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Hiroaki Sato

Dados Biográficos

ID3786940
NOMEHiroaki Sato
PRENOMESHiroaki
SOBRENOMESato
ASSINATURASATO H
AFILIAÇÕESHamamatsu University School of Medicine
ORCID0000-0002-2176-0215
VERIFICADOSim
TOTAL DE OBRAS41
TOTAL DE CITAÇÕES15
TOTAL COMO AUTOR40
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1974
ANO MAIS RECENTE DE PUBLICAÇÃO2025
ÍNDICE H1
  • Methodology to promote inter- and transdisciplinary knowledge integration by identifying the functional concept using network analysis

    Yoshimichi Ohki, Yu Ohki et al.•ARTICLE•Innovation The European Journal…•2025

  • The Volunteer

    Open Access•Chō Chin-Bo, Hiroaki Sato et al.•ARTICLE•Japan focus•2018

    Chiu Chin-po, or Chō Chin-bo (周金波) as he was known in Japan, was born in Keelung, Taiwan, in January 1920-twenty-five years after Japan acquired the island as a result of the Sino-Japanese War, 1894-1895. His mother took him to Tokyo when he was three, in 1923, to join her husband who was studying dentistry at Nihon University. In September that year, Tokyo was hit by the Great Kanto Earthquake that killed 100,000 people. The Chiu family was amon…

  • From the 2.26 Incident to the Atomic Bombs

    Open Access•Hiroaki Sato•ARTICLE•Japan focus•2016

    Faubion Bowers (1917-99), a graduate of Columbia University and Juilliard Graduate School of Music, was on his way to Java to explore the music there when he stopped in Japan and accidentally found kabuki. That was in the late 1930s, a few years before Japan attacked Pearl Harbor. The war over, Bowers served Supreme Commander for the Allied Powers Gen. Douglas MacArthur as his aide-decamp and personal interpreter during the early years of the Occ…

  • Selected Haiku

    Open Access•Mitsuhashi Toshio, Kyoko Selden et al.•ARTICLE•Japan focus•2016

    Mitsuhashi Toshio (1920-2001) joined a haiku group at age fifteen, and his haiku began to be accepted by magazines the following year. He was drawn to the Shinkō Haiku (Newly Rising Haiku) movement, particularly its advocacy of rejecting the required inclusion of seasonal words.In 1937, when Japan expanded its war in China to distance themselves from "traditional haiku" started writing what they called senka sobo haiku-haiku "imagining and watchi…

  • "The Night All Mankind Grew Old" and Three Other Tanka Sequences

    Tatsuhiko Ishii, Hiroaki Sato•ARTICLE•Common Knowledge•2015

    Other| January 01 2015 “THE NIGHT ALL MANKIND GREW OLD” AND THREE OTHER TANKA SEQUENCES Tatsuhiko Ishii Tatsuhiko Ishii Search for other works by this author on: This Site Google Common Knowledge (2015) 21 (1): 126–136. https://doi.org/10.1215/0961754X-2818405 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Tatsuhiko Ishii; “THE NIGHT ALL MANKIND GREW OLD” AND THREE OTHER TANKA SEQUENCES. Common K…

  • Huckleberry Finn and the American Dream in the Shadow of the Vietnam War

    Open Access•Ōe Kenzaburō, Hiroaki Sato•ARTICLE•Japan focus•2015

    What follows is a translation of the second half of Ōe Kenzaburō's article, America ryokōsha no yume-jigoku ni yuku Huckleberry Finn, which was first published in the September 1966 issue of the monthly Sekai (The World). The untranslated first half begins, "America. I shall never become entirely free from the oppressing, demonic power of the word America," and describes how the writer has lived since boyhood "within the conflicting, extremely co…

  • So Happy to See Cherry Blossoms

    Open Access•Nancy Sato, Hiroaki Sato•ARTICLE•Japan focus•2013

    The haiku has been a universal poetic form for more than half a century now. The second UN Secretary-General Dag Hammarskjōld expressed his private thoughts in it; the founding executive director of the UN Population Fund Rafael Salas recorded his daily observations through it; so does the current President of the European Council Herman Achille Van Rompuy.Last year the Belgrade-born physician- filmmaker Dimitar Anakiev compiled a large anthology…

  • Adolescent growth spurt and growth pattern factors related to the short stature of Pygmy hunter-gatherers of Southeast Cameroon

    Open Access•Izumi Hagino, Kôji Hayashi et al.•ARTICLE•Annals of Human Biology•2012

