Jill Galvan
Dados Biográficos
| ID | 3768652 |
|---|---|
| NOME | Jill Galvan |
| PRENOMES | Jill |
| SOBRENOME | Galvan |
| ASSINATURA | GALVÁN J |
| AFILIAÇÕES | The Ohio State University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 7 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1997 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2021 |
| ÍNDICE H | 0 |
Marital Realism
The Lydgates have bought too much furniture and plateware and do not know how to pay for it. All their problems eventuate from this remarkably tame, all too common origin of domestic debt, a version of being house-poor. He broaches the topic over tea with hidden dread. She, sensing the unpleasantness, turns a head to look away. Wedded misery in George Eliot's Middlemarch does not mean spectacular incidents—adultery, abuse, sexual fallenness, or t…
Character
T HE scholarly story of Victorian character has long been a story of interiority. According to Deidre Lynch's influential account, by the end of the eighteenth century, print consumers were stratified by their approach to character: reading with taste (distinctly from the masses) meant reading for interpretable insides. 1 Ian Watt's classic history of the novel presumes a dense psychology in describing the novelistic individual as a modern subjec…
Victorian Pain
Occult Networks and the Legacy of the Indian Rebellion in Bram Stoker's Dracula
The Narrator as Medium in George Eliot's ?The Lifted Veil
The Narrator as Medium in George Eliot's “The Lifted Veil” Jill Galvan (bio) A common critical approach to "The Lifted Veil," George Eliot's tale of a man cursed by powers of telepathy and premonition, is to read it as an allegorical investigation of the workings of fictional narrative itself. As this argument goes, Latimer's magical access to others' minds mimics authorial omniscience and in this respect, as some accounts further argue, allows f…
Christians, Infidels, and Women's Channeling in the Writings of Marie Corelli
“[S] INCE CHRIST ASCENDED into Heaven, our electric communication with the Creator has been established, and an ever-flowing current of divine inspiration is turned beneficially in the direction of our Earth....” So writes Heliobas, the sage scientist from the East in Marie Corelli's first novel, A Romance of Two Worlds (247; ch. 14). According to this character's religio-technological treatise on the Creation, God is a “Shape of pure Electric Ra…
Entering the Posthuman Collective in Philip K. Dick’s Do Androids Dream of Electric Sheep
As staged in Dick’s novel, the android inaugurates a crisis of subjectivity. What does it mean to be human in an era wherein human conjoins with machine, biology with technology, nature with manufacture?—Clearly, it is a question confronted by Rick Deckard, protagonist bounty hunter of the twenty-firstæentury cyborg. Rick’s ability to empathize with other creatures—the defining aspect of humanity, according to the juridical system that employs hi…
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Entering the Posthuman Collective in Philip K. Dick’s Do Androids Dream of Electric Sheep
As staged in Dick’s novel, the android inaugurates a crisis of subjectivity. What does it mean to be human in an era wherein human conjoins with machine, biology with technology, nature with manufacture?—Clearly, it is a question confronted by Rick Deckard, protagonist bounty hunter of the twenty-firstæentury cyborg. Rick’s ability to empathize with other creatures—the defining aspect of humanity, according to the juridical system that employs hi…
Christians, Infidels, and Women's Channeling in the Writings of Marie Corelli
“[S] INCE CHRIST ASCENDED into Heaven, our electric communication with the Creator has been established, and an ever-flowing current of divine inspiration is turned beneficially in the direction of our Earth....” So writes Heliobas, the sage scientist from the East in Marie Corelli's first novel, A Romance of Two Worlds (247; ch. 14). According to this character's religio-technological treatise on the Creation, God is a “Shape of pure Electric Ra…
The Narrator as Medium in George Eliot's ?The Lifted Veil
The Narrator as Medium in George Eliot's “The Lifted Veil” Jill Galvan (bio) A common critical approach to "The Lifted Veil," George Eliot's tale of a man cursed by powers of telepathy and premonition, is to read it as an allegorical investigation of the workings of fictional narrative itself. As this argument goes, Latimer's magical access to others' minds mimics authorial omniscience and in this respect, as some accounts further argue, allows f…
Occult Networks and the Legacy of the Indian Rebellion in Bram Stoker's Dracula
Character
T HE scholarly story of Victorian character has long been a story of interiority. According to Deidre Lynch's influential account, by the end of the eighteenth century, print consumers were stratified by their approach to character: reading with taste (distinctly from the masses) meant reading for interpretable insides. 1 Ian Watt's classic history of the novel presumes a dense psychology in describing the novelistic individual as a modern subjec…
Victorian Pain
Marital Realism
The Lydgates have bought too much furniture and plateware and do not know how to pay for it. All their problems eventuate from this remarkably tame, all too common origin of domestic debt, a version of being house-poor. He broaches the topic over tea with hidden dread. She, sensing the unpleasantness, turns a head to look away. Wedded misery in George Eliot's Middlemarch does not mean spectacular incidents—adultery, abuse, sexual fallenness, or t…
Art (4 obras) · Literature (4 obras) · Aesthetics (3 obras) · Art history (3 obras) · Contemporary Literature and Criticism (3 obras) · History (3 obras) · Philosophy (3 obras) · Psychology (3 obras) · Computer Science (2 obras) · Gothic Literature and Media Analysis (2 obras)