Pia Majbritt Jensen
Dados Biográficos
| ID | 3687895 |
|---|---|
| NOME | Pia Majbritt Jensen |
| PRENOMES | Pia Majbritt |
| SOBRENOME | Jensen |
| ASSINATURA | JENSEN P M |
| AFILIAÇÕES | Aarhus University |
| ORCID | 0000-0002-9615-8317 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 17 |
| TOTAL DE CITAÇÕES | 41 |
| TOTAL COMO AUTOR | 15 |
| TOTAL COMO EDITOR | 2 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2005 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2026 |
| ÍNDICE H | 4 |
Screen entertainment and the ‘youth challenge’
Danish films and series in a no-win-situation? Analysing the preferences of young audiences and domestic industry responses
Drawing on the media psychological concept of motivation, this article explores the reasons behind young audience’s preferences for films and series and examines how two Danish public media institutions have responded to these preferences. Methodologically, the analyses are based on mobile ethnographic studies of 20 children and interviews conducted with key personnel within the two media institutions. The article finds that—despite domestic inst…
Audiences of popular European television crime drama
This article presents findings of a mixed-methods audience study on consumption patterns and attitudes towards European television crime narratives among European viewers. Based on semi-structured interviews in Denmark, Germany and Italy, and a nine-country online survey (n1321), we asked how, when, where and why European audiences watch crime series, and whether watching non-domestic European crime narratives influences perceptions of the Europe…
Augmenting Proximity Theories
The Role of Public Service Media in Sustaining TV Drama in Small Markets
Via a comparative case study of VRT/Flanders and DR/Denmark, we investigate the role of public service media in sustaining the expensive but important genre of TV drama in small markets in the face of recent cutbacks, shifting revenues, and global competition. Although the study shows some similarities, there are notable differences between the two. VRT has significantly higher production volume and commissions most productions externally, thus s…
Danish Television Drama
Danish TV drama
Following a recent and entirely unprecedented boom in global exports, Danish TV drama series have become the ‘darling’ of the international television industry and enjoyed widespread acclaim from international critics and audiences alike. This international success, however, is not just unprecedented. It is also interesting from an academic point of view as it challenges existing and long-held theories on global media geography, import/export of …
The 'three-leaf clover
As the global distribution, broadcast and viewing of Danish TV drama in different parts of the world involves the engagement of heterogeneous players involved in complex interrelationships, this article discusses the methodological lens of the 'three-leaf clover' to capture the complexity of these interrelationships. The article explains how the three-leaf clover model helps in embracing transnational interconnectivities, presents its opportuniti…
New Patterns in Global Television Formats
When public service drama travels
This article provides a detailed analysis of how the Danish public service broadcaster DR employs external funding for its drama productions. This investigation is carried out in order to discuss the schisms involved when a public service broadcaster – whose traditional obligations arguably pertain to the national sphere – becomes a player in the international market for television content and, as a consequence, becomes partly reliant on internat…
The Duality of Banal Transnationalism and Banal Nationalism
The use of international television formats by public service broadcasters in Australia, Denmark and Germany
Today, the use of internationally licensed television formats, developed in one market and sold for local adaptation, is a widespread practice amongst commercial broadcasters around the world. But how has this trend impacted on public service broadcasting? Public service stipulations include the provision of content that informs and educates, helps imagine the nation, enriches the lives and culture of its citizens and provides an inclusive public…
Nordic Noir challenging ‘the language of advantage
In this article, the authors argue that the relative success in Great Britain of Danish television drama series marks an interesting shift in both the British and Danish context. In Denmark, it marks a shift in television’s drama production in which the exoticism of the Danish settings, landscapes, light, climate, language and everyday life become promotional tools when marketing the productions internationally, hence internationalizing Danish te…
The Use of Format Adaptation in Danish Public Service Programming
The article investigates Danish public service broadcasters' use of format adaptations over a twelve-year period in order to examine claims that formats constitute a potential threat to public service broadcasting and the national Danish television industry and culture. The article's findings, however, bear little evidence to support these claims. The practice of format adaptation constitutes a comparatively small proportion of the overall produc…
The international extent and elasticity of lifestyle television
Lifestyle is a TV genre that exists predominantly on the screens of Northern Europe and Anglophone countries such as the UK, the USA and Australia. Hence, lifestyle formats are not traded globally but rather trans-nationally within a distinct geo-linguistic region. Nonetheless, lifestyle programming is still produced very differently within this region according to the media systemic conditions of the specific national TV markets and the specific…
