David Horn
Dados Biográficos
| ID | 3661526 |
|---|---|
| NOME | David Horn |
| PRENOMES | David |
| SOBRENOME | Horn |
| ASSINATURA | HORN D |
| AFILIAÇÕES | University of Exeter |
| ORCID | 0000-0002-5799-1605 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 24 |
| TOTAL DE CITAÇÕES | 13 |
| OBRAS COMO AUTOR | 22 |
| OBRAS COMO EDITOR | 2 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1978 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 2 |
Philip Tagg (22 February 1944-9 May 2024)
Bloomsbury Encyclopedia of Popular Music of the World
The EPMOW Genre volumes contain entries on the genres of music that have been or currently are popular in countries and communities all over the world. Included are discussions on cultural, historical and geographic origins; technical musical characteristics; instrumentation and use of voice; lyrics and language; typical features of performance and presentation; historical development and paths and modes of dissemination; influence of technology,…
Interpreting Paul Oliver
When the English blues scholar Paul Oliver, who died in 2017 aged 90, was interviewed for a special issue of Popular Music in his honour, on the occasion of his 80th birthday (issue 26/1, January 2007), it was striking how much of the conversation revolved around a recurring flow of ideas for future research, to be undertaken by him or by anyone else who came with credentials appropriate to the enterprise (such as musicology, a discipline that he…
Birthday thoughts on Popular Music
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Interview with Paul Oliver
DH: Perhaps I could begin in the present and ask you how you see the status of the blues today in the black community in the US.PO: There are a number of black writers who are interested in the arts, but I don't think blues has any significance for the black community as a whole, as gospel still has. Gospel is held together by the religious side, it's a different kind of structure. Rap seems to have taken over, at least as far as the younger gene…
Bloomsbury Encyclopedia of Popular Music of the World
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as …
Eileen Southern
Eileen Southern, who died in Florida in October 2002, was widely recognised as a pre-eminent figure in the study of African-American music. Her seminal history, The Music of Black Americans, first published in New York in 1971, was the first academic study to give serious scholarly attention to the totality of African-American music - from the congregational singing of slaves to all-black Broadway musicals, from blues and jazz to experimental com…
The Sound World of Art Tatum
When French journalist asked writer Andre Gide in 1905 whom he considered to be France's greatest poet, Gide responded Victor Hugo, helas! (quoted in Richardson 1976, 294). It became celebrated remark must rank as one of the most concise yet pregnant summaries of an ambivalent response to an artist's reputation ever uttered. Beginning--as one might imagine hearing Gide speak it--with sharply rising anticipation, it dissolves instantly into disapp…
Mabel Berezin, Making the Fascist Self
Berezin's study in historical sociology takes as its starting point an Italian present marked by a resurgence of fascism and by renewed contests for the symbolic space of the piazza. Confident that a new understanding of the “old” fascism can have contemporary social and political relevance, Berezin examines interwar efforts to construct “fascist identities” by fusing public and private selves. In a book that engages political philosophy and the …
From Catfish Row to Granby Street
For reasons which would themselves be worthy of an article, the musical theatre has been almost entirely ignored by popular music scholarship. This has often puzzled me, since such factors as the musical theatre's ambiguous position in the high/low culture debate, its close relationship with film ( film musicals were for a time a favoured subject – with film theorists), its persistent playing with the links between song and drama, the sociality o…
America's Music
Popular Music
Institute of Popular Music
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Inti-Illimani
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Booklist
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Popular Music 2
Popular Music 1
Booklist
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Popular Music I. Folk or Popular? Distinctions, Influences, Continuities
Popular Music 1
Booklist
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Resources of American Music History
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The New Grove Dictionary of Music and Musicians
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Modern Jazz, 1945-70
The New Grove Dictionary of Music and Musicians
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Inti-Illimani
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Interpreting Paul Oliver
When the English blues scholar Paul Oliver, who died in 2017 aged 90, was interviewed for a special issue of Popular Music in his honour, on the occasion of his 80th birthday (issue 26/1, January 2007), it was striking how much of the conversation revolved around a recurring flow of ideas for future research, to be undertaken by him or by anyone else who came with credentials appropriate to the enterprise (such as musicology, a discipline that he…
Interview with Paul Oliver
