Michael Deangelis
Dados Biográficos
| ID | 3674213 |
|---|---|
| NOME | Michael Deangelis |
| PRENOMES | Michael |
| SOBRENOME | Deangelis |
| ASSINATURA | DEANGELIS M |
| AFILIAÇÕES | DePaul University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAÇÕES | 15 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1997 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2017 |
| ÍNDICE H | 2 |
There and 'not there
Focusing upon Todd Haynes’ Bob Dylan biopic I’m Not There, this study illuminates a narrative strategy that I describe as a ‘queering through genre’ because it operates against the grain, using the conventions of genre both to integrate and familiarise, and to de-contextualise and render strange. While genre conventions structure many of Haynes’ films, the inclusion of generic elements becomes the pretext for exploring systems of meaning inaccess…
Cinderella Man
Gay Fandom and Crossover Stardom
Introduction -- One. James Dean and the Fantasy of Rebellion -- Two. Stories without Endings: The Emergence of the "Authentic" James Dean -- Three. Identity Transformations: Mel Gibson's Sexuality -- Four. Keanu Reeves and the Fantasy of Pansexuality -- Afterword
Orchestrated (Dis)orientation
A sharp, wincing intake of breath ... and the feeling of innards popping up like a parachute in one's rib cage. My hair flew back, and my eyes peeled wide and filled with tears, a product of the 60-mph wind and also of self-pity. My teeth clenched and my knuckles locked bone-white around the lap bar. The train plunged into a short, hell-rattling tunnel, whipped around a sharp turn in the dark and roared up another hill. Scenery stuttered by like …
Gay Fandom and Crossover Stardom
Introduction -- One. James Dean and the Fantasy of Rebellion -- Two. Stories without Endings: The Emergence of the "Authentic" James Dean -- Three. Identity Transformations: Mel Gibson's Sexuality -- Four. Keanu Reeves and the Fantasy of Pansexuality -- Afterword
Cinderella Man
Orchestrated (Dis)orientation
A sharp, wincing intake of breath ... and the feeling of innards popping up like a parachute in one's rib cage. My hair flew back, and my eyes peeled wide and filled with tears, a product of the 60-mph wind and also of self-pity. My teeth clenched and my knuckles locked bone-white around the lap bar. The train plunged into a short, hell-rattling tunnel, whipped around a sharp turn in the dark and roared up another hill. Scenery stuttered by like …
Orchestrated (Dis)orientation
A sharp, wincing intake of breath ... and the feeling of innards popping up like a parachute in one's rib cage. My hair flew back, and my eyes peeled wide and filled with tears, a product of the 60-mph wind and also of self-pity. My teeth clenched and my knuckles locked bone-white around the lap bar. The train plunged into a short, hell-rattling tunnel, whipped around a sharp turn in the dark and roared up another hill. Scenery stuttered by like …
Gay Fandom and Crossover Stardom
Introduction -- One. James Dean and the Fantasy of Rebellion -- Two. Stories without Endings: The Emergence of the "Authentic" James Dean -- Three. Identity Transformations: Mel Gibson's Sexuality -- Four. Keanu Reeves and the Fantasy of Pansexuality -- Afterword
Cinderella Man
There and 'not there
Focusing upon Todd Haynes’ Bob Dylan biopic I’m Not There, this study illuminates a narrative strategy that I describe as a ‘queering through genre’ because it operates against the grain, using the conventions of genre both to integrate and familiarise, and to de-contextualise and render strange. While genre conventions structure many of Haynes’ films, the inclusion of generic elements becomes the pretext for exploring systems of meaning inaccess…
Art (4 obras) · Media, Gender, and Advertising (4 obras) · Cinema and Media Studies (3 obras) · Sociology (3 obras) · Aesthetics (2 obras) · Art history (2 obras) · Computer Science (2 obras) · Literature (2 obras) · Advertising (1 obras) · Artificial Intelligence (1 obras)