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Bonnie Maclachlan

Dados Biográficos

ID3676804
NOMEBonnie Maclachlan
PRENOMESBonnie
SOBRENOMEMaclachlan
ASSINATURAMACLACHLAN B
AFILIAÇÕESDepartment of Classical Studies at the University of Western Ontario, London, ON N6A 3K3
VERIFICADONão
TOTAL DE OBRAS28
TOTAL DE CITAÇÕES69
TOTAL COMO AUTOR18
TOTAL COMO EDITOR12
PRIMEIRO ANO DE PUBLICAÇÃO1985
ANO MAIS RECENTE DE PUBLICAÇÃO2026
ÍNDICE H5
  • How Women Became Poets

    Bonnie Maclachlan•ARTICLE•Mouseion Journal of the Classical…•2026

  • Lyric Poetry and Social Identity in Archaic Greece by Jessica M. Romney

    Bonnie Maclachlan•ARTICLE•Phoenix•2020

    BOOK REVIEWS/COMPTES RENDUS 321 their performance because they can be requested, or the way epigram and lament attach to enduring objects), and describes the formal features that help them endure. He undoubtedly succeeds in demonstrating that the orality of the Homeric poems includes textuality (thus defined). The tension between virtual and actual arises again to illuminate the limits of the argument. A striking expression of this tension is the…

  • Virginity Revisited

    Judith Fletcher, Bonnie Maclachlan•BOOK•Virginity Revisited•2016

  • Andromache Karanika. Voices at Work

    Bonnie Maclachlan•ARTICLE•The American Historical Review•2015

    Voices at Work: Women, Performance, and Labor in Ancient Greece sets itself an ambitious agenda: to study work songs of Ancient Greece and explore how these informed early Greek poetics, while uncovering some lost voices of women singers and providing new information about the context of this genre, normally considered a lower species of the song culture. Although she focuses on the pre-Classical period, Andromache Karanika also provides some mat…

  • The Age of Grace

    Open Access•Bonnie Maclachlan•BOOK•Age of Grace•2014

  • Helen of Troy

    Bonnie Maclachlan•ARTICLE•Phoenix•2014•Citada por: 2

    168 PHOENIX Comedy’s focus on extreme vulgarity. Acosta-Hughes (Chapter Seventeen) discusses the involvement of hellenistic poets, especially Callimachus, with the theatre and examines those works of Theocritus that seem to evoke performative contexts. Though addressing a dauntingly complex topic, this volume manages to be both comprehensive and accessible, with almost all its chapters providing important insights into a variety of issues. Agreea…

  • Intimations of Immortality

    Emmet I Robbins, Bonnie Maclachlan•CHAPTER•Thalia Delighting in Song•2013

  • The Education of Achilles

    Emmet I Robbins, Bonnie Maclachlan•CHAPTER•Thalia Delighting in Song•2013

    1. Readers of the Iliad have ever understood that the well-known story of Thetis' abandonment of Peleus shortly after their wedding is foreign to Homer. Aristarchus thought it a post-Homeric invention of poets1, and indeed the version to which he alludes, that Achilles was brought to Chiron when he was twelve days old, appears very likely to come from a lost poem: the word ? ?exaxalo? which he quotes his comment is one that would conveniently fil…

  • Heracles, the Hyperboreans, and the Hind

    Emmet I Robbins, Bonnie Maclachlan•CHAPTER•Thalia Delighting in Song•2013

  • Cyrene and Cheiron

    Emmet I Robbins, Bonnie Maclachlan•CHAPTER•Thalia Delighting in Song•2013

  • Sappho, Aphrodite, and the Muses

    Emmet I Robbins, Bonnie Maclachlan•CHAPTER•Thalia Delighting in Song•2013

  • The Divine Twins in Early Greek Poetry

    Emmet I Robbins, Bonnie Maclachlan•CHAPTER•Thalia Delighting in Song•2013

  • Alcman’s Partheneion

    Emmet I Robbins, Bonnie Maclachlan•CHAPTER•Thalia Delighting in Song•2013

  • Jason and Cheiron

    Emmet I Robbins, Bonnie Maclachlan•CHAPTER•Thalia Delighting in Song•2013

    NOTHING from the extant remains of Greek lyric is more impressive than Pindar's Fourth Pythian Ode. It is the longest complete poem remaining from the period between the epic and Attic tragedy. Even in the Pindaric corpus it stands unique in its length and unsurpassed in its brilliance. Thirteen full triads make it well over twice as long as its closest rivals, which have only five. Of these thirteen triads eight are devoted to the story of Jason…

