Laura Harris
Dados Biográficos
| ID | 3692745 |
|---|---|
| NOME | Laura Harris |
| PRENOMES | Laura |
| SOBRENOME | Harris |
| ASSINATURA | HARRIS L |
| AFILIAÇÕES | University of Southampton |
| ORCID | 0000-0001-9146-1168 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 28 |
| TOTAL DE CITAÇÕES | 24 |
| TOTAL COMO AUTOR | 27 |
| TOTAL COMO EDITOR | 1 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1996 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2026 |
| ÍNDICE H | 3 |
Remembering and Celebrating the Life and Work of Minnie Bruce Pratt
This introduction biographically contextualizes the life and work of Minnie Bruce Pratt (1946-2023) while briefly summarizing the contributions to the special issue, "The Work and Legacy of Minnie Bruce Pratt." Pratt's personal life, social activism, writing career, teaching, and mentorship are discussed in conversation with prior scholarship about Pratt. The five scholarly articles, two roundtables, one interview, and two personal essays that ma…
Ways of hoping
Hope has long been articulated as an intrinsic component of creative work, used to alleviate or justify the challenging precarity and narrow pathways to success in this sector. Two key articulations of hope have emerged: a deferred economy model in which present hardship is endured as a down-payment on specific future benefits, however ultimately unlikely; and a more dispersed understanding in which the hoped-for future is unspecified but affecti…
Private View? The Organisational Performance of 'Privateness' and 'Publicness' at an Art Gallery
This article takes a cultural approach to analysing the profound privatisation of the public in one of the many places in which it manifests: an art gallery. I argue that, as well as categories of political and economic bearing, 'privateness' and 'publicness' are cultural categories through which lived experiences are made meaningful. They are therefore performable by organisations that have dual public and private accountabilities. I draw on the…
Critical Focus
Critical Focus: Study of an Arts Centre is a 15-minute, two-channel film documenting the everyday life of an art gallery during the exhibition installation period. It was made as part of a sociological investigation of skilled but invisible labour in the art gallery, such as that of gallery technicians. In addition to this focus on skilled labour, the film focuses on the atmospheres of the different spaces in and around the gallery, and the ways …
Documenting the air
The air sustains, connects and conditions our lives and has been of growing relevance to social scientists adopting an atmospheric approach to social life. Nonetheless, in screen studies, air’s critical uptake has so far been limited to narrative cinema, leaving it undertheorized in non-fiction filmmaking. In this paper, I introduce theories of the air that flow from the broader rise of atmospheric socio-aesthetic theories and suggest that it is …
Studying professional women footballers
In this reflexive commentary we provide critical reflections on the challenges of recruiting professional women football players as experienced by the researchers. We posit that the same social, systemic inequities that make continued study of women's professionalized sport so important, also generate challenges to recruiting women athletes. As we share our reflections on the difficulties we experienced throughout our recruitment process, we hope…
Patriarchs, Nira Pereg, curated by James Clegg and Show Me the World Mister, Ayo Akingbade, curated by Carmen Juliá and Olivia Aherne
Review of: Patriarchs , Nira Pereg, curated by James Clegg and Show Me the World Mister , Ayo Akingbade, curated by Carmen Juliá and Olivia Aherne Reviewed by Laura Harris, University of Southampton Talbot Rice Gallery, Edinburgh, 29 October 2022-18 February 2023 Chisenhale Gallery, London, 10 November 2022-5 February 2023
Who Is They
At the heart of this project is an intergenerational dialogue, an elliptical tracing of languages and communities in their acts of reclaiming and renaming. In this dialogue the authors ask how does a linguistic archive of Black queer/trans culture, in particular the grammars of they, kiki/Ky-Ky, and fem and stud travel within and shape language and expressive culture? If the Black queer and Black vernacular overlap, how do we look to the creative…
Looking beyond interaction
Experiments in Exile
Introducing November’s Theme
Thinking Sontag Sociologically
“Everyone shows emotions everywhere but class photos”
Introducing May's Theme
Student and Faculty Perceptions of Study Helper Websites
Outtakes of '68
If '68 marks the emergence of seemingly new kinds of radical practices pursued by new revolutionary subjects, this essay asks how we might understand a strike undertaken by Appalachian coal miners in the early 1970s and its documentation in the film Harlan County, USA. Is this strike best understood apart from '68, as a disconnected, outmoded activity pursued by retrograde subjects who, after '68, can only be represented by and for nostalgic or r…
Academic Integrity in an Online Culture
Experiments in Exile
Comparing the radical aesthetic and social experiments undertaken by two exile intellectuals, James and Oiticica, Harris chart a desire in their work to formulate alternative theories of citizenship, wherein common reception of popular cultural forms is linked to a potentially expanded, non-exclusive polity. By carefully analyzing the materiality of the multiply-lined, multiply voiced writing of the “undocuments” that record these social experime…
Experiments in Exile
Experiments in Exile
Conscientious objection to abortion provision
Conscientious objection to abortion - a clinician's refusal to perform abortions because of moral or religious beliefs - is a limited right, intended to protect clinicians' convictions while maintaining abortion access. This paper argues that conscientious objection policies and debates around the world generally do not take into account the social, political, and economic pressures that profoundly influence clinicians who must decide whether to …
