Nicholas Harrison
Dados Biográficos
| ID | 3681549 |
|---|---|
| NOME | Nicholas Harrison |
| PRENOMES | Nicholas |
| SOBRENOME | Harrison |
| ASSINATURA | HARRISON N |
| AFILIAÇÕES | King's College London |
| ORCID | 0000-0002-3487-3390 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 13 |
| TOTAL DE CITAÇÕES | 13 |
| OBRAS COMO AUTOR | 13 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1996 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2021 |
| ÍNDICE H | 2 |
Introduction to the Special Issue
While awareness of the global climate emergency is growing, so too are greenhouse gas emissions and a persistent gap remains between international commitments and the 1.5–2°C goal of the Paris Agreement. Additional climate‐altering approaches are being considered to reduce atmospheric concentrations of carbon dioxide ( carbon dioxide removal ) or the amount of absorbed solar energy in the climate system ( solar radiation modification ) but they f…
Introduction
World literature
In What is World Literature? (2003) and other influential works David Damrosch suggests repeatedly that world literature “gains in translation”. This article begins by showing that Damrosch gives no convincing account of what this phrase means. It then develops a wider argument that, even if translations may be accomplished literary works in their own right, the very notion of literature — or at least, one important notion of literature — is asso…
Based on Actual Events
An Interview With Saadi Yacef
Saadi Yacef was an FLN leader during the War of Independence and produced and co-starred in The Battle of Algiers, in which he played himself. (The details of his role as the film's producer are described in David Forgacs’ article above.) Yacef was born in the Algiers casbah in 1928, became involved in nationalist politics in 1945, and was arrested in September 1957. He was imprisoned in Barberousse and sentenced to death. In prison he began writ…
Pontecorvo's 'Documentary' Aesthetics
Pontecorvo's Battle of Algiers has often been approached as pseudo- or quasi-documentary, or as akin to newsreel. This article aims to show that the film's relation to historical reality is more complicated and more interesting, both historically and aesthetically, than such an approach would imply. I argue that, through its sophisticated aestheticization of its historical material, the film could be said to raise disconcerting questions that, in…
Censure, autocensure et art d'écrire
Journal Article Censure, autocensure et art d'écrire: de l'Antiquité à nos jours Get access Nicholas Harrison Nicholas Harrison King's College London Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume 60, Issue 3, JULY 2006, Pages 421–422, https://doi.org/10.1093/fs/knl074 Published: 01 July 2006
Who Needs an Idea of the Literary
Learning from Experience
Representativity (with reference to Chraïbi)
Reading Sade through censorship
Positioning (Fanon)
Circles of Censorship
The French Revolution of 1789 bequeathed an enduring rhetoric of human rights which made it conventional to declare oneself against censorship and in favour of freedom of expression. But, as this book demonstrates, the apparent consensus on this issue in modern France and elsewhere rests on a shaky sense of that rhetoric's history. And, while censors have continued to the present day to charge clumsily across delicate moral and political fields, …
World literature
In What is World Literature? (2003) and other influential works David Damrosch suggests repeatedly that world literature “gains in translation”. This article begins by showing that Damrosch gives no convincing account of what this phrase means. It then develops a wider argument that, even if translations may be accomplished literary works in their own right, the very notion of literature — or at least, one important notion of literature — is asso…
Based on Actual Events
Pontecorvo's 'Documentary' Aesthetics
Pontecorvo's Battle of Algiers has often been approached as pseudo- or quasi-documentary, or as akin to newsreel. This article aims to show that the film's relation to historical reality is more complicated and more interesting, both historically and aesthetically, than such an approach would imply. I argue that, through its sophisticated aestheticization of its historical material, the film could be said to raise disconcerting questions that, in…
Who Needs an Idea of the Literary
Learning from Experience
Representativity (with reference to Chraïbi)
An Interview With Saadi Yacef
Saadi Yacef was an FLN leader during the War of Independence and produced and co-starred in The Battle of Algiers, in which he played himself. (The details of his role as the film's producer are described in David Forgacs’ article above.) Yacef was born in the Algiers casbah in 1928, became involved in nationalist politics in 1945, and was arrested in September 1957. He was imprisoned in Barberousse and sentenced to death. In prison he began writ…
Circles of Censorship
The French Revolution of 1789 bequeathed an enduring rhetoric of human rights which made it conventional to declare oneself against censorship and in favour of freedom of expression. But, as this book demonstrates, the apparent consensus on this issue in modern France and elsewhere rests on a shaky sense of that rhetoric's history. And, while censors have continued to the present day to charge clumsily across delicate moral and political fields, …
Positioning (Fanon)
Reading Sade through censorship
Representativity (with reference to Chraïbi)
Learning from Experience
Who Needs an Idea of the Literary
Censure, autocensure et art d'écrire
Journal Article Censure, autocensure et art d'écrire: de l'Antiquité à nos jours Get access Nicholas Harrison Nicholas Harrison King's College London Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume 60, Issue 3, JULY 2006, Pages 421–422, https://doi.org/10.1093/fs/knl074 Published: 01 July 2006
Based on Actual Events
An Interview With Saadi Yacef
Saadi Yacef was an FLN leader during the War of Independence and produced and co-starred in The Battle of Algiers, in which he played himself. (The details of his role as the film's producer are described in David Forgacs’ article above.) Yacef was born in the Algiers casbah in 1928, became involved in nationalist politics in 1945, and was arrested in September 1957. He was imprisoned in Barberousse and sentenced to death. In prison he began writ…
Pontecorvo's 'Documentary' Aesthetics
Pontecorvo's Battle of Algiers has often been approached as pseudo- or quasi-documentary, or as akin to newsreel. This article aims to show that the film's relation to historical reality is more complicated and more interesting, both historically and aesthetically, than such an approach would imply. I argue that, through its sophisticated aestheticization of its historical material, the film could be said to raise disconcerting questions that, in…
World literature
In What is World Literature? (2003) and other influential works David Damrosch suggests repeatedly that world literature “gains in translation”. This article begins by showing that Damrosch gives no convincing account of what this phrase means. It then develops a wider argument that, even if translations may be accomplished literary works in their own right, the very notion of literature — or at least, one important notion of literature — is asso…
Introduction
Introduction to the Special Issue
While awareness of the global climate emergency is growing, so too are greenhouse gas emissions and a persistent gap remains between international commitments and the 1.5–2°C goal of the Paris Agreement. Additional climate‐altering approaches are being considered to reduce atmospheric concentrations of carbon dioxide ( carbon dioxide removal ) or the amount of absorbed solar energy in the climate system ( solar radiation modification ) but they f…
Art (9 obras) · Philosophy (6 obras) · History (5 obras) · Literature (5 obras) · Political science (5 obras) · Aesthetics (4 obras) · Computer Science (4 obras) · Law (4 obras) · Battle (3 obras) · Epistemology (3 obras)