  • Achilles to Thetis

    Emmet I Robbins, Bonnie Maclachlan•CHAPTER•Thalia Delighting in Song•2013

  • Thalia Delighting in Song

    Emmet I Robbins, Bonnie Maclachlan•BOOK•Thalia Delighting in Song•2013

  • Theater Outside Athens

    Open Access•Benjamin Acosta‐Hughes, Jonathan M M Hall et al.•BOOK•Theater Outside Athens•2012

    This volume brings together archeologists, art historians, philologists, literary scholars, political scientists, and historians to articulate the ways in which western Greek theater was distinct from that of the Greek mainland and, at the same time, to investigate how the two traditions interacted. The chapters intersect and build on each other in their pursuit of a number of shared questions and themes: the place of theater in the cultural life…

  • Mystic Cults in Magna Graecia

    Alberto Bernabé, Frederick Brenk et al.•BOOK•Mystic Cults in Magna Graecia•2009

  • Virginity Revisited

    Judith Fletcher, Bonnie Maclachlan•BOOK•Virginity Revisited•2007

  • Voices from the Underworld

    Bonnie Maclachlan•ARTICLE•The Classical World•2006

    The following pair of dialogues was composed with the aim of presenting Graeco-Roman views about the female body to a class of students engaged in the study of women in classical antiquity. This semi-dramatic structure, in which several interlocutors take distinct positions on a selected topic, has the advantage of eliciting a high degree of involvement by the students and consequent engagement in the subject matter. The dialogues do not follow t…

  • Exchange and the Maiden

    Bonnie Maclachlan, Kirk Ormand•ARTICLE•Phoenix•2001•Citada por: 18

  • Sappho's Sweetbitter Songs

    Bonnie Maclachlan, Lyn Hatherly Wilson•ARTICLE•Phoenix•2000•Citada por: 6

  • Personal Poetry

    Bonnie Maclachlan, Bonnie C MacLachlan•CHAPTER•A Companion to the Greek Lyric…•1997

  • Sappho's Immortal Daughters

    Bonnie Maclachlan, Margaret Williamson•ARTICLE•Phoenix•1996

  • The Age of Grace

    Sylvia Barnard, Bonnie Maclachlan•ARTICLE•Phoenix•1995•Citada por: 9

Próximo
  • Death and the Maiden

    Bonnie Maclachlan, Ken Dowden•ARTICLE•Phoenix•1993•Citada por: 27

    Many Greek myths concern the plight of virgins; here, Dowden sets these myths in their Greek geographical, historical and cultural context. This book should be of interest to advanced students of classics, ancient history, mythology and religious studies

  • Exchange and the Maiden

    Bonnie Maclachlan, Kirk Ormand•ARTICLE•Phoenix•2001•Citada por: 18

  • The Age of Grace

    Sylvia Barnard, Bonnie Maclachlan•ARTICLE•Phoenix•1995•Citada por: 9

  • Sacred prostitution and Aphrodite

    Open Access•Bonnie Maclachlan•ARTICLE•Studies in Religion/Sciences…•1992•Citada por: 7

  • Sappho's Sweetbitter Songs

    Bonnie Maclachlan, Lyn Hatherly Wilson•ARTICLE•Phoenix•2000•Citada por: 6

  • Helen of Troy

    Bonnie Maclachlan•ARTICLE•Phoenix•2014•Citada por: 2

    168 PHOENIX Comedy’s focus on extreme vulgarity. Acosta-Hughes (Chapter Seventeen) discusses the involvement of hellenistic poets, especially Callimachus, with the theatre and examines those works of Theocritus that seem to evoke performative contexts. Though addressing a dauntingly complex topic, this volume manages to be both comprehensive and accessible, with almost all its chapters providing important insights into a variety of issues. Agreea…

  • Les Kharites et la lumière

    Willy Alfred Borgeaud, Bonnie Maclachlan•ARTICLE•Revue belge de philologie et d…•1985

  • Sacred prostitution and Aphrodite

    Open Access•Bonnie Maclachlan•ARTICLE•Studies in Religion/Sciences…•1992•Citada por: 7

  • The Age of Grace

    Bonnie Maclachlan•BOOK•Age of Grace•1993

  • Death and the Maiden

    Bonnie Maclachlan, Ken Dowden•ARTICLE•Phoenix•1993•Citada por: 27

    Many Greek myths concern the plight of virgins; here, Dowden sets these myths in their Greek geographical, historical and cultural context. This book should be of interest to advanced students of classics, ancient history, mythology and religious studies

