Brecht Govaerts
Dados Biográficos
| ID | 384273 |
|---|---|
| NOME | Brecht Govaerts |
| PRENOMES | Brecht |
| SOBRENOME | Govaerts |
| ASSINATURA | GOVAERTS B |
| ORCID | 0000-0003-3171-8376 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 3 |
| TOTAL DE CITAÇÕES | 1 |
| TOTAL COMO AUTOR | 3 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2024 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2026 |
| ÍNDICE H | 1 |
Autonomous Appearance
This article develops a new interpretation of Gilles Deleuze’s theory of the aesthetic. I argue that Deleuze’s aesthetics should be understood through the becoming autonomous of appearance, which is a conception of aesthetics that is simultaneously non-aesthetic. The becoming autonomous of appearance can be reformulated as the becoming autonomous of aesthetics from experience. This poses a challenge to the idea that Deleuze developed a transcende…
Deleuze and the ontology of prehistoric rock art
This paper puts forward a new interpretation of Deleuzian philosophy for prehistoric archaeology through an examination of the ontology of prehistoric rock art. Whereas Deleuzian philosophy is commonly defined as a relational conception of the real, I argue that one must distinguish between three different ways in which Deleuze's conception of the real can operate: (1) transcendental empiricism, (2) simulacrum and (3) prehistory. This distinction…
The Divine Game Versus the Demonic Game
In Difference and Repetition1 Deleuze sets out to critique the regime of representation and common sense by developing a new conception of difference and repetition in which difference and repetition become liberated from the coherence and continuity of a self or I.2 Difference in itself means that difference has become independent not only from representation, but also from an enduring or coherent self. Difference in itself and repetition in its…
The Divine Game Versus the Demonic Game
In Difference and Repetition1 Deleuze sets out to critique the regime of representation and common sense by developing a new conception of difference and repetition in which difference and repetition become liberated from the coherence and continuity of a self or I.2 Difference in itself means that difference has become independent not only from representation, but also from an enduring or coherent self. Difference in itself and repetition in its…
The Divine Game Versus the Demonic Game
In Difference and Repetition1 Deleuze sets out to critique the regime of representation and common sense by developing a new conception of difference and repetition in which difference and repetition become liberated from the coherence and continuity of a self or I.2 Difference in itself means that difference has become independent not only from representation, but also from an enduring or coherent self. Difference in itself and repetition in its…
Deleuze and the ontology of prehistoric rock art
This paper puts forward a new interpretation of Deleuzian philosophy for prehistoric archaeology through an examination of the ontology of prehistoric rock art. Whereas Deleuzian philosophy is commonly defined as a relational conception of the real, I argue that one must distinguish between three different ways in which Deleuze's conception of the real can operate: (1) transcendental empiricism, (2) simulacrum and (3) prehistory. This distinction…
Autonomous Appearance
This article develops a new interpretation of Gilles Deleuze’s theory of the aesthetic. I argue that Deleuze’s aesthetics should be understood through the becoming autonomous of appearance, which is a conception of aesthetics that is simultaneously non-aesthetic. The becoming autonomous of appearance can be reformulated as the becoming autonomous of aesthetics from experience. This poses a challenge to the idea that Deleuze developed a transcende…
Philosophy (2 obras) · Philosophy (2 obras) · Aesthetic experience (1 obra) · Aesthetic Perception and Analysis (1 obra) · Archaeology (1 obra) · Archaeology and Rock Art Studies (1 obra) · Classical Antiquity Studies (1 obra) · Digital Media and Philosophy (1 obra) · Embodied cognition (1 obra) · Empiricism (1 obra)