Bill Marshall
Dados Biográficos
| ID | 3745860 |
|---|---|
| NOME | Bill Marshall |
| PRENOMES | Bill |
| SOBRENOME | Marshall |
| ASSINATURA | MARSHALL B |
| AFILIAÇÕES | University of Stirling |
| ORCID | 0000-0002-3597-7677 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 19 |
| TOTAL DE CITAÇÕES | 6 |
| TOTAL COMO AUTOR | 19 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1990 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 2 |
Slavery with a Smile
This article is an analysis of the 2011 French comedy, Case départ, in which two contemporary black Frenchmen are sent back in time to the eighteenth-century Caribbean and endure slavery and captivity. The film is placed in the contexts (amnesic and controversial) of the historical and public memory of the French Atlantic slave trade, of the (paucity of) its cinematic representation(s), and of the cultural production of French comedy, particularl…
Introduction
Lire, by Christina Kullberg
Cinéma-monde and its afterlives
Worlds Within; In the World
This epilogue underscores the fact that 'cinéma-monde' always came with a question mark: it was a hypothesis, a heuristic device, conjuring up a 'what would happen if' we looked at Francophone film production through a slightly different lens. Moving forward from this mapping of the possibilities of cinéma-monde while at the same time highlighting the persistence of the national, the essay proposes that one way to take ‘monde’ seriously is to sit…
Trois poètes de l'Atlantique français
Cet article, qui est la traduction d'une section d'un chapitre de The French Atlantic. Travels in Culture and History, propose une lecture « franco-atlantique » des oeuvres de Jules Laforgue, Isidore Ducasse et Jules Supervielle, trois poètes d'origine française nés à Montevideo, ville où ils ont chacun passé leur enfance avant de la quitter de manière définitive pour la France. Bill Marshall part de l'hypothèse selon laquelle la latinité découla…
Cinéma-monde ?
This article will begin to answer the question: what might happen if a decentred view of Francophone Cinema were to emerge? It will go beyond the definition of ‘Francophone Cinema’ as simply the ‘Other’ to metropolitan film production and examine the relationship between films set in France's overseas departments and territories and the concept of ‘French national cinema’. To what extent, therefore, can so-called ‘French national cinema’ be ‘fran…
Running across the Rooves of Empire
This article examines a common strand of space and power, mediated by comparative notions of empire and its memory. It focuses initially on Quebec City, discussing the relations there between topography and power, in the socio-spatial, including imagined, arrangements that pertain to the division between upper and lower towns, tourist/administrative core and banlieue, as well as the original tension between the administrated city and the vast Nor…
New Orleans, nodal point of the French Atlantic
This article argues for the importance of New Orleans within French and francophone studies, with a particular emphasis on a French Atlantic perspective. A historical overview discusses the role of New France, slavery, native Americans, Spain, immigration from Saint-Domingue, the Louisiana Purchase and the American Civil War in the formation of the city, and the rich and under-researched field of the city's nineteenth-century literary output in F…
Quebec National Cinema
In the first comprehensive, theoretically informed work in English on Quebec cinema, Marshall views his subject as neither the assertion of some unproblematic national wholeness nor a random collection of disparate voices that drown out or invalidate the question of nation. Instead, he shows that while the allegory of nation marks Quebec film production it also leads to a tension between textual and contextual forces, between homogeneity and hete…
Jill Forbes 1947-2001
Jill Forbes 1947-2001
Explaining Partisanship on Special Rules in the Postreform House
Informational, distributive and partisan theories offer competing interpretations of the role of restrictive rules in the US House. Empirical tests in this literature focus almost exclusively on the amendment restriction portion of special rules, treating open rules as friendly and restrictive rules as unfriendly to the minority party or chamber as a whole. Oddly, however, there is a significant amount of conflict - partisan conflict in particula…
Quebec National Cinema
In Quebec National Cinema Bill Marshall tackles the question of the role cinema plays in Quebec's view of itself as a nation. Surveying mostly fictional feature films, Marshall demonstrates how Quebec cinema has evolved from the innovative direct cinema of the early 1960s into the diverse canvas of popular comedies, glossy co-productions, and reworked auteur cinema of the postmodern 1990s. He explores the faultlines of Quebec identity - its probl…
On His Life and The Crows
Minor leapfrogs
Victor Serge
The political itinerary consciousness and the self literature and revolution contradiction and commitment bureaucracy and dissent the 1940s and the fate of dissent.
