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Morton Marks

Dados Biográficos

ID3737091
NOMEMorton Marks
PRENOMESMorton
SOBRENOMEMarks
ASSINATURAMARKS M
VERIFICADONão
TOTAL DE OBRAS5
TOTAL DE CITAÇÕES12
TOTAL COMO AUTOR5
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1978
ANO MAIS RECENTE DE PUBLICAÇÃO2003
ÍNDICE H1
  • Caribbean Voyage

    Gage Averill, Alan Lomax et al.•ARTICLE•Ethnomusicology•2003

  • The Discoteca Collection

    Patricia Sandler, Mickey Hart et al.•ARTICLE•Ethnomusicology•1999

  • Haitian Song

    Gage Averill, Karen Kramer et al.•ARTICLE•Ethnomusicology•1997

  • The Afro-American Transformation of European Set Dances and Dance Suites

    Open Access•John F Szwed, Morton Marks•ARTICLE•Dance Research Journal•1988•Citada por: 12•Referências: 1

    It is well acknowledged that the court dances which developed in Europe from the seventeenth century onward spread to the rural areas of Europe and to the new world. What has not been properly recognized is that these dances — the quadrille, the cotillion, the contradance and the like — were taken up by Afro-Americans in North and South America and the West Indies and were modified and adapted to local cultural circumstances. In many cases — espe…

  • Amazonia

    Gerard Behague, Morton Marks•ARTICLE•Ethnomusicology•1978

  • The Afro-American Transformation of European Set Dances and Dance Suites

    Open Access•John F Szwed, Morton Marks•ARTICLE•Dance Research Journal•1988•Citada por: 12•Referências: 1

    It is well acknowledged that the court dances which developed in Europe from the seventeenth century onward spread to the rural areas of Europe and to the new world. What has not been properly recognized is that these dances — the quadrille, the cotillion, the contradance and the like — were taken up by Afro-Americans in North and South America and the West Indies and were modified and adapted to local cultural circumstances. In many cases — espe…

  • Amazonia

    Gerard Behague, Morton Marks•ARTICLE•Ethnomusicology•1978

  • The Afro-American Transformation of European Set Dances and Dance Suites

    Open Access•John F Szwed, Morton Marks•ARTICLE•Dance Research Journal•1988•Citada por: 12•Referências: 1

    It is well acknowledged that the court dances which developed in Europe from the seventeenth century onward spread to the rural areas of Europe and to the new world. What has not been properly recognized is that these dances — the quadrille, the cotillion, the contradance and the like — were taken up by Afro-Americans in North and South America and the West Indies and were modified and adapted to local cultural circumstances. In many cases — espe…

  • Haitian Song

    Gage Averill, Karen Kramer et al.•ARTICLE•Ethnomusicology•1997

  • The Discoteca Collection

    Patricia Sandler, Mickey Hart et al.•ARTICLE•Ethnomusicology•1999

  • Caribbean Voyage

    Gage Averill, Alan Lomax et al.•ARTICLE•Ethnomusicology•2003

Art (3 obras) · Geography (3 obras) · Diverse Musicological Studies (2 obras) · History (2 obras) · Accordion (1 obras) · Amazon rainforest (1 obras) · Ancient history (1 obras) · Biology (1 obras) · Caribbean and African Literature and Culture (1 obras) · Concert dance (1 obras)

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