DH: Perhaps I could begin in the present and ask you how you see the status of the blues today in the black community in the US.PO: There are a number of black writers who are interested in the arts, but I don't think blues has any significance for the black community as a whole, as gospel still has. Gospel is held together by the religious side, it's a different kind of structure. Rap seems to have taken over, at least as far as the younger gene…
The Sound World of Art Tatum
When French journalist asked writer Andre Gide in 1905 whom he considered to be France's greatest poet, Gide responded Victor Hugo, helas! (quoted in Richardson 1976, 294). It became celebrated remark must rank as one of the most concise yet pregnant summaries of an ambivalent response to an artist's reputation ever uttered. Beginning--as one might imagine hearing Gide speak it--with sharply rising anticipation, it dissolves instantly into disapp…
Modern Jazz, 1945-70
Booklist
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Resources of American Music History
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The New Grove Dictionary of Music and Musicians
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Popular Music 1
Booklist
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Popular Music I. Folk or Popular? Distinctions, Influences, Continuities
Popular Music 1
Booklist
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Popular Music 2
Inti-Illimani
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Institute of Popular Music
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
America's Music
Popular Music
From Catfish Row to Granby Street
For reasons which would themselves be worthy of an article, the musical theatre has been almost entirely ignored by popular music scholarship. This has often puzzled me, since such factors as the musical theatre's ambiguous position in the high/low culture debate, its close relationship with film ( film musicals were for a time a favoured subject – with film theorists), its persistent playing with the links between song and drama, the sociality o…
Mabel Berezin, Making the Fascist Self
Berezin's study in historical sociology takes as its starting point an Italian present marked by a resurgence of fascism and by renewed contests for the symbolic space of the piazza. Confident that a new understanding of the “old” fascism can have contemporary social and political relevance, Berezin examines interwar efforts to construct “fascist identities” by fusing public and private selves. In a book that engages political philosophy and the …
The Sound World of Art Tatum
When French journalist asked writer Andre Gide in 1905 whom he considered to be France's greatest poet, Gide responded Victor Hugo, helas! (quoted in Richardson 1976, 294). It became celebrated remark must rank as one of the most concise yet pregnant summaries of an ambivalent response to an artist's reputation ever uttered. Beginning--as one might imagine hearing Gide speak it--with sharply rising anticipation, it dissolves instantly into disapp…
Bloomsbury Encyclopedia of Popular Music of the World
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as …
Eileen Southern
Eileen Southern, who died in Florida in October 2002, was widely recognised as a pre-eminent figure in the study of African-American music. Her seminal history, The Music of Black Americans, first published in New York in 1971, was the first academic study to give serious scholarly attention to the totality of African-American music - from the congregational singing of slaves to all-black Broadway musicals, from blues and jazz to experimental com…
Interview with Paul Oliver
DH: Perhaps I could begin in the present and ask you how you see the status of the blues today in the black community in the US.PO: There are a number of black writers who are interested in the arts, but I don't think blues has any significance for the black community as a whole, as gospel still has. Gospel is held together by the religious side, it's a different kind of structure. Rap seems to have taken over, at least as far as the younger gene…
Birthday thoughts on Popular Music
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Bloomsbury Encyclopedia of Popular Music of the World
The EPMOW Genre volumes contain entries on the genres of music that have been or currently are popular in countries and communities all over the world. Included are discussions on cultural, historical and geographic origins; technical musical characteristics; instrumentation and use of voice; lyrics and language; typical features of performance and presentation; historical development and paths and modes of dissemination; influence of technology,…
Interpreting Paul Oliver
When the English blues scholar Paul Oliver, who died in 2017 aged 90, was interviewed for a special issue of Popular Music in his honour, on the occasion of his 80th birthday (issue 26/1, January 2007), it was striking how much of the conversation revolved around a recurring flow of ideas for future research, to be undertaken by him or by anyone else who came with credentials appropriate to the enterprise (such as musicology, a discipline that he…
Philip Tagg (22 February 1944-9 May 2024)
History (17 obras) · Art (16 obras) · Music History and Culture (16 obras) · Computer Science (11 obras) · History (11 obras) · Literature (8 obras) · Visual arts (8 obras) · Aesthetics (7 obras) · Art history (6 obras) · Musicology and Musical Analysis (6 obras)