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Lata Singh

Dados Biográficos

ID3741966
NOMELata Singh
PRENOMESLata
SOBRENOMESingh
ASSINATURASINGH L
AFILIAÇÕESMaitreyi College, University of Delhi
ORCID0000-0002-8981-2237
VERIFICADOSim
TOTAL DE OBRAS18
TOTAL DE CITAÇÕES39
TOTAL COMO AUTOR17
TOTAL COMO EDITOR2
PRIMEIRO ANO DE PUBLICAÇÃO1992
ANO MAIS RECENTE DE PUBLICAÇÃO2024
ÍNDICE H3
  • Gender in Modern India

    Lata Singh, Shashank Shekhar Sinha•BOOK•Gender in Modern India•2024

    This volume brings together new research on a range of themes including social reforms, castes, and contestations; Adivasis, patriarchy, and colonialism; capitalism, political economy, and labour; Indu health, medical care, and institution building; culture and identity; and migration and its new dynamics. It includes case studies on gender from diverse geographies—east, west, north, south, and northeast; community locations—Hindu, Muslim, and Ch…

  • Gender in Modern India

    Lata Singh, Shashank Shekhar Sinha•BOOK•Gender in Modern India•2024

  • Wnt/β-Catenin Signaling Pathway in Pediatric Tumors

    Open Access•Sahar Choudhary, Mithalesh Kumar Singh et al.•ARTICLE•Children•2024

    The evolutionarily conserved Wnt signaling has a significant and diverse role in maintaining cell homeostasis and tissue maintenance. It is necessary in the regulation of crucial biological functions such as embryonal development, proliferation, differentiation, cell fate, and stem cell pluripotency. The deregulation of Wnt/β-catenin signaling often leads to various diseases, including cancer and non-cancer diseases. The role of Wnt/β-catenin sig…

  • Women Performers as Subjects in Popular Theatres

    Open Access•Lata Singh•ARTICLE•History and Sociology of South Asia•2010

    The main focus of this article is to forefront women performers as subjects in historiography. Women performers have remained on the margin of both mainstream and subaltern historiography. The article, instead of merely charting their artistic topography, tries to locate them in larger social, cultural and historical context. It tries to map their artistic aspirations and commitment to performance, their journeys and struggles, the troubled histo…

  • How Many More Fragments?’ ( Aur Kitne Tukde )

    Lata Singh•ARTICLE•Cultural and Social History•2009•Referências: 1

    This article critically engages with a contemporary play, Aur Kitne Tukde, staged in the Hindi language in various cities and towns in India and Pakistan, about gendered violence during Partition. It unsettles the master narrative of ‘honour’, ‘martyrdom’, ‘choice’ and women's ‘agency’ on Partition. The article also highlights the significance of the play in breaking the silences around Partition in the theatre, which, as compared with other cult…

  • Making of ‘Modern’ Theatre and Actresses’ Question

    Open Access•Lata Singh•ARTICLE•Indian Historical Review•2008•Citada por: 1

    Theatre was an important representation site of the burgeoning middle class during the colonial period in its search for cultural identity. ‘Modern’ theatre of the middle class was linked up with its quest for respectability and the question of respectability assumed its sharpest form when the issues concerned women. The politics of social class, gendered ideologies and nationalism permeating the theatre space came to construct the female perform…

  • Courtesans and the 1857 Revolt

    Open Access•Lata Singh•ARTICLE•Indian Historical Review•2007

    In history voice of the common people has been invisiblized for a long time. However, in recent times attempts have been made to bring the common people to the forefront of history. But still, a significant section of women's history, especially of those on the margins, considered the ‘other’ women in the construction of middle class women, remains invisible. The ‘other’ women represented common women, considered to be coarse, vulgar, loud, moral…

  • Coming Out of Partition

    Open Access•Lata Singh•ARTICLE•Indian Historical Review•2007

  • Retrieving Voices from the Margins

    Open Access•Lata Singh•ARTICLE•Indian Journal of Gender Studies•2007•Referências: 4

