellers

    Michael Warner, Marina Warner•ARTICLE•The Italianist•1997

    (1997). Ogres and storytellers: Strategies of resistance in the Italian fairy tale. The Italianist: Vol. 17, No. 1, pp. 18-28

  • Women's Art at New Hall

    Open Access•Michael Warner, Marina Warner•ARTICLE•The Art Book•1994

  • Monuments and Maidens

    Jean Gillies, Michael Warner et al.•ARTICLE•Woman s Art Journal•1987

    Marina Warner explores the tradition of personifying liberty, justice, wisdom, charity, and other ideals and desiderata in the female form, and examines the tension between women's historic and symbolic roles. Drawing on the evidence of public art, especially sculpture, and painting, poetry, and classical mythology, she ranges over the allegorical presence of the woman in the Western tradition with a sharply observant eye and a piquant and engagi…

  • Alone of all her sex

    Marina Warner•BOOK•Alone of all her sex•1983•Citada por: 91

  • Alone of All Her Sex

    Jack Santino, Michael Warner et al.•REVIEW•Journal of American Folklore•1979

    Book synopsis: nvocations to the Virgin Mary marked out the days of my childhood in bells; her feastdays gave a rhythm to the year; an eternal ideal of mortal beauty was fixed by the lineaments of her face, which gazed from every wall and niche. On February 2, the feast of the Purification, we wore starched white veils of tulle that stood out around us like a nimbus. With the medals of the Sodality of Our Lady on blue ribbons round our necks, we …

  • Alone of All Her Sex

    Andree Collard, Michael Warner et al.•ARTICLE•The American Historical Review•1977

  • Alone of all her sex

    Marina Warner•BOOK•Alone of all her sex•1983•Citada por: 91

  • Phew! Whaam! Aaargh! Boo

    Michael Warner, Marina Warner•ARTICLE•The Soundtrack•2008•Citada por: 1•Referências: 1

    The artists who created the conventions of comic strip graphics invented a way of visualizing noise that no predecessors had attempted. Since Popeye first landed his fist to a resounding Splat! or Batman and Captain America laid about them to accompanying sound effects, visualized noises have become a defining feature of this storytelling medium. This article explores the noises that material things make. In this article, Marina Warner offers ins…

  • Alone of All Her Sex

    Andree Collard, Michael Warner et al.•ARTICLE•The American Historical Review•1977

  • Alone of All Her Sex

    Jack Santino, Michael Warner et al.•REVIEW•Journal of American Folklore•1979

    Book synopsis: nvocations to the Virgin Mary marked out the days of my childhood in bells; her feastdays gave a rhythm to the year; an eternal ideal of mortal beauty was fixed by the lineaments of her face, which gazed from every wall and niche. On February 2, the feast of the Purification, we wore starched white veils of tulle that stood out around us like a nimbus. With the medals of the Sodality of Our Lady on blue ribbons round our necks, we …

  • Alone of all her sex

    Marina Warner•BOOK•Alone of all her sex•1983•Citada por: 91

  • Monuments and Maidens

    Jean Gillies, Michael Warner et al.•ARTICLE•Woman s Art Journal•1987

    Marina Warner explores the tradition of personifying liberty, justice, wisdom, charity, and other ideals and desiderata in the female form, and examines the tension between women's historic and symbolic roles. Drawing on the evidence of public art, especially sculpture, and painting, poetry, and classical mythology, she ranges over the allegorical presence of the woman in the Western tradition with a sharply observant eye and a piquant and engagi…

  • Women's Art at New Hall

    Open Access•Michael Warner, Marina Warner•ARTICLE•The Art Book•1994

  • Siren/Hyphen; Or, the Maid Beguiled

    Michael Warner, Marina Warner•ARTICLE•New left review•1997

    ‘This female savage’, noted the missionary Jean-Baptiste Labat, in his Nouveau voyage aux îles de l’Amérique, ‘was, I believe, one of the oldest creatures in the world. It is said she was very beautiful at one time. . .’ He was describing a Carib known as Madame Ouvernard

  • Ogres and storytellers

    Michael Warner, Marina Warner•ARTICLE•The Italianist•1997

    (1997). Ogres and storytellers: Strategies of resistance in the Italian fairy tale. The Italianist: Vol. 17, No. 1, pp. 18-28

  • Cancellanda

    Michael Warner, Marina Warner•ARTICLE•Wasafiri•2004

  • Among Flowers’

    Michael Warner, Marina Warner•ARTICLE•Wasafiri•2006

    Jamaica Kincaid was born in 1949 in St Johns, Antigua as Elaine Potter Richardson. She left Antigua at seventeen, before the island had gained independence, and moved to New York where she eventual

  • The Word Unfleshed

    Michael Warner, Marina Warner•ARTICLE•Wasafiri•2007•Referências: 1

  • Phew! Whaam! Aaargh! Boo

    Michael Warner, Marina Warner•ARTICLE•The Soundtrack•2008•Citada por: 1•Referências: 1

    The artists who created the conventions of comic strip graphics invented a way of visualizing noise that no predecessors had attempted. Since Popeye first landed his fist to a resounding Splat! or Batman and Captain America laid about them to accompanying sound effects, visualized noises have become a defining feature of this storytelling medium. This article explores the noises that material things make. In this article, Marina Warner offers ins…

  • Stranger Magic

    Michael Warner, Marina Warner•BOOK•Stranger Magic•2012

    Our foremost theorist of myth, fairytale, and folktale explores the magical realm of the imagination where carpets fly and genies grant prophetic wishes. Stranger Magic examines the profound impact of the Arabian Nights on the West, the progressive exoticization of magic, and the growing acceptance of myth and magic in contemporary experience.

  • Stranger Magic

    Marina Warner•BOOK•Stranger Magic•2012

  • Unknowability and Pleasure

    Michael Warner, Marina Warner•ARTICLE•Social research•2020

    Soon after experiencing the Blitz in London, the Anglo

  • The Pinwill Sisters

    Open Access•Michael Warner, Marina Warner•ARTICLE•19 Interdisciplinary Studies in…•2023

    This study of the Pinwill Sisters traces their woodcarving designs across Cornwall and Devon, emphasizing their place as part of a wider aesthetic revolution. It addresses in particular the skill and craft of Violet Pinwill (1874–1957), studying her artistry alongside other woodcarvers such as Grinling Gibbons (1648–1721), as well as artists later into the twentieth century (Barbara Hepworth and John Skeaping)

  • Interviste

    Open Access•Michael Warner, Marina Warner et al.•ARTICLE•Narrativa•2025

Art (7 obras) · History (7 obras) · Art history (6 obras) · History (3 obras) · Literature (3 obras) · Philosophy (3 obras) · Aesthetics (2 obras) · Art History and Market Analysis (2 obras) · Caribbean history, culture, and politics (2 obras) · Cult (2 obras)

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