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Joseph Kerman

Dados Biográficos

ID3681901
NOMEJoseph Kerman
PRENOMESJoseph
SOBRENOMEKerman
ASSINATURAKERMAN J
AFILIAÇÕESUniversity of California, Berkeley
VERIFICADONão
TOTAL DE OBRAS20
TOTAL DE CITAÇÕES83
TOTAL COMO AUTOR20
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1953
ANO MAIS RECENTE DE PUBLICAÇÃO2006
ÍNDICE H3
  • William Byrd and His ContemporariesEssays and a Monograph

    Philip Brett, Joseph Kerman et al.•BOOK•William Byrd and his contemporaries•2006

    This book features chapters on the music of the Tudor period, the work of William Byrd (c.1540–1623), and other composers of the period, including John Taverner, Thomas Tallis, Orlando Gibbons, and Thomas Weelkes. Byrd was a prominent court composer, but also a Catholic. Besides important instrumental music and English songs, he wrote a great deal of sacred music, some for his Protestant patrons, and some for his fellow Catholics who celebrated m…

  • Thematic Return in Late Bach Fugues

    Joseph Kerman•ARTICLE•Music and Letters•2006

    This article examines a technique employed in a number of Bach's late keyboard fugues, some of his finest. A subsidiary thematic element—typically (though not always) a countersubject—established at the beginning is then dropped for a large section of the music, only to return near the end. 'Returns' of this sort, over and above returns of the subject itself, are far less strong than 'recapitulations', but they affect the formal dynamic in subtle…

  • Madrigal

    Kurt Von Fischer, Gianluca D’Agostino et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Byrd, William

    Joseph Kerman, Kerry Mccarthy•CHAPTER•The new Grove dictionary of music…•2001

  • Beethoven, Ludwig van

    Joseph Kerman, Alan Tyson et al.•CHAPTER•The new Grove dictionary of music…•2001

  • English madrigal

    Joseph Kerman•CHAPTER•The new Grove dictionary of music…•2001

  • Representing a Relationship

    Joseph Kerman•ARTICLE•Representations•1992

  • Representing a Relationship

    Joseph Kerman•ARTICLE•Representations•1992

    Research Article| July 01 1992 Representing a Relationship: Notes on a Beethoven Concerto Joseph Kerman Joseph Kerman Search for other works by this author on: This Site PubMed Google Scholar Representations (1992) 39: 80–101. https://doi.org/10.2307/2928596 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Cit…

  • Narrativity in Music

    Open Access•Joseph Kerman•ARTICLE•Journal of the Royal Musical…•1991

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Opera Revisited

    Robert Donington, Joseph Kerman•ARTICLE•The Musical Times•1989

  • Round Table VIII

    Joseph Kerman•ARTICLE•Acta Musicologica•1987

  • Musicology

    Peter Evans, Joseph Kerman•ARTICLE•Music Analysis•1986

  • Contemplating music

    Joseph Kerman•BOOK•Contemplating music•1985•Citada por: 41

  • A Few Canonic Variations

    Joseph Kerman•ARTICLE•Critical Inquiry•1983•Citada por: 10

  • How We Got into Analysis, and How to Get out

    Joseph Kerman•ARTICLE•Critical Inquiry•1980•Citada por: 32

  • William Byrd, 1543-1623

    Joseph Kerman•ARTICLE•The Musical Times•1973

  • Insight on Beethoven

    Roger Fiske, Joseph Kerman•ARTICLE•The Musical Times•1967

  • Opera as Drama

    Dyneley Hussey, Joseph Kerman•ARTICLE•The Musical Times•1958

  • An Elizabethan Edition of Lassus

    Joseph Kerman•ARTICLE•Acta Musicologica•1955

  • Morley and ‘The Triumphs of Oriana’

    Joseph Kerman•ARTICLE•Music and Letters•1953

    Journal Article MORLEY AND 'THE TRIUMPHS OF ORIANA' Get access JOSEPH KERMAN JOSEPH KERMAN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XXXIV, Issue 3, July 1953, Pages 185–191, https://doi.org/10.1093/ml/XXXIV.3.185 Published: 01 July 1953