Danish and Australian Television
Format adaptation plays an increasingly important part in international television. Formats such as Dancing with the Stars and Idol are screened in many territories. The article presents an in-depth case study of how this relatively new and highly internationalised production and business model influences local television markets and leads to changes according to local competitive, financial, cultural and political conditions. It explores the imp…
Formatversionering. Et overblik
Formatversionering spiller en stadig større rolle i den internationale tv- branche. Formater som 'Big Brother' og 'Vild med dans' findes på lokale tv-skærme i store dele af verden. En rapport fastslog for nylig, at formathandlen alene i Danmark i 2004 havde en anslået værdi på €60 mio., et tal der sandsynligvis er steget yderligere siden da (Sch- mitt et al. 2005). Artiklen gennemgår en række centrale aspekter ved de seneste års eksplosive format…
Nordic Noir challenging ‘the language of advantage
In this article, the authors argue that the relative success in Great Britain of Danish television drama series marks an interesting shift in both the British and Danish context. In Denmark, it marks a shift in television’s drama production in which the exoticism of the Danish settings, landscapes, light, climate, language and everyday life become promotional tools when marketing the productions internationally, hence internationalizing Danish te…
The Role of Public Service Media in Sustaining TV Drama in Small Markets
Via a comparative case study of VRT/Flanders and DR/Denmark, we investigate the role of public service media in sustaining the expensive but important genre of TV drama in small markets in the face of recent cutbacks, shifting revenues, and global competition. Although the study shows some similarities, there are notable differences between the two. VRT has significantly higher production volume and commissions most productions externally, thus s…
Danish TV drama
Following a recent and entirely unprecedented boom in global exports, Danish TV drama series have become the ‘darling’ of the international television industry and enjoyed widespread acclaim from international critics and audiences alike. This international success, however, is not just unprecedented. It is also interesting from an academic point of view as it challenges existing and long-held theories on global media geography, import/export of …
Danish Television Drama
The international extent and elasticity of lifestyle television
Lifestyle is a TV genre that exists predominantly on the screens of Northern Europe and Anglophone countries such as the UK, the USA and Australia. Hence, lifestyle formats are not traded globally but rather trans-nationally within a distinct geo-linguistic region. Nonetheless, lifestyle programming is still produced very differently within this region according to the media systemic conditions of the specific national TV markets and the specific…
The use of international television formats by public service broadcasters in Australia, Denmark and Germany
Today, the use of internationally licensed television formats, developed in one market and sold for local adaptation, is a widespread practice amongst commercial broadcasters around the world. But how has this trend impacted on public service broadcasting? Public service stipulations include the provision of content that informs and educates, helps imagine the nation, enriches the lives and culture of its citizens and provides an inclusive public…
Formatversionering. Et overblik
Formatversionering spiller en stadig større rolle i den internationale tv- branche. Formater som 'Big Brother' og 'Vild med dans' findes på lokale tv-skærme i store dele af verden. En rapport fastslog for nylig, at formathandlen alene i Danmark i 2004 havde en anslået værdi på €60 mio., et tal der sandsynligvis er steget yderligere siden da (Sch- mitt et al. 2005). Artiklen gennemgår en række centrale aspekter ved de seneste års eksplosive format…
Audiences of popular European television crime drama
This article presents findings of a mixed-methods audience study on consumption patterns and attitudes towards European television crime narratives among European viewers. Based on semi-structured interviews in Denmark, Germany and Italy, and a nine-country online survey (n1321), we asked how, when, where and why European audiences watch crime series, and whether watching non-domestic European crime narratives influences perceptions of the Europe…
The 'three-leaf clover
As the global distribution, broadcast and viewing of Danish TV drama in different parts of the world involves the engagement of heterogeneous players involved in complex interrelationships, this article discusses the methodological lens of the 'three-leaf clover' to capture the complexity of these interrelationships. The article explains how the three-leaf clover model helps in embracing transnational interconnectivities, presents its opportuniti…
Formatversionering. Et overblik
Formatversionering spiller en stadig større rolle i den internationale tv- branche. Formater som 'Big Brother' og 'Vild med dans' findes på lokale tv-skærme i store dele af verden. En rapport fastslog for nylig, at formathandlen alene i Danmark i 2004 havde en anslået værdi på €60 mio., et tal der sandsynligvis er steget yderligere siden da (Sch- mitt et al. 2005). Artiklen gennemgår en række centrale aspekter ved de seneste års eksplosive format…
Danish and Australian Television