National identity and thefilm policier
Chateauvallon
Running across the Rooves of Empire
This article examines a common strand of space and power, mediated by comparative notions of empire and its memory. It focuses initially on Quebec City, discussing the relations there between topography and power, in the socio-spatial, including imagined, arrangements that pertain to the division between upper and lower towns, tourist/administrative core and banlieue, as well as the original tension between the administrated city and the vast Nor…
Explaining Partisanship on Special Rules in the Postreform House
Informational, distributive and partisan theories offer competing interpretations of the role of restrictive rules in the US House. Empirical tests in this literature focus almost exclusively on the amendment restriction portion of special rules, treating open rules as friendly and restrictive rules as unfriendly to the minority party or chamber as a whole. Oddly, however, there is a significant amount of conflict - partisan conflict in particula…
New Orleans, nodal point of the French Atlantic
This article argues for the importance of New Orleans within French and francophone studies, with a particular emphasis on a French Atlantic perspective. A historical overview discusses the role of New France, slavery, native Americans, Spain, immigration from Saint-Domingue, the Louisiana Purchase and the American Civil War in the formation of the city, and the rich and under-researched field of the city's nineteenth-century literary output in F…
Chateauvallon
National identity and thefilm policier
Victor Serge
The political itinerary consciousness and the self literature and revolution contradiction and commitment bureaucracy and dissent the 1940s and the fate of dissent.
Minor leapfrogs
Quebec National Cinema
In Quebec National Cinema Bill Marshall tackles the question of the role cinema plays in Quebec's view of itself as a nation. Surveying mostly fictional feature films, Marshall demonstrates how Quebec cinema has evolved from the innovative direct cinema of the early 1960s into the diverse canvas of popular comedies, glossy co-productions, and reworked auteur cinema of the postmodern 1990s. He explores the faultlines of Quebec identity - its probl…
On His Life and The Crows
Explaining Partisanship on Special Rules in the Postreform House
Informational, distributive and partisan theories offer competing interpretations of the role of restrictive rules in the US House. Empirical tests in this literature focus almost exclusively on the amendment restriction portion of special rules, treating open rules as friendly and restrictive rules as unfriendly to the minority party or chamber as a whole. Oddly, however, there is a significant amount of conflict - partisan conflict in particula…
Quebec National Cinema
In the first comprehensive, theoretically informed work in English on Quebec cinema, Marshall views his subject as neither the assertion of some unproblematic national wholeness nor a random collection of disparate voices that drown out or invalidate the question of nation. Instead, he shows that while the allegory of nation marks Quebec film production it also leads to a tension between textual and contextual forces, between homogeneity and hete…
Jill Forbes 1947-2001
Jill Forbes 1947-2001
New Orleans, nodal point of the French Atlantic
This article argues for the importance of New Orleans within French and francophone studies, with a particular emphasis on a French Atlantic perspective. A historical overview discusses the role of New France, slavery, native Americans, Spain, immigration from Saint-Domingue, the Louisiana Purchase and the American Civil War in the formation of the city, and the rich and under-researched field of the city's nineteenth-century literary output in F…
Running across the Rooves of Empire
This article examines a common strand of space and power, mediated by comparative notions of empire and its memory. It focuses initially on Quebec City, discussing the relations there between topography and power, in the socio-spatial, including imagined, arrangements that pertain to the division between upper and lower towns, tourist/administrative core and banlieue, as well as the original tension between the administrated city and the vast Nor…
Cinéma-monde ?
This article will begin to answer the question: what might happen if a decentred view of Francophone Cinema were to emerge? It will go beyond the definition of ‘Francophone Cinema’ as simply the ‘Other’ to metropolitan film production and examine the relationship between films set in France's overseas departments and territories and the concept of ‘French national cinema’. To what extent, therefore, can so-called ‘French national cinema’ be ‘fran…
Worlds Within; In the World
This epilogue underscores the fact that 'cinéma-monde' always came with a question mark: it was a hypothesis, a heuristic device, conjuring up a 'what would happen if' we looked at Francophone film production through a slightly different lens. Moving forward from this mapping of the possibilities of cinéma-monde while at the same time highlighting the persistence of the national, the essay proposes that one way to take ‘monde’ seriously is to sit…
Trois poètes de l'Atlantique français
Cet article, qui est la traduction d'une section d'un chapitre de The French Atlantic. Travels in Culture and History, propose une lecture « franco-atlantique » des oeuvres de Jules Laforgue, Isidore Ducasse et Jules Supervielle, trois poètes d'origine française nés à Montevideo, ville où ils ont chacun passé leur enfance avant de la quitter de manière définitive pour la France. Bill Marshall part de l'hypothèse selon laquelle la latinité découla…
Cinéma-monde and its afterlives
Lire, by Christina Kullberg
Slavery with a Smile
This article is an analysis of the 2011 French comedy, Case départ, in which two contemporary black Frenchmen are sent back in time to the eighteenth-century Caribbean and endure slavery and captivity. The film is placed in the contexts (amnesic and controversial) of the historical and public memory of the French Atlantic slave trade, of the (paucity of) its cinematic representation(s), and of the cultural production of French comedy, particularl…
Introduction
Art (14 obras) · History (10 obras) · Art history (7 obras) · French Historical and Cultural Studies (7 obras) · History (6 obras) · Law (6 obras) · Political science (6 obras) · Humanities (5 obras) · Law (5 obras) · Movie theater (5 obras)