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Johanna M Wagner

Dados Biográficos

ID3672550
NOMEJohanna M Wagner
PRENOMESJohanna M
SOBRENOMEWagner
ASSINATURAWAGNER J M
AFILIAÇÕESØstfold University of Applied Sciences
ORCID0000-0001-9981-1687
VERIFICADOSim
TOTAL DE OBRAS3
TOTAL DE CITAÇÕES2
TOTAL COMO AUTOR3
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2011
ANO MAIS RECENTE DE PUBLICAÇÃO2022
ÍNDICE H1
  • Empowerment narratives, Marilyn Monroe, and “Diamonds are a girl’s best friend”

    Open Access•Johanna M Wagner•ARTICLE•Feminist Media Studies•2022•Referências: 3

    This article follows adaptations of Marilyn Monroe’s musical number “Diamonds are a Girl’s Best Friend” in Gentlemen Prefer Blondes (1953), to reveal whether or not the adaptations allow us a critical discourse of empowerment. Most often adaptations entangle themselves in Monroe’s image, but some drift away in order to focus on their own visions. In the end, the key to empowering adaptations seems to be Monroe herself. The article suggests the ti…

  • The Conventional and the Queer

    Johanna M Wagner•ARTICLE•SubStance•2016

    The Conventional and the Queer: Lily Bart, An Unlivable Ideal Johanna M. Wagner (bio) In criticism of Edith Wharton's The House of Mirth, more attention has been paid in recent years to the unconventional side of Lily Bart. Wai-Chee Dimock, for example, calls Lily "something of a rebel" (783), while Benjamin D. Carson and Elaine Showalter place her as "intruder" (707) and "outsider" (138) in her society, respectively. Ruth Bernard Yeazell admits …

  • In the Place of Clare Kendry

    Johanna M Wagner•ARTICLE•Callaloo•2011•Citada por: 2

    In the Place of Clare Kendry:A Gothic Reading of Race and Sexuality in Nella Larsen's Passing Johanna M. Wagner (bio) Feeling her colour heighten under the continued inspection, she slid her eyes down. What, she wondered, could be the reason for such persistent attention? Had she, in her haste in the taxi, put her hat on backwards? Guardedly she felt at it. No. Perhaps there was a streak of powder somewhere on her face. She made a quick pass over…

  • In the Place of Clare Kendry

    Johanna M Wagner•ARTICLE•Callaloo•2011•Citada por: 2

    In the Place of Clare Kendry:A Gothic Reading of Race and Sexuality in Nella Larsen's Passing Johanna M. Wagner (bio) Feeling her colour heighten under the continued inspection, she slid her eyes down. What, she wondered, could be the reason for such persistent attention? Had she, in her haste in the taxi, put her hat on backwards? Guardedly she felt at it. No. Perhaps there was a streak of powder somewhere on her face. She made a quick pass over…

  • In the Place of Clare Kendry

    Johanna M Wagner•ARTICLE•Callaloo•2011•Citada por: 2

    In the Place of Clare Kendry:A Gothic Reading of Race and Sexuality in Nella Larsen's Passing Johanna M. Wagner (bio) Feeling her colour heighten under the continued inspection, she slid her eyes down. What, she wondered, could be the reason for such persistent attention? Had she, in her haste in the taxi, put her hat on backwards? Guardedly she felt at it. No. Perhaps there was a streak of powder somewhere on her face. She made a quick pass over…

  • The Conventional and the Queer

    Johanna M Wagner•ARTICLE•SubStance•2016

    The Conventional and the Queer: Lily Bart, An Unlivable Ideal Johanna M. Wagner (bio) In criticism of Edith Wharton's The House of Mirth, more attention has been paid in recent years to the unconventional side of Lily Bart. Wai-Chee Dimock, for example, calls Lily "something of a rebel" (783), while Benjamin D. Carson and Elaine Showalter place her as "intruder" (707) and "outsider" (138) in her society, respectively. Ruth Bernard Yeazell admits …

  • Empowerment narratives, Marilyn Monroe, and “Diamonds are a girl’s best friend”

    Open Access•Johanna M Wagner•ARTICLE•Feminist Media Studies•2022•Referências: 3

    This article follows adaptations of Marilyn Monroe’s musical number “Diamonds are a Girl’s Best Friend” in Gentlemen Prefer Blondes (1953), to reveal whether or not the adaptations allow us a critical discourse of empowerment. Most often adaptations entangle themselves in Monroe’s image, but some drift away in order to focus on their own visions. In the end, the key to empowering adaptations seems to be Monroe herself. The article suggests the ti…

Art (3 obras) · Literature (3 obras) · Psychology (3 obras) · Sociology (3 obras) · Aesthetics (2 obras) · Art history (2 obras) · Gender Studies (2 obras) · Human sexuality (2 obras) · Philosophy (2 obras) · Psychoanalysis (2 obras)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae