Joseph Kerman
Dados Biográficos
| ID | 3681901 |
|---|---|
| NOME | Joseph Kerman |
| PRENOMES | Joseph |
| SOBRENOME | Kerman |
| ASSINATURA | KERMAN J |
| AFILIAÇÕES | University of California, Berkeley |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 20 |
| TOTAL DE CITAÇÕES | 83 |
| TOTAL COMO AUTOR | 20 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1953 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2006 |
| ÍNDICE H | 3 |
William Byrd and His ContemporariesEssays and a Monograph
This book features chapters on the music of the Tudor period, the work of William Byrd (c.1540–1623), and other composers of the period, including John Taverner, Thomas Tallis, Orlando Gibbons, and Thomas Weelkes. Byrd was a prominent court composer, but also a Catholic. Besides important instrumental music and English songs, he wrote a great deal of sacred music, some for his Protestant patrons, and some for his fellow Catholics who celebrated m…
Thematic Return in Late Bach Fugues
This article examines a technique employed in a number of Bach's late keyboard fugues, some of his finest. A subsidiary thematic element—typically (though not always) a countersubject—established at the beginning is then dropped for a large section of the music, only to return near the end. 'Returns' of this sort, over and above returns of the subject itself, are far less strong than 'recapitulations', but they affect the formal dynamic in subtle…
Madrigal
Byrd, William
Beethoven, Ludwig van
English madrigal
Representing a Relationship
Representing a Relationship
Research Article| July 01 1992 Representing a Relationship: Notes on a Beethoven Concerto Joseph Kerman Joseph Kerman Search for other works by this author on: This Site PubMed Google Scholar Representations (1992) 39: 80–101. https://doi.org/10.2307/2928596 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Cit…
Narrativity in Music
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Opera Revisited
Round Table VIII
Musicology
Contemplating music
A Few Canonic Variations
How We Got into Analysis, and How to Get out
William Byrd, 1543-1623
Insight on Beethoven
Opera as Drama
An Elizabethan Edition of Lassus
Morley and ‘The Triumphs of Oriana’
Journal Article MORLEY AND 'THE TRIUMPHS OF ORIANA' Get access JOSEPH KERMAN JOSEPH KERMAN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XXXIV, Issue 3, July 1953, Pages 185–191, https://doi.org/10.1093/ml/XXXIV.3.185 Published: 01 July 1953
Morley and ‘The Triumphs of Oriana’
Journal Article MORLEY AND 'THE TRIUMPHS OF ORIANA' Get access JOSEPH KERMAN JOSEPH KERMAN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume XXXIV, Issue 3, July 1953, Pages 185–191, https://doi.org/10.1093/ml/XXXIV.3.185 Published: 01 July 1953
An Elizabethan Edition of Lassus
Opera as Drama
Insight on Beethoven
William Byrd, 1543-1623
How We Got into Analysis, and How to Get out
A Few Canonic Variations
Contemplating music
Musicology
Round Table VIII
Opera Revisited
Narrativity in Music
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Representing a Relationship
Representing a Relationship
Research Article| July 01 1992 Representing a Relationship: Notes on a Beethoven Concerto Joseph Kerman Joseph Kerman Search for other works by this author on: This Site PubMed Google Scholar Representations (1992) 39: 80–101. https://doi.org/10.2307/2928596 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Cit…
Madrigal
Byrd, William
Beethoven, Ludwig van
English madrigal
William Byrd and His ContemporariesEssays and a Monograph
This book features chapters on the music of the Tudor period, the work of William Byrd (c.1540–1623), and other composers of the period, including John Taverner, Thomas Tallis, Orlando Gibbons, and Thomas Weelkes. Byrd was a prominent court composer, but also a Catholic. Besides important instrumental music and English songs, he wrote a great deal of sacred music, some for his Protestant patrons, and some for his fellow Catholics who celebrated m…
Thematic Return in Late Bach Fugues
This article examines a technique employed in a number of Bach's late keyboard fugues, some of his finest. A subsidiary thematic element—typically (though not always) a countersubject—established at the beginning is then dropped for a large section of the music, only to return near the end. 'Returns' of this sort, over and above returns of the subject itself, are far less strong than 'recapitulations', but they affect the formal dynamic in subtle…
Art (13 obras) · Musicology and Musical Analysis (10 obras) · History (7 obras) · Literature (7 obras) · Art history (5 obras) · Computer Science (5 obras) · Diverse Musicological Studies (5 obras) · Philosophy (4 obras) · Visual arts (4 obras) · Mathematics (3 obras)