Format adaptation plays an increasingly important part in international television. Formats such as Dancing with the Stars and Idol are screened in many territories. The article presents an in-depth case study of how this relatively new and highly internationalised production and business model influences local television markets and leads to changes according to local competitive, financial, cultural and political conditions. It explores the imp…
The international extent and elasticity of lifestyle television
Lifestyle is a TV genre that exists predominantly on the screens of Northern Europe and Anglophone countries such as the UK, the USA and Australia. Hence, lifestyle formats are not traded globally but rather trans-nationally within a distinct geo-linguistic region. Nonetheless, lifestyle programming is still produced very differently within this region according to the media systemic conditions of the specific national TV markets and the specific…
Nordic Noir challenging ‘the language of advantage
In this article, the authors argue that the relative success in Great Britain of Danish television drama series marks an interesting shift in both the British and Danish context. In Denmark, it marks a shift in television’s drama production in which the exoticism of the Danish settings, landscapes, light, climate, language and everyday life become promotional tools when marketing the productions internationally, hence internationalizing Danish te…
The Use of Format Adaptation in Danish Public Service Programming
The article investigates Danish public service broadcasters' use of format adaptations over a twelve-year period in order to examine claims that formats constitute a potential threat to public service broadcasting and the national Danish television industry and culture. The article's findings, however, bear little evidence to support these claims. The practice of format adaptation constitutes a comparatively small proportion of the overall produc…
The use of international television formats by public service broadcasters in Australia, Denmark and Germany
Today, the use of internationally licensed television formats, developed in one market and sold for local adaptation, is a widespread practice amongst commercial broadcasters around the world. But how has this trend impacted on public service broadcasting? Public service stipulations include the provision of content that informs and educates, helps imagine the nation, enriches the lives and culture of its citizens and provides an inclusive public…
New Patterns in Global Television Formats
When public service drama travels
This article provides a detailed analysis of how the Danish public service broadcaster DR employs external funding for its drama productions. This investigation is carried out in order to discuss the schisms involved when a public service broadcaster – whose traditional obligations arguably pertain to the national sphere – becomes a player in the international market for television content and, as a consequence, becomes partly reliant on internat…
The Duality of Banal Transnationalism and Banal Nationalism
Danish TV drama
Following a recent and entirely unprecedented boom in global exports, Danish TV drama series have become the ‘darling’ of the international television industry and enjoyed widespread acclaim from international critics and audiences alike. This international success, however, is not just unprecedented. It is also interesting from an academic point of view as it challenges existing and long-held theories on global media geography, import/export of …
The 'three-leaf clover
As the global distribution, broadcast and viewing of Danish TV drama in different parts of the world involves the engagement of heterogeneous players involved in complex interrelationships, this article discusses the methodological lens of the 'three-leaf clover' to capture the complexity of these interrelationships. The article explains how the three-leaf clover model helps in embracing transnational interconnectivities, presents its opportuniti…
Augmenting Proximity Theories
The Role of Public Service Media in Sustaining TV Drama in Small Markets
Via a comparative case study of VRT/Flanders and DR/Denmark, we investigate the role of public service media in sustaining the expensive but important genre of TV drama in small markets in the face of recent cutbacks, shifting revenues, and global competition. Although the study shows some similarities, there are notable differences between the two. VRT has significantly higher production volume and commissions most productions externally, thus s…
Danish Television Drama
Audiences of popular European television crime drama
This article presents findings of a mixed-methods audience study on consumption patterns and attitudes towards European television crime narratives among European viewers. Based on semi-structured interviews in Denmark, Germany and Italy, and a nine-country online survey (n1321), we asked how, when, where and why European audiences watch crime series, and whether watching non-domestic European crime narratives influences perceptions of the Europe…
Danish films and series in a no-win-situation? Analysing the preferences of young audiences and domestic industry responses
Drawing on the media psychological concept of motivation, this article explores the reasons behind young audience’s preferences for films and series and examines how two Danish public media institutions have responded to these preferences. Methodologically, the analyses are based on mobile ethnographic studies of 20 children and interviews conducted with key personnel within the two media institutions. The article finds that—despite domestic inst…
Screen entertainment and the ‘youth challenge’
Political science (11 obras) · Art (10 obras) · Danish (10 obras) · Media Studies and Communication (10 obras) · Sociology (9 obras) · Advertising (7 obras) · Business (7 obras) · Drama (7 obras) · Linguistics (7 obras) · Media studies (7 obras)