Femme
Femme seeks to redress the ways that femme identities have been elided, idealized, or not fully historicized in a productive reconsideration of lesbian and butch-femme history, of feminism, and of queer thought. As a feminist project, Femme offers an alliance between many communities of women previously passed over by feminism. Contributors: Leah Lilith Albrecht-Samarasinha, Barbara Cruikshank, Madeline Davis, Heather Findlay, Jewelle Gomez, Kell…
At the egg's edge
This essay examines the way the Brazilian artist Lygia Clark (1920–1988) revisits and reconstructs the scene of birth in works that invoke, directly or indirectly, the figure of the egg. It compares Clark's reconstructions in relation to Jacques Lacan's account of birth, the development of the individuated subject and the normative, patriarchal social relations that subject upholds. It argues that while Lacan's account entails the bracketing of t…
What Happened to the Motley Crew
What happened to "the motley crew," the mobile, insurgent, creative social formation, crossing racial, gender and generational lines, that historians Peter Linebaugh and Marcus Rediker identify as a crucial counterforce within the consolidation of capitalism, imperialism, and the modern state? I address that question by way of the twentieth-century aesthetic experiments undertaken by the Trinidadian writer and political activist C. L. R. James an…
Hybrid Italians, Diasporic Africans
Hybrid Italians, Diasporic AfricansWho's/Whose Meticcio?1 Laura A. Harris (bio) In this essay I examine discourses of race and nation in contemporary Italian representations of African-ness and cultural hybridity. In particular, I devote attention to an analysis of Erminia Dell'Oro's commercially successful Italian novel L'abbandono, Una Storia Eritrea (1991), which depicts Italy's colonial history in Eritrea primarily through protagonists of Eri…
What Happened to the Motley Crew
What happened to "the motley crew," the mobile, insurgent, creative social formation, crossing racial, gender and generational lines, that historians Peter Linebaugh and Marcus Rediker identify as a crucial counterforce within the consolidation of capitalism, imperialism, and the modern state? I address that question by way of the twentieth-century aesthetic experiments undertaken by the Trinidadian writer and political activist C. L. R. James an…
Academic Integrity in an Online Culture
Queer Black Feminism
In this critical personal narrative Harris explores some of the gaps between conceptions of feminist thought and feminist practice. Harris focuses on an analysis of race, class, and desire divisions within feminist sexual politics. She suggests a queer black feminist theory and practice that calls into question naturalized identities and communities, and therefore what feminism and feminist practices might entail
Studying professional women footballers
In this reflexive commentary we provide critical reflections on the challenges of recruiting professional women football players as experienced by the researchers. We posit that the same social, systemic inequities that make continued study of women's professionalized sport so important, also generate challenges to recruiting women athletes. As we share our reflections on the difficulties we experienced throughout our recruitment process, we hope…
Student and Faculty Perceptions of Study Helper Websites
Private View? The Organisational Performance of 'Privateness' and 'Publicness' at an Art Gallery
This article takes a cultural approach to analysing the profound privatisation of the public in one of the many places in which it manifests: an art gallery. I argue that, as well as categories of political and economic bearing, 'privateness' and 'publicness' are cultural categories through which lived experiences are made meaningful. They are therefore performable by organisations that have dual public and private accountabilities. I draw on the…
Who Is They
At the heart of this project is an intergenerational dialogue, an elliptical tracing of languages and communities in their acts of reclaiming and renaming. In this dialogue the authors ask how does a linguistic archive of Black queer/trans culture, in particular the grammars of they, kiki/Ky-Ky, and fem and stud travel within and shape language and expressive culture? If the Black queer and Black vernacular overlap, how do we look to the creative…
Looking beyond interaction
Queer Black Feminism
In this critical personal narrative Harris explores some of the gaps between conceptions of feminist thought and feminist practice. Harris focuses on an analysis of race, class, and desire divisions within feminist sexual politics. She suggests a queer black feminist theory and practice that calls into question naturalized identities and communities, and therefore what feminism and feminist practices might entail
Femme/Butch Family Romances
My essay theorizes femme/butch family romances against the grain of dominant feminist and lesbian thought that desexualizes the space of mother/daughter desire. I do so through a reading/recoding of the infringing incestuous mommie-boy desires that surface in an archetypal lesbian novel, Jane Rule's Desert of the Heart
Black Feminism and Queer Families
In Vintage: Families of Value (1995) Anita Jones proclaims, have chose to do like my mother and be a warrior... 'cause I'm a lesbian. My life has evolved around women being sensual, and I rather enjoy it. Speaking forthrightly to the camera, Jones identifies some of the larger challenges raised by black women's lived experiences and by black feminist paradigms working to disrupt the silences surrounding black female sexualities. In Thomas Allen H…
Hybrid Italians, Diasporic Africans
