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Lyn Johnstone

Dados Biográficos

ID3789374
NOMELyn Johnstone
PRENOMESLyn
SOBRENOMEJohnstone
ASSINATURAJOHNSTONE L
AFILIAÇÕESUniversity of London
ORCID0009-0000-8603-9288
VERIFICADOSim
TOTAL DE OBRAS3
TOTAL DE CITAÇÕES7
TOTAL COMO AUTOR2
TOTAL COMO EDITOR1
PRIMEIRO ANO DE PUBLICAÇÃO2018
ANO MAIS RECENTE DE PUBLICAÇÃO2021
ÍNDICE H1
  • Queer Worldmaking in Wanuri Kahiu's FilmRafiki

    Lyn Johnstone•ARTICLE•Journal of African Cultural Studies•2021•Citada por: 6•Referências: 14

    This article argues that Wanuri Kahiu's film Rafiki is an exemplar of worldmaking in queer African cinema. By analysing key scenes from the film, I uncover the ways in which Rafiki offers queer Kenyans a visual affirmation of a queer world which exists counter to the world of hegemonic heteronormativity in Kenya. Key contributors to Rafiki's worldmaking potential, I argue, are the director's use of tropes of futurity, horizon, and queer utopic sp…

  • Rwanda and the question of Commonwealth relevance

    Lyn Johnstone•ARTICLE•Commonwealth and Comparative…•2019•Citada por: 1•Referências: 8

    Rwanda’s accession to the Commonwealth is often cited as a reason for the organisation’s continued relevance. And yet, in spite of this positioning as poster child for a more cosmopolitan Commonwealth, there is very little evidence, in the corpus of Commonwealth literature, to show how accession of states such as Rwanda boost the argument for relevance. In 2015, I travelled to Rwanda to gain an understanding of the effect that Commonwealth member…

  • The Politics of Conducting Research in Africa

    Open Access•Elizaveta Volkova, Lyn Johnstone•BOOK•The Politics of Conducting…•2018

  • Queer Worldmaking in Wanuri Kahiu's FilmRafiki

    Lyn Johnstone•ARTICLE•Journal of African Cultural Studies•2021•Citada por: 6•Referências: 14

    This article argues that Wanuri Kahiu's film Rafiki is an exemplar of worldmaking in queer African cinema. By analysing key scenes from the film, I uncover the ways in which Rafiki offers queer Kenyans a visual affirmation of a queer world which exists counter to the world of hegemonic heteronormativity in Kenya. Key contributors to Rafiki's worldmaking potential, I argue, are the director's use of tropes of futurity, horizon, and queer utopic sp…

  • Rwanda and the question of Commonwealth relevance

    Lyn Johnstone•ARTICLE•Commonwealth and Comparative…•2019•Citada por: 1•Referências: 8

    Rwanda’s accession to the Commonwealth is often cited as a reason for the organisation’s continued relevance. And yet, in spite of this positioning as poster child for a more cosmopolitan Commonwealth, there is very little evidence, in the corpus of Commonwealth literature, to show how accession of states such as Rwanda boost the argument for relevance. In 2015, I travelled to Rwanda to gain an understanding of the effect that Commonwealth member…

  • The Politics of Conducting Research in Africa

    Open Access•Elizaveta Volkova, Lyn Johnstone•BOOK•The Politics of Conducting…•2018

  • Rwanda and the question of Commonwealth relevance

    Lyn Johnstone•ARTICLE•Commonwealth and Comparative…•2019•Citada por: 1•Referências: 8

    Rwanda’s accession to the Commonwealth is often cited as a reason for the organisation’s continued relevance. And yet, in spite of this positioning as poster child for a more cosmopolitan Commonwealth, there is very little evidence, in the corpus of Commonwealth literature, to show how accession of states such as Rwanda boost the argument for relevance. In 2015, I travelled to Rwanda to gain an understanding of the effect that Commonwealth member…

  • Queer Worldmaking in Wanuri Kahiu's FilmRafiki

    Lyn Johnstone•ARTICLE•Journal of African Cultural Studies•2021•Citada por: 6•Referências: 14

    This article argues that Wanuri Kahiu's film Rafiki is an exemplar of worldmaking in queer African cinema. By analysing key scenes from the film, I uncover the ways in which Rafiki offers queer Kenyans a visual affirmation of a queer world which exists counter to the world of hegemonic heteronormativity in Kenya. Key contributors to Rafiki's worldmaking potential, I argue, are the director's use of tropes of futurity, horizon, and queer utopic sp…

Political science (3 obras) · Aesthetics (2 obras) · Art (2 obras) · Law (2 obras) · Law (2 obras) · Philosophy (2 obras) · Politics (2 obras) · Sociology (2 obras) · Affect (linguistics) (1 obras) · African history and culture studies (1 obras)

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