Lisa E Bloom
Dados Biográficos
| ID | 369062 |
|---|---|
| NOME | Lisa E Bloom |
| PRENOMES | Lisa E |
| SOBRENOME | Bloom |
| ASSINATURA | BLOOM L E |
| AFILIAÇÕES | Kent State University |
| ORCID | 0009-0003-8226-3356 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAÇÕES | 7 |
| OBRAS COMO AUTOR | 8 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1940 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 1 |
Jewish “Ghosts”
This article delves into the underexplored intersection of Jewish identities and feminist art. It critically examines artworks by Judit Hersko and Susan Hiller, aligning with evolving identity constructs in contemporary aesthetics. Concepts like “postmemory” link second-generation Jewish artists to past experiences and unveil the erasure of Jewish women’s memory of Jewish genocide. Analyzing Hersko and Hiller’s diverse works, from landscape photo…
Countering colonial nostalgia and heroic masculinity in the age of accelerated climate change
This article explores two screen-based artworks: Katja Aglert's Winter Event - Antifreeze (2009-18) and Isaac Julien's True North (2004) respectively, that exemplify diverse viewpoints contesting the essentialized identities of the Arctic past. These artworks recover the histories of women, the Inuit and African American men's involvement in polar exploration, reimagining heroic narratives from historically excluded or ignored perspectives. By em…
Climate Change and the New Polar Aesthetics
In Climate Change and the New Polar Aesthetics, Lisa E. Bloom considers the ways artists, filmmakers, and activists engaged with the Arctic and Antarctic to represent our current environmental crises and reconstruct public understandings of them. Bloom engages feminist, Black, Indigenous, and non-Western perspectives to address the exigencies of the experience of the Anthropocene and its attendant ecosystem failures, rising sea levels, and climat…
Planetary precarity and feminist environmental art practices in Antarctica
The article addresses Antarctica exclusively and focuses on three women artists: New Zealander, Anne Noble (Massey University, Wellington), American, Judit Hersko (California State University, San Marcos), and New Zealander Joyce Campbell (University of Auckland/Los Angeles). In the absence of indigenous inhabitants and a human population that excluded all women until the 1960s, these feminist contemporary artists make linkages between the region…
Hauntological Environmental Art
This article draws attention to how photography is changing art, by imagining a politics through which to structure a future around something other than the failed visions of technological modernization and nuclear expansion. Focusing on the ongoing environmental damage of events such as Chernobyl 32 years later, the author considers the Swedish artist Lina Selander’s ‘Lenin’s Lamp Glows in the Peasant Hut’ to examine how photography and video ma…
Invisible Landscapes
This chapter examines the global interconnectedness of the Arctic and the role of climate change and resource extraction in contemporary environmentalist art. The author analyzes the effects of replacing the “natural” with an “industrial sublime” in Ursula Biemann’s Deep Weather (2013). She then considers the application of “modes of intimacy” deployed by the use of opera in Brenda Longfellow’s Dead Ducks (2012) and charts the use of amateur aest…
Constructing Whiteness
Constructing Whiteness: Popular Science and National Geographic in the Age of Multiculturalism Lisa Bloom (bio) In some arenas of mainstream science studies, all too often questions that explore the relation between scientific practices and everyday life, popular culture, economic relations, ideologies, and distributions of power continue to be deemed of little immediate relevance to the activities of scientists and thus are deferred, or even dis…
Role of the Indian in the Race Relations Complex of the South
Journal Article Role of the Indian in the Race Relations Complex of the South Get access Leonard Bloom Leonard Bloom Kent State University Search for other works by this author on: Oxford Academic Google Scholar Social Forces, Volume 19, Issue 2, December 1940, Pages 268–273, https://doi.org/10.2307/2571309 Published: 01 December 1940
Constructing Whiteness
Constructing Whiteness: Popular Science and National Geographic in the Age of Multiculturalism Lisa Bloom (bio) In some arenas of mainstream science studies, all too often questions that explore the relation between scientific practices and everyday life, popular culture, economic relations, ideologies, and distributions of power continue to be deemed of little immediate relevance to the activities of scientists and thus are deferred, or even dis…
Planetary precarity and feminist environmental art practices in Antarctica
