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Joshua Mcnamara

Dados Biográficos

ID3789356
NOMEJoshua Mcnamara
PRENOMESJoshua
SOBRENOMEMcnamara
ASSINATURAMCNAMARA J
AFILIAÇÕESThe University of Melbourne
ORCID0000-0001-6407-8817
VERIFICADOSim
TOTAL DE OBRAS3
TOTAL DE CITAÇÕES3
TOTAL COMO AUTOR3
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2011
ANO MAIS RECENTE DE PUBLICAÇÃO2017
ÍNDICE H1
  • Digital media, development and political creativity – between Utopia and digital disruption in urban Nairobi

    Joshua Mcnamara•ARTICLE•Critical African Studies•2017•Citada por: 1•Referências: 12

    This article explores the concept of digital political creativity in urban East Africa, a context where the dominant articulation of ‘digital media’ has assumed an uncritical relationship with narratives of Africa’s social and economic development. It posits that thinking about the politics of the digital in Africa, we should allow ourselves to simultaneously think through issues of the digital mediation of social action and human communication, …

  • Thoughts on a curation of 'the political' in film

    Joshua Mcnamara•ARTICLE•Journal of African Cultural Studies•2013•Citada por: 1

    View correction statement:Thoughts on a curation of ‘the political’ in film: the ‘Filming Tomorrow’ seminar at Film Africa 2012 Notes The Slum Film Festival is an annual film festival that takes place every August in the informal settlements of Kibera and Mathare, Nairobi, Kenya. The festival focuses on promoting local, slum-based filmmakers and films about slum life. http://vimeo.com/38039688. http://www.orhamilton.com/films-online.html. http://…

  • Against a Third Cinema

    Joshua Mcnamara•ARTICLE•Journal of Postcolonial Writing•2011•Citada por: 1•Referências: 3

    The intellectual challenge of addressing the “political” role of cinema is of pronounced historical and cultural significance in African film discourse. Yet what critical tools permit us to measure out a film’s political content, let alone assert the causal relation between a filmic politics and an audience’s political reaction? By assessing the significance of Mike Wayne’s dialectical adaptation of Solanas and Getino’s infamous category of “Thir…

  • Digital media, development and political creativity – between Utopia and digital disruption in urban Nairobi

    Joshua Mcnamara•ARTICLE•Critical African Studies•2017•Citada por: 1•Referências: 12

    This article explores the concept of digital political creativity in urban East Africa, a context where the dominant articulation of ‘digital media’ has assumed an uncritical relationship with narratives of Africa’s social and economic development. It posits that thinking about the politics of the digital in Africa, we should allow ourselves to simultaneously think through issues of the digital mediation of social action and human communication, …

  • Thoughts on a curation of 'the political' in film

    Joshua Mcnamara•ARTICLE•Journal of African Cultural Studies•2013•Citada por: 1

    View correction statement:Thoughts on a curation of ‘the political’ in film: the ‘Filming Tomorrow’ seminar at Film Africa 2012 Notes The Slum Film Festival is an annual film festival that takes place every August in the informal settlements of Kibera and Mathare, Nairobi, Kenya. The festival focuses on promoting local, slum-based filmmakers and films about slum life. http://vimeo.com/38039688. http://www.orhamilton.com/films-online.html. http://…

  • Against a Third Cinema

    Joshua Mcnamara•ARTICLE•Journal of Postcolonial Writing•2011•Citada por: 1•Referências: 3

    The intellectual challenge of addressing the “political” role of cinema is of pronounced historical and cultural significance in African film discourse. Yet what critical tools permit us to measure out a film’s political content, let alone assert the causal relation between a filmic politics and an audience’s political reaction? By assessing the significance of Mike Wayne’s dialectical adaptation of Solanas and Getino’s infamous category of “Thir…

  • Against a Third Cinema

    Joshua Mcnamara•ARTICLE•Journal of Postcolonial Writing•2011•Citada por: 1•Referências: 3

    The intellectual challenge of addressing the “political” role of cinema is of pronounced historical and cultural significance in African film discourse. Yet what critical tools permit us to measure out a film’s political content, let alone assert the causal relation between a filmic politics and an audience’s political reaction? By assessing the significance of Mike Wayne’s dialectical adaptation of Solanas and Getino’s infamous category of “Thir…

  • Thoughts on a curation of 'the political' in film

    Joshua Mcnamara•ARTICLE•Journal of African Cultural Studies•2013•Citada por: 1

    View correction statement:Thoughts on a curation of ‘the political’ in film: the ‘Filming Tomorrow’ seminar at Film Africa 2012 Notes The Slum Film Festival is an annual film festival that takes place every August in the informal settlements of Kibera and Mathare, Nairobi, Kenya. The festival focuses on promoting local, slum-based filmmakers and films about slum life. http://vimeo.com/38039688. http://www.orhamilton.com/films-online.html. http://…

  • Digital media, development and political creativity – between Utopia and digital disruption in urban Nairobi

    Joshua Mcnamara•ARTICLE•Critical African Studies•2017•Citada por: 1•Referências: 12

    This article explores the concept of digital political creativity in urban East Africa, a context where the dominant articulation of ‘digital media’ has assumed an uncritical relationship with narratives of Africa’s social and economic development. It posits that thinking about the politics of the digital in Africa, we should allow ourselves to simultaneously think through issues of the digital mediation of social action and human communication, …

Art (3 obras) · Law (3 obras) · Political science (3 obras) · Politics (3 obras) · Sociology (3 obras) · Aesthetics (2 obras) · African history and culture studies (2 obras) · Epistemology (2 obras) · History (2 obras) · History (2 obras)

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