    The presence of a weak adolescent growth spurt is suggested in the growth pattern of Pygmy hunter-gatherers. Moreover, their short adult stature is possibly related to growth rate before onset of puberty

  • Addressing the wild yam question

    Open Access•Hiroaki Sato, Kyohei Kawamura et al.•ARTICLE•Anthropological Science•2012•Citada por: 14•Referências: 14

    We designed observational surveys of controlled foraging trips of Baka hunter-gatherers in Cameroon to verify the 'wild yam question'—i.e. is it possible for human beings to live without agricultural products in a tropical rainforest?—and to examine their foraging lifestyle. We observed two 20-day trips during which no agricultural or commercial food except salt and pepper could be used. The first trip was conducted by six married couples in Augu…

  • Personal Predilection in Compiling and Translating an Anthology of Japanese Women Poets

    Open Access•Hiroaki Sato•ARTICLE•Japan focus•2008

    An anthology necessarily follows "personal predilection," stressed William Rose Benét, having discharged his end of Famous English and American Poetry, whereas Conrad Aiken, having done his, chose to note, "American poetry has been extensively anthologized."(1) What Aiken said hardly applies to modern Japanese poetry,(2) but what Benét said does, and not just to the anthology I've recently published, Japanese Women Poets (M.E. Sharpe, 2007), of c…

  • "Gyokusai or "Shattering like a Jewel

    Open Access•Hiroaki Sato•ARTICLE•Japan focus•2008

    This past fall I was thinking once again about the intractability of Japan's part in the Pacific phase of World War II when the news came: Okinawans had staged a huge rally to protest the Japanese government's banning of textbook references to the military's role in "group suicides" among civilians during the Battle of Okinawa. According to some reports, a single examiner at the Japanese Ministry of Education and Science, with dubious outside con…

  • Miyazawa Kenji

    Open Access•Hiroaki Sato•ARTICLE•Japan focus•2007

    Do they still require schoolchildren to memorize Miyazawa Kenji's poem Ame ni mo makezu? I ask my young friend Donald Howard who is teaching English in Iwate, where his wife Saori is from. Donald and Saori had also visited the Miyazawa Memorial Museum for me a few years earlier, when they still lived in New York, and brought back a CD of Kenji's musical compositions orchestrated and sung. After checking with a couple of teachers, Donald responds:…

  • A ^|^ldquo;Pure^|^rdquo; Foraging Lifestyle in a Tropical Rainforest of Southeastern Cameroon

    Open Access•Hiroaki Sato, Kyouhei KAWAMURA et al.•ARTICLE•Journal of African Studies•2006

    We designed an observational survey of the “pure” foraging lifestyle of the Baka hunter-gatherers in Cameroon to verify the “Wild Yam Question”: is it possible for human beings to live without agricultural products in a tropical rainforest? The nutritional status, the type and amount of food procured and food-getting activity over 20 consecutive days in the forest camp were observed for six married couples in August, the short dry season, 2003. T…

  • Transparency and Building Lexical Dependency Graphs

    Open Access•Charles J Fillmore, Hiroaki Sato•ARTICLE•Proceedings of the Annual Meeting…•2002

    The authors are participants in a project, called "FrameNet" which is aimed at building a large computer lexicon of contemporary written English and making it accessible through the World Wide Web for both computational and lexicographic interests. In the process of designing this resource, we have to keep in mind how it can serve its intended applications. A prerequisite to most imaginable NLP applications is word sense disambiguation (WSD), the…

  • Shredding the Tapestry of Meaning

    Hiroaki Sato, John Solt•ARTICLE•Harvard Journal of Asiatic Studies•2000

    Kitasono Katue was a leading avant-garde literary figure, first in Japan and then throughout the world, from the 1920s to the 1970s. In his long career, Kitasono was instrumental in creating Japanese-language work influenced by futurism, dadaism, and surrealism before World War II and in contributing a Japanese voice to the international avant-garde movement after the war. This critical biography of Kitasono examines the life, poetry, and poetics…

  • Follow-Up Survey of Environmental Impacts of the Rwandan Refugees on Eastern D. R. Congo