The article addresses Antarctica exclusively and focuses on three women artists: New Zealander, Anne Noble (Massey University, Wellington), American, Judit Hersko (California State University, San Marcos), and New Zealander Joyce Campbell (University of Auckland/Los Angeles). In the absence of indigenous inhabitants and a human population that excluded all women until the 1960s, these feminist contemporary artists make linkages between the region…
Hauntological Environmental Art
This article draws attention to how photography is changing art, by imagining a politics through which to structure a future around something other than the failed visions of technological modernization and nuclear expansion. Focusing on the ongoing environmental damage of events such as Chernobyl 32 years later, the author considers the Swedish artist Lina Selander’s ‘Lenin’s Lamp Glows in the Peasant Hut’ to examine how photography and video ma…
Role of the Indian in the Race Relations Complex of the South
Journal Article Role of the Indian in the Race Relations Complex of the South Get access Leonard Bloom Leonard Bloom Kent State University Search for other works by this author on: Oxford Academic Google Scholar Social Forces, Volume 19, Issue 2, December 1940, Pages 268–273, https://doi.org/10.2307/2571309 Published: 01 December 1940
Constructing Whiteness
Constructing Whiteness: Popular Science and National Geographic in the Age of Multiculturalism Lisa Bloom (bio) In some arenas of mainstream science studies, all too often questions that explore the relation between scientific practices and everyday life, popular culture, economic relations, ideologies, and distributions of power continue to be deemed of little immediate relevance to the activities of scientists and thus are deferred, or even dis…
Invisible Landscapes
This chapter examines the global interconnectedness of the Arctic and the role of climate change and resource extraction in contemporary environmentalist art. The author analyzes the effects of replacing the “natural” with an “industrial sublime” in Ursula Biemann’s Deep Weather (2013). She then considers the application of “modes of intimacy” deployed by the use of opera in Brenda Longfellow’s Dead Ducks (2012) and charts the use of amateur aest…
Hauntological Environmental Art
This article draws attention to how photography is changing art, by imagining a politics through which to structure a future around something other than the failed visions of technological modernization and nuclear expansion. Focusing on the ongoing environmental damage of events such as Chernobyl 32 years later, the author considers the Swedish artist Lina Selander’s ‘Lenin’s Lamp Glows in the Peasant Hut’ to examine how photography and video ma…
Planetary precarity and feminist environmental art practices in Antarctica
The article addresses Antarctica exclusively and focuses on three women artists: New Zealander, Anne Noble (Massey University, Wellington), American, Judit Hersko (California State University, San Marcos), and New Zealander Joyce Campbell (University of Auckland/Los Angeles). In the absence of indigenous inhabitants and a human population that excluded all women until the 1960s, these feminist contemporary artists make linkages between the region…
Climate Change and the New Polar Aesthetics
In Climate Change and the New Polar Aesthetics, Lisa E. Bloom considers the ways artists, filmmakers, and activists engaged with the Arctic and Antarctic to represent our current environmental crises and reconstruct public understandings of them. Bloom engages feminist, Black, Indigenous, and non-Western perspectives to address the exigencies of the experience of the Anthropocene and its attendant ecosystem failures, rising sea levels, and climat…
Countering colonial nostalgia and heroic masculinity in the age of accelerated climate change
This article explores two screen-based artworks: Katja Aglert's Winter Event - Antifreeze (2009-18) and Isaac Julien's True North (2004) respectively, that exemplify diverse viewpoints contesting the essentialized identities of the Arctic past. These artworks recover the histories of women, the Inuit and African American men's involvement in polar exploration, reimagining heroic narratives from historically excluded or ignored perspectives. By em…
Jewish “Ghosts”
This article delves into the underexplored intersection of Jewish identities and feminist art. It critically examines artworks by Judit Hersko and Susan Hiller, aligning with evolving identity constructs in contemporary aesthetics. Concepts like “postmemory” link second-generation Jewish artists to past experiences and unveil the erasure of Jewish women’s memory of Jewish genocide. Analyzing Hersko and Hiller’s diverse works, from landscape photo…
Sociology (7 obras) · Art (6 obras) · Aesthetics (5 obras) · Archaeology (5 obras) · Art history (4 obras) · Geographies of human-animal interactions (4 obras) · History (4 obras) · Political science (4 obras) · Politics (4 obras) · Climate Change Communication and Perception (3 obras)