    This article examines how contemporary feminist theatre ‘disrupts’ and ‘disturbs’ the nationalist project's hegemonic claim to respectability by reclaiming the voices of ‘loose’ women. It examines in particular a play, San Sattavan ka Qissa: Azizun Nisa, by Tripurari Sharma, to show how the foregrounding of the courtesan in the public-political space creates uneasy tensions in the way in which social, political and national life is organised by e…

  • Open Space Making Visible the 'Petty' and 'Grotesque' of the Nation's Narrative

    Open Access•Lata Singh•ARTICLE•Feminist Review•2006•Citada por: 1

  • Gandhi, Women and the National Movement, 1920–47

    Open Access•Lata Singh•ARTICLE•Indian Historical Review•2005

  • Woman and Empire

    Open Access•Lata Singh•ARTICLE•Indian Historical Review•2003

  • Situating Social History Orissa (1800 – 1997)

    Open Access•Lata Singh•ARTICLE•Indian Historical Review•2002•Citada por: 7

  • Studying the Language of Protest

    Lata Singh, Arun Kumar•ARTICLE•Social Scientist•2002

  • Locating the Bihar Constabulary, 1920-22

    Lata Singh•ARTICLE•Social Scientist•2002•Citada por: 4

  • The Nation and its Fragments

    Open Access•Lata Singh•ARTICLE•Indian Historical Review•2001•Citada por: 25

  • Political Prisoners in India

    Open Access•Lata Singh•ARTICLE•Indian Historical Review•2000

  • New Visibility of Women Across the Political Spectrum

    Open Access•Lata Singh•ARTICLE•Indian Historical Review•2000

  • The Bihar Kisan Sabha Movement

    Lata Singh•ARTICLE•Social Scientist•1992•Citada por: 1

  • The Nation and its Fragments

    Open Access•Lata Singh•ARTICLE•Indian Historical Review•2001•Citada por: 25

  • Situating Social History Orissa (1800 – 1997)

    Open Access•Lata Singh•ARTICLE•Indian Historical Review•2002•Citada por: 7

  • Locating the Bihar Constabulary, 1920-22

    Lata Singh•ARTICLE•Social Scientist•2002•Citada por: 4

  • Making of ‘Modern’ Theatre and Actresses’ Question

    Open Access•Lata Singh•ARTICLE•Indian Historical Review•2008•Citada por: 1

    Theatre was an important representation site of the burgeoning middle class during the colonial period in its search for cultural identity. ‘Modern’ theatre of the middle class was linked up with its quest for respectability and the question of respectability assumed its sharpest form when the issues concerned women. The politics of social class, gendered ideologies and nationalism permeating the theatre space came to construct the female perform…

  • Open Space Making Visible the 'Petty' and 'Grotesque' of the Nation's Narrative

    Open Access•Lata Singh•ARTICLE•Feminist Review•2006•Citada por: 1

  • The Bihar Kisan Sabha Movement

    Lata Singh•ARTICLE•Social Scientist•1992•Citada por: 1

  • The Bihar Kisan Sabha Movement

    Lata Singh•ARTICLE•Social Scientist•1992•Citada por: 1

  • Political Prisoners in India

    Open Access•Lata Singh•ARTICLE•Indian Historical Review•2000

  • New Visibility of Women Across the Political Spectrum

    Open Access•Lata Singh•ARTICLE•Indian Historical Review•2000

  • The Nation and its Fragments

    Open Access•Lata Singh•ARTICLE•Indian Historical Review•2001•Citada por: 25

  • Situating Social History Orissa (1800 – 1997)

    Open Access•Lata Singh•ARTICLE•Indian Historical Review•2002•Citada por: 7

  • Studying the Language of Protest

    Lata Singh, Arun Kumar•ARTICLE•Social Scientist•2002

  • Locating the Bihar Constabulary, 1920-22

    Lata Singh•ARTICLE•Social Scientist•2002•Citada por: 4

  • Woman and Empire

    Open Access•Lata Singh•ARTICLE•Indian Historical Review•2003

  • Gandhi, Women and the National Movement, 1920–47

    Open Access•Lata Singh•ARTICLE•Indian Historical Review•2005

  • Open Space Making Visible the 'Petty' and 'Grotesque' of the Nation's Narrative