    Hiroaki Sato, Kinya Yasui et al.•ARTICLE•AMBIO•2000•Referências: 3

  • Record of an Autumn Wind

    Arii Shokyu, Hiroaki Sato•ARTICLE•Monumenta Nipponica•2000

  • Breeze Through Bamboo

    Robert W Campbell, Robert Campbell et al.•ARTICLE•Monumenta Nipponica•1999

  • Silk and Insight. A Novel

    Yoshiko Yokochi Samuel, Frank Gibney et al.•ARTICLE•Pacific Affairs•1999

  • Legends of the Samurai

    G Cameron Hurst, G Cameron Hurst Iii et al.•ARTICLE•Monumenta Nipponica•1997

  • Legends of the Samurai

    Karl F Friday, Hiroaki Sato•ARTICLE•Journal of Japanese Studies•1997

  • String of Beads

    Roselee Bundy, Princess Shikishi et al.•ARTICLE•Monumenta Nipponica•1994

  • A Brief History of Imbecility

    William J Tyler, Hiroaki Sato et al.•BOOK•The Journal of the Association of…•1993

  • A Future of Ice

    Sarah M Strong, Sarah Strong et al.•ARTICLE•Monumenta Nipponica•1990

  • Nesting Behaviour of Large-Sized African Ball-Rolling Scarabs, Kheper platynotus and K. aegyptiorum (Coleoptera, Scarabaeidae)

    Open Access•Hiroaki Sato, Mitsuhiko Imamori•ARTICLE•Journal of African Studies•1988

    The nesting behaviour of African ball-rolling scarabs, Kheper platynotus (Bates) and K. aegyptiorum (Latreille), was observed in the Tsavo West National Park, east Kenya. Both species produce multiple brood pears from one buried dung ball, and take care of brood. Such a pattern of nidification has never been known in any other ball-rollers. The way of brood care is singular in that the mother beetle scrapes the upper part of the pear where larval…

Próximo
  • Addressing the wild yam question

    Open Access•Hiroaki Sato, Kyohei Kawamura et al.•ARTICLE•Anthropological Science•2012•Citada por: 14•Referências: 14

    We designed observational surveys of controlled foraging trips of Baka hunter-gatherers in Cameroon to verify the 'wild yam question'—i.e. is it possible for human beings to live without agricultural products in a tropical rainforest?—and to examine their foraging lifestyle. We observed two 20-day trips during which no agricultural or commercial food except salt and pepper could be used. The first trip was conducted by six married couples in Augu…

  • Lineation of Tanka in English Translation

    Hiroaki Sato•ARTICLE•Monumenta Nipponica•1987•Citada por: 1

    I T is a curious fact that the two Japanese poetic forms of 5-7-5-7-7-syllable tanka and 5-7-5-syllable hokku/haiku, which are regarded as one-line forms by the majority of Japanese poets and scholars, have been almost automatically and unanimously taken to be five-line and three-line poems by their translators into English. The three outstanding students of Japanese literature in the earlier periods, W. G. Aston, B. H. Chamberlain, and Arthur Wa…

  • Feudal Architecture of Japan

    Leon M Zolbrod, Kiyoshi Hirai et al.•ARTICLE•Pacific Affairs•1974

  • Ten Japanese Poets

    James A O'Brien, James A O’Brien et al.•ARTICLE•Monumenta Nipponica•1975

  • Spring and Asura

    Kenneth K Yasuda, Hiroaki Sato et al.•ARTICLE•The Journal of Asian Studies•1975

  • Howling at the Moon, Poems of Hagiwara Sakutaro

    J Thomas Rimer, Hagiwara Sakutarō et al.•ARTICLE•Monumenta Nipponica•1978

  • Spring and Asura

    William E Naff, Hiroaki Sato et al.•ARTICLE•Journal of the American Oriental…•1978

  • Japanese Linked Poetry

    Hiroaki Sato, Earl Miner•ARTICLE•The Journal of the Association of…•1979

  • A Zen Wave

    Hiroaki Sato, Robert Aitken•ARTICLE•The Journal of the Association of…•1980

    Zen Buddhism distinguishes itself by brilliant flashes of insight and its terseness of expression. The haiku verse form is a superb means of studying Zen modes of thought and expression, for its seventeen syllables impose a rigorous limitation that confines the poet to vital experience. Here haiku by Basho are translated by Robert Aitken, with commentary that provides a new and far deeper understanding of Basho's work than ever before.In presenti…

  • Chieko and Other Poems of Takamura Kotaro

    Dennis Keene, Takamura Kōtarō et al.•BOOK•Monumenta Nipponica•1981

  • From the Country of Eight Islands

    Emiko Sakurai, Hiroaki Sato et al.•ARTICLE•World Literature Today•1982

  • From the Country of Eight Islands

    Phillip Harries, Hiroaki Sato et al.•ARTICLE•The Journal of the Association of…•1982