  • Greek Virginity

    Bonnie Maclachlan, Giulia Sissa•ARTICLE•Phoenix•1994

  • The Age of Grace

    Sylvia Barnard, Bonnie Maclachlan•ARTICLE•Phoenix•1995•Citada por: 9

  • Sappho's Immortal Daughters

    Bonnie Maclachlan, Margaret Williamson•ARTICLE•Phoenix•1996

  • Personal Poetry

    Bonnie Maclachlan, Bonnie C MacLachlan•CHAPTER•A Companion to the Greek Lyric…•1997

  • Sappho's Sweetbitter Songs

    Bonnie Maclachlan, Lyn Hatherly Wilson•ARTICLE•Phoenix•2000•Citada por: 6

  • Exchange and the Maiden

    Bonnie Maclachlan, Kirk Ormand•ARTICLE•Phoenix•2001•Citada por: 18

  • Voices from the Underworld

    Bonnie Maclachlan•ARTICLE•The Classical World•2006

    The following pair of dialogues was composed with the aim of presenting Graeco-Roman views about the female body to a class of students engaged in the study of women in classical antiquity. This semi-dramatic structure, in which several interlocutors take distinct positions on a selected topic, has the advantage of eliciting a high degree of involvement by the students and consequent engagement in the subject matter. The dialogues do not follow t…

  • Virginity Revisited

    Judith Fletcher, Bonnie Maclachlan•BOOK•Virginity Revisited•2007

  • Mystic Cults in Magna Graecia

    Alberto Bernabé, Frederick Brenk et al.•BOOK•Mystic Cults in Magna Graecia•2009

  • Theater Outside Athens

    Open Access•Benjamin Acosta‐Hughes, Jonathan M M Hall et al.•BOOK•Theater Outside Athens•2012

    This volume brings together archeologists, art historians, philologists, literary scholars, political scientists, and historians to articulate the ways in which western Greek theater was distinct from that of the Greek mainland and, at the same time, to investigate how the two traditions interacted. The chapters intersect and build on each other in their pursuit of a number of shared questions and themes: the place of theater in the cultural life…

  • Intimations of Immortality

    Emmet I Robbins, Bonnie Maclachlan•CHAPTER•Thalia Delighting in Song•2013

  • The Education of Achilles

    Emmet I Robbins, Bonnie Maclachlan•CHAPTER•Thalia Delighting in Song•2013

    1. Readers of the Iliad have ever understood that the well-known story of Thetis' abandonment of Peleus shortly after their wedding is foreign to Homer. Aristarchus thought it a post-Homeric invention of poets1, and indeed the version to which he alludes, that Achilles was brought to Chiron when he was twelve days old, appears very likely to come from a lost poem: the word ? ?exaxalo? which he quotes his comment is one that would conveniently fil…

  • Heracles, the Hyperboreans, and the Hind

    Emmet I Robbins, Bonnie Maclachlan•CHAPTER•Thalia Delighting in Song•2013

  • Cyrene and Cheiron

    Emmet I Robbins, Bonnie Maclachlan•CHAPTER•Thalia Delighting in Song•2013

  • Sappho, Aphrodite, and the Muses

    Emmet I Robbins, Bonnie Maclachlan•CHAPTER•Thalia Delighting in Song•2013

  • The Divine Twins in Early Greek Poetry

    Emmet I Robbins, Bonnie Maclachlan•CHAPTER•Thalia Delighting in Song•2013

  • Alcman’s Partheneion

    Emmet I Robbins, Bonnie Maclachlan•CHAPTER•Thalia Delighting in Song•2013

  • Jason and Cheiron

    Emmet I Robbins, Bonnie Maclachlan•CHAPTER•Thalia Delighting in Song•2013

    NOTHING from the extant remains of Greek lyric is more impressive than Pindar's Fourth Pythian Ode. It is the longest complete poem remaining from the period between the epic and Attic tragedy. Even in the Pindaric corpus it stands unique in its length and unsurpassed in its brilliance. Thirteen full triads make it well over twice as long as its closest rivals, which have only five. Of these thirteen triads eight are devoted to the story of Jason…

  • Achilles to Thetis

    Emmet I Robbins, Bonnie Maclachlan•CHAPTER•Thalia Delighting in Song•2013

  • Thalia Delighting in Song

    Emmet I Robbins, Bonnie Maclachlan•BOOK•Thalia Delighting in Song•2013

  • The Age of Grace

    Open Access•Bonnie Maclachlan•BOOK•Age of Grace•2014

Art (21 obras) · Classical Antiquity Studies (21 obras) · History (18 obras) · Literature (18 obras) · Philosophy (9 obras) · Poetry (7 obras) · History (5 obras) · Mythology (5 obras) · Sociology (5 obras) · Archaeology (4 obras)

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