    Open Access•Lata Singh•ARTICLE•Feminist Review•2006•Citada por: 1

  • Courtesans and the 1857 Revolt

    Open Access•Lata Singh•ARTICLE•Indian Historical Review•2007

    In history voice of the common people has been invisiblized for a long time. However, in recent times attempts have been made to bring the common people to the forefront of history. But still, a significant section of women's history, especially of those on the margins, considered the ‘other’ women in the construction of middle class women, remains invisible. The ‘other’ women represented common women, considered to be coarse, vulgar, loud, moral…

  • Coming Out of Partition

    Open Access•Lata Singh•ARTICLE•Indian Historical Review•2007

  • Retrieving Voices from the Margins

    Open Access•Lata Singh•ARTICLE•Indian Journal of Gender Studies•2007•Referências: 4

    This article examines how contemporary feminist theatre ‘disrupts’ and ‘disturbs’ the nationalist project's hegemonic claim to respectability by reclaiming the voices of ‘loose’ women. It examines in particular a play, San Sattavan ka Qissa: Azizun Nisa, by Tripurari Sharma, to show how the foregrounding of the courtesan in the public-political space creates uneasy tensions in the way in which social, political and national life is organised by e…

  • Making of ‘Modern’ Theatre and Actresses’ Question

    Open Access•Lata Singh•ARTICLE•Indian Historical Review•2008•Citada por: 1

    Theatre was an important representation site of the burgeoning middle class during the colonial period in its search for cultural identity. ‘Modern’ theatre of the middle class was linked up with its quest for respectability and the question of respectability assumed its sharpest form when the issues concerned women. The politics of social class, gendered ideologies and nationalism permeating the theatre space came to construct the female perform…

  • How Many More Fragments?’ ( Aur Kitne Tukde )

    Lata Singh•ARTICLE•Cultural and Social History•2009•Referências: 1

    This article critically engages with a contemporary play, Aur Kitne Tukde, staged in the Hindi language in various cities and towns in India and Pakistan, about gendered violence during Partition. It unsettles the master narrative of ‘honour’, ‘martyrdom’, ‘choice’ and women's ‘agency’ on Partition. The article also highlights the significance of the play in breaking the silences around Partition in the theatre, which, as compared with other cult…

  • Women Performers as Subjects in Popular Theatres

    Open Access•Lata Singh•ARTICLE•History and Sociology of South Asia•2010

    The main focus of this article is to forefront women performers as subjects in historiography. Women performers have remained on the margin of both mainstream and subaltern historiography. The article, instead of merely charting their artistic topography, tries to locate them in larger social, cultural and historical context. It tries to map their artistic aspirations and commitment to performance, their journeys and struggles, the troubled histo…

  • Gender in Modern India

    Lata Singh, Shashank Shekhar Sinha•BOOK•Gender in Modern India•2024

    This volume brings together new research on a range of themes including social reforms, castes, and contestations; Adivasis, patriarchy, and colonialism; capitalism, political economy, and labour; Indu health, medical care, and institution building; culture and identity; and migration and its new dynamics. It includes case studies on gender from diverse geographies—east, west, north, south, and northeast; community locations—Hindu, Muslim, and Ch…

  • Gender in Modern India

    Lata Singh, Shashank Shekhar Sinha•BOOK•Gender in Modern India•2024

  • Wnt/β-Catenin Signaling Pathway in Pediatric Tumors

    Open Access•Sahar Choudhary, Mithalesh Kumar Singh et al.•ARTICLE•Children•2024

    The evolutionarily conserved Wnt signaling has a significant and diverse role in maintaining cell homeostasis and tissue maintenance. It is necessary in the regulation of crucial biological functions such as embryonal development, proliferation, differentiation, cell fate, and stem cell pluripotency. The deregulation of Wnt/β-catenin signaling often leads to various diseases, including cancer and non-cancer diseases. The role of Wnt/β-catenin sig…

Political science (14 obras) · Sociology (12 obras) · Gender Studies (9 obras) · Law (9 obras) · Art (7 obras) · Politics (7 obras) · History (6 obras) · South Asian Studies and Conflicts (6 obras) · Aesthetics (5 obras) · Politics and Conflicts in Afghanistan, Pakistan, and Middle East (5 obras)

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