Hybrid Italians, Diasporic AfricansWho's/Whose Meticcio?1 Laura A. Harris (bio) In this essay I examine discourses of race and nation in contemporary Italian representations of African-ness and cultural hybridity. In particular, I devote attention to an analysis of Erminia Dell'Oro's commercially successful Italian novel L'abbandono, Una Storia Eritrea (1991), which depicts Italy's colonial history in Eritrea primarily through protagonists of Eri…
What Happened to the Motley Crew
What happened to "the motley crew," the mobile, insurgent, creative social formation, crossing racial, gender and generational lines, that historians Peter Linebaugh and Marcus Rediker identify as a crucial counterforce within the consolidation of capitalism, imperialism, and the modern state? I address that question by way of the twentieth-century aesthetic experiments undertaken by the Trinidadian writer and political activist C. L. R. James an…
Femme
Femme seeks to redress the ways that femme identities have been elided, idealized, or not fully historicized in a productive reconsideration of lesbian and butch-femme history, of feminism, and of queer thought. As a feminist project, Femme offers an alliance between many communities of women previously passed over by feminism. Contributors: Leah Lilith Albrecht-Samarasinha, Barbara Cruikshank, Madeline Davis, Heather Findlay, Jewelle Gomez, Kell…
At the egg's edge
This essay examines the way the Brazilian artist Lygia Clark (1920–1988) revisits and reconstructs the scene of birth in works that invoke, directly or indirectly, the figure of the egg. It compares Clark's reconstructions in relation to Jacques Lacan's account of birth, the development of the individuated subject and the normative, patriarchal social relations that subject upholds. It argues that while Lacan's account entails the bracketing of t…
Conscientious objection to abortion provision
Conscientious objection to abortion - a clinician's refusal to perform abortions because of moral or religious beliefs - is a limited right, intended to protect clinicians' convictions while maintaining abortion access. This paper argues that conscientious objection policies and debates around the world generally do not take into account the social, political, and economic pressures that profoundly influence clinicians who must decide whether to …
Experiments in Exile
Comparing the radical aesthetic and social experiments undertaken by two exile intellectuals, James and Oiticica, Harris chart a desire in their work to formulate alternative theories of citizenship, wherein common reception of popular cultural forms is linked to a potentially expanded, non-exclusive polity. By carefully analyzing the materiality of the multiply-lined, multiply voiced writing of the “undocuments” that record these social experime…
Experiments in Exile
Experiments in Exile
Academic Integrity in an Online Culture
Experiments in Exile
Introducing November’s Theme
Thinking Sontag Sociologically
“Everyone shows emotions everywhere but class photos”
Introducing May's Theme
Student and Faculty Perceptions of Study Helper Websites
Outtakes of '68
If '68 marks the emergence of seemingly new kinds of radical practices pursued by new revolutionary subjects, this essay asks how we might understand a strike undertaken by Appalachian coal miners in the early 1970s and its documentation in the film Harlan County, USA. Is this strike best understood apart from '68, as a disconnected, outmoded activity pursued by retrograde subjects who, after '68, can only be represented by and for nostalgic or r…
Looking beyond interaction
Patriarchs, Nira Pereg, curated by James Clegg and Show Me the World Mister, Ayo Akingbade, curated by Carmen Juliá and Olivia Aherne
Review of: Patriarchs , Nira Pereg, curated by James Clegg and Show Me the World Mister , Ayo Akingbade, curated by Carmen Juliá and Olivia Aherne Reviewed by Laura Harris, University of Southampton Talbot Rice Gallery, Edinburgh, 29 October 2022-18 February 2023 Chisenhale Gallery, London, 10 November 2022-5 February 2023
Who Is They
At the heart of this project is an intergenerational dialogue, an elliptical tracing of languages and communities in their acts of reclaiming and renaming. In this dialogue the authors ask how does a linguistic archive of Black queer/trans culture, in particular the grammars of they, kiki/Ky-Ky, and fem and stud travel within and shape language and expressive culture? If the Black queer and Black vernacular overlap, how do we look to the creative…
Documenting the air
The air sustains, connects and conditions our lives and has been of growing relevance to social scientists adopting an atmospheric approach to social life. Nonetheless, in screen studies, air’s critical uptake has so far been limited to narrative cinema, leaving it undertheorized in non-fiction filmmaking. In this paper, I introduce theories of the air that flow from the broader rise of atmospheric socio-aesthetic theories and suggest that it is …
Studying professional women footballers
In this reflexive commentary we provide critical reflections on the challenges of recruiting professional women football players as experienced by the researchers. We posit that the same social, systemic inequities that make continued study of women's professionalized sport so important, also generate challenges to recruiting women athletes. As we share our reflections on the difficulties we experienced throughout our recruitment process, we hope…
Ways of hoping
Hope has long been articulated as an intrinsic component of creative work, used to alleviate or justify the challenging precarity and narrow pathways to success in this sector. Two key articulations of hope have emerged: a deferred economy model in which present hardship is endured as a down-payment on specific future benefits, however ultimately unlikely; and a more dispersed understanding in which the hoped-for future is unspecified but affecti…
Sociology (19 obras) · Art (12 obras) · Aesthetics (11 obras) · Psychology (10 obras) · Computer Science (8 obras) · Gender Studies (8 obras) · History (7 obras) · Philosophy (7 obras) · Epistemology (6 obras) · Law (6 obras)