  • From the Country of Eight Islands; An Anthology of Japanese Poetry

    Earl Miner, Hiroaki Sato et al.•ARTICLE•Journal of Japanese Studies•1982

  • The Ten Thousand Leaves. A Translation of the Man'yoshu, Japan's Premier Anthology of Classical Poetry. Volume One

    Kenneth L Richard, Ian Hideo Levy et al.•ARTICLE•Pacific Affairs•1983

  • Marginalia. The Expanse and the Limits of a New Anthology

    William Lafleur, William R Lafleur et al.•ARTICLE•Monumenta Nipponica•1983

  • One Hundred Frogs

    Eri F Yasuhara, Hiroaki Sato•ARTICLE•Monumenta Nipponica•1983

  • On Love and Barley

    Hiroaki Sato, Lucien Stryk•ARTICLE•The Journal of the Association of…•1986

    Basho, one of the greatest of Japanese poets and the master of haiku, was also a Buddhist monk and a life-long traveller. His poems combine 'karumi', or lightness of touch, with the Zen ideal of oneness with creation. Each poem evokes the natural world - the cherry blossom, the leaping frog, the summer moon or the winter snow - suggesting the smallness of human life in comparison to the vastness and drama of nature. Basho himself enjoyed solitude…

  • Lineation of Tanka in English Translation

    Hiroaki Sato•ARTICLE•Monumenta Nipponica•1987•Citada por: 1

    I T is a curious fact that the two Japanese poetic forms of 5-7-5-7-7-syllable tanka and 5-7-5-syllable hokku/haiku, which are regarded as one-line forms by the majority of Japanese poets and scholars, have been almost automatically and unanimously taken to be five-line and three-line poems by their translators into English. The three outstanding students of Japanese literature in the earlier periods, W. G. Aston, B. H. Chamberlain, and Arthur Wa…

  • Nesting Behaviour of Large-Sized African Ball-Rolling Scarabs, Kheper platynotus and K. aegyptiorum (Coleoptera, Scarabaeidae)

    Open Access•Hiroaki Sato, Mitsuhiko Imamori•ARTICLE•Journal of African Studies•1988

    The nesting behaviour of African ball-rolling scarabs, Kheper platynotus (Bates) and K. aegyptiorum (Latreille), was observed in the Tsavo West National Park, east Kenya. Both species produce multiple brood pears from one buried dung ball, and take care of brood. Such a pattern of nidification has never been known in any other ball-rollers. The way of brood care is singular in that the mother beetle scrapes the upper part of the pear where larval…

  • A Future of Ice

    Sarah M Strong, Sarah Strong et al.•ARTICLE•Monumenta Nipponica•1990

  • A Brief History of Imbecility

    William J Tyler, Hiroaki Sato et al.•BOOK•The Journal of the Association of…•1993

  • String of Beads

    Roselee Bundy, Princess Shikishi et al.•ARTICLE•Monumenta Nipponica•1994

  • Legends of the Samurai

    G Cameron Hurst, G Cameron Hurst Iii et al.•ARTICLE•Monumenta Nipponica•1997

  • Legends of the Samurai

    Karl F Friday, Hiroaki Sato•ARTICLE•Journal of Japanese Studies•1997

  • Breeze Through Bamboo

    Robert W Campbell, Robert Campbell et al.•ARTICLE•Monumenta Nipponica•1999

  • Silk and Insight. A Novel

    Yoshiko Yokochi Samuel, Frank Gibney et al.•ARTICLE•Pacific Affairs•1999

  • Shredding the Tapestry of Meaning

    Hiroaki Sato, John Solt•ARTICLE•Harvard Journal of Asiatic Studies•2000

    Kitasono Katue was a leading avant-garde literary figure, first in Japan and then throughout the world, from the 1920s to the 1970s. In his long career, Kitasono was instrumental in creating Japanese-language work influenced by futurism, dadaism, and surrealism before World War II and in contributing a Japanese voice to the international avant-garde movement after the war. This critical biography of Kitasono examines the life, poetry, and poetics…

Art (26 obras) · Japanese History and Culture (22 obras) · Literature (21 obras) · History (20 obras) · Poetry (18 obras) · History (10 obras) · Geography (7 obras) · Computer Science (6 obras) · Haiku (6 obras) · Biology (5 obras)

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