Kathleen Crown
Dados Biográficos
| ID | 3672569 |
|---|---|
| NOME | Kathleen Crown |
| PRENOMES | Kathleen |
| SOBRENOME | Crown |
| ASSINATURA | CROWN K |
| AFILIAÇÕES | Rutgers Sexual and Reproductive Health and Rights |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 6 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 6 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1998 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2010 |
| ÍNDICE H | 0 |
We are Not the Language
Down Break Drum
ROBERSON: The book is a discussion on that you see in the and of percep- tion as thin air. I was always fascinated by the idea of wandering stars, as meteors are sometimes called. Meteor means things in the air, and the old Greek set-up was that anything that occurred in the air was a meteor. There were hot meteors, cold meteors. A rainbow is a meteor—I think it's a fire meteor. Lightning's a fire meteor. I've always liked to look at those that y…
"Reading the "Lucid Interval
Although avant-garde poetic practices have been understood historically in terms of producing disjunction, rupture, and shock in public consciousness,recent critical accounts of vanguard poetry have focused on its affirmative potential to create communities, empower the disenfranchised, and develop new literacies. Situating the work of Ed Roberson within this latter framework,the article argues that his innovative poetry responds to the contempor…
This unstable l‐witnessing”
Introduction
The contemporary long poem
As we have seen in the preceding essays, contemporary women poets working in expansive forms have both claimed and challenged the cultural authority of the long poem. They have done so using diverse aesthetic modes, ranging from historically focused collage poems to formally intricate lyric sequences to massive works of epic breadth and comprehensiveness. Despite these different aesthetic choices, feminist poets writing in extended forms, have em…
Sem obras proeminentes nesta página.
This unstable l‐witnessing”
Introduction
The contemporary long poem
As we have seen in the preceding essays, contemporary women poets working in expansive forms have both claimed and challenged the cultural authority of the long poem. They have done so using diverse aesthetic modes, ranging from historically focused collage poems to formally intricate lyric sequences to massive works of epic breadth and comprehensiveness. Despite these different aesthetic choices, feminist poets writing in extended forms, have em…
"Reading the "Lucid Interval
Although avant-garde poetic practices have been understood historically in terms of producing disjunction, rupture, and shock in public consciousness,recent critical accounts of vanguard poetry have focused on its affirmative potential to create communities, empower the disenfranchised, and develop new literacies. Situating the work of Ed Roberson within this latter framework,the article argues that his innovative poetry responds to the contempor…
We are Not the Language
Down Break Drum
ROBERSON: The book is a discussion on that you see in the and of percep- tion as thin air. I was always fascinated by the idea of wandering stars, as meteors are sometimes called. Meteor means things in the air, and the old Greek set-up was that anything that occurred in the air was a meteor. There were hot meteors, cold meteors. A rainbow is a meteor—I think it's a fire meteor. Lightning's a fire meteor. I've always liked to look at those that y…
Art (4 obras) · Literature (4 obras) · Poetry Analysis and Criticism (4 obras) · Philosophy (3 obras) · Poetry (3 obras) · Psychology (3 obras) · Autobiographical and Biographical Writing (2 obras) · French Literature and Poetry (2 obras) · Linguistics (2 obras) · Sociology (2 obras)