  • Contemplating music

    Joseph Kerman•BOOK•Contemplating music•1985•Citada por: 41

  • How We Got into Analysis, and How to Get out

    Joseph Kerman•ARTICLE•Critical Inquiry•1980•Citada por: 32

  • A Few Canonic Variations

    Joseph Kerman•ARTICLE•Critical Inquiry•1983•Citada por: 10

  • Morley and ‘The Triumphs of Oriana’

    Joseph Kerman•ARTICLE•Music and Letters•1953

    Journal Article MORLEY AND 'THE TRIUMPHS OF ORIANA' Get access JOSEPH KERMAN JOSEPH KERMAN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XXXIV, Issue 3, July 1953, Pages 185–191, https://doi.org/10.1093/ml/XXXIV.3.185 Published: 01 July 1953

  • An Elizabethan Edition of Lassus

    Joseph Kerman•ARTICLE•Acta Musicologica•1955

  • Opera as Drama

    Dyneley Hussey, Joseph Kerman•ARTICLE•The Musical Times•1958

  • Insight on Beethoven

    Roger Fiske, Joseph Kerman•ARTICLE•The Musical Times•1967

  • William Byrd, 1543-1623

    Joseph Kerman•ARTICLE•The Musical Times•1973

  • How We Got into Analysis, and How to Get out

    Joseph Kerman•ARTICLE•Critical Inquiry•1980•Citada por: 32

  • A Few Canonic Variations

    Joseph Kerman•ARTICLE•Critical Inquiry•1983•Citada por: 10

  • Contemplating music

    Joseph Kerman•BOOK•Contemplating music•1985•Citada por: 41

  • Musicology

    Peter Evans, Joseph Kerman•ARTICLE•Music Analysis•1986

  • Round Table VIII

    Joseph Kerman•ARTICLE•Acta Musicologica•1987

  • Opera Revisited

    Robert Donington, Joseph Kerman•ARTICLE•The Musical Times•1989

  • Narrativity in Music

    Open Access•Joseph Kerman•ARTICLE•Journal of the Royal Musical…•1991

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • Representing a Relationship

    Joseph Kerman•ARTICLE•Representations•1992

  • Representing a Relationship

    Joseph Kerman•ARTICLE•Representations•1992

    Research Article| July 01 1992 Representing a Relationship: Notes on a Beethoven Concerto Joseph Kerman Joseph Kerman Search for other works by this author on: This Site PubMed Google Scholar Representations (1992) 39: 80–101. https://doi.org/10.2307/2928596 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Cit…

  • Madrigal

    Kurt Von Fischer, Gianluca D’Agostino et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Byrd, William

    Joseph Kerman, Kerry Mccarthy•CHAPTER•The new Grove dictionary of music…•2001

  • Beethoven, Ludwig van

    Joseph Kerman, Alan Tyson et al.•CHAPTER•The new Grove dictionary of music…•2001

  • English madrigal

    Joseph Kerman•CHAPTER•The new Grove dictionary of music…•2001

  • William Byrd and His ContemporariesEssays and a Monograph

    Philip Brett, Joseph Kerman et al.•BOOK•William Byrd and his contemporaries•2006

    This book features chapters on the music of the Tudor period, the work of William Byrd (c.1540–1623), and other composers of the period, including John Taverner, Thomas Tallis, Orlando Gibbons, and Thomas Weelkes. Byrd was a prominent court composer, but also a Catholic. Besides important instrumental music and English songs, he wrote a great deal of sacred music, some for his Protestant patrons, and some for his fellow Catholics who celebrated m…

  • Thematic Return in Late Bach Fugues

    Joseph Kerman•ARTICLE•Music and Letters•2006

    This article examines a technique employed in a number of Bach's late keyboard fugues, some of his finest. A subsidiary thematic element—typically (though not always) a countersubject—established at the beginning is then dropped for a large section of the music, only to return near the end. 'Returns' of this sort, over and above returns of the subject itself, are far less strong than 'recapitulations', but they affect the formal dynamic in subtle…

Art (13 obras) · Musicology and Musical Analysis (10 obras) · History (7 obras) · Literature (7 obras) · Art history (5 obras) · Computer Science (5 obras) · Diverse Musicological Studies (5 obras) · Philosophy (4 obras) · Visual arts (4 obras) · Mathematics (3 obras)

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