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Rebecca Mcswain

Dados Biográficos

ID3845320
NOMERebecca Mcswain
PRENOMESRebecca
SOBRENOMEMcswain
ASSINATURAMCSWAIN R
AFILIAÇÕESUniversity of Arizona
VERIFICADONão
TOTAL DE OBRAS4
TOTAL DE CITAÇÕES19
TOTAL COMO AUTOR4
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1982
ANO MAIS RECENTE DE PUBLICAÇÃO2000
ÍNDICE H2
  • Instruments of Desire

    Rebecca Mcswain•ARTICLE•Technology and Culture•2000

    In a striking display of cultural-technological interaction, Bob Dylan picked up an electric guitar at Newport, Rhode Island, in 1965, and forever changed his position in popular culture. It was then, Steve Waksman says, that the electric guitar was defined "as an object invested with deep significance" (p. 2). The goal of his study is to explain that significance. Technology is backgrounded; foregrounded are key individuals in the history of the…

  • The power of the electric guitar

    Rebecca Mcswain•ARTICLE•Popular Music & Society•1995•Citada por: 1•Referências: 4

  • A Comparative Evaluation of the Producer-Consumer Model for Lithic Exchange in Northern Belize, Central America

    Open Access•Rebecca Mcswain•ARTICLE•Latin American Antiquity•1991•Citada por: 12•Referências: 12

    New lithic data from the early Maya site of Cuello in northern Belize provide a basis for examining a production-consumption model for intersite exchange of stone tools. Comparison of lithic evidence from Cuello, Pulltrouser Swamp, and Cerros, putative consumer communities, with evidence from Colhá, the production community, suggests that during the Late Preclassic two highly standardized formal tools were manufactured at Colhá and distributed to…

  • A Consideration of Observational Error in Lithic Use Wear Analysis

    Randall H Mcguire, John C Whittaker et al.•ARTICLE•Lithic Technology•1982•Citada por: 6

    (1982). A Consideration of Observational Error in Lithic Use Wear Analysis. Lithic Technology: Vol. 11, No. 3, pp. 59-63

  • A Comparative Evaluation of the Producer-Consumer Model for Lithic Exchange in Northern Belize, Central America

    Open Access•Rebecca Mcswain•ARTICLE•Latin American Antiquity•1991•Citada por: 12•Referências: 12

    New lithic data from the early Maya site of Cuello in northern Belize provide a basis for examining a production-consumption model for intersite exchange of stone tools. Comparison of lithic evidence from Cuello, Pulltrouser Swamp, and Cerros, putative consumer communities, with evidence from Colhá, the production community, suggests that during the Late Preclassic two highly standardized formal tools were manufactured at Colhá and distributed to…

  • A Consideration of Observational Error in Lithic Use Wear Analysis

    Randall H Mcguire, John C Whittaker et al.•ARTICLE•Lithic Technology•1982•Citada por: 6

    (1982). A Consideration of Observational Error in Lithic Use Wear Analysis. Lithic Technology: Vol. 11, No. 3, pp. 59-63

  • The power of the electric guitar

    Rebecca Mcswain•ARTICLE•Popular Music & Society•1995•Citada por: 1•Referências: 4

  • A Consideration of Observational Error in Lithic Use Wear Analysis

    Randall H Mcguire, John C Whittaker et al.•ARTICLE•Lithic Technology•1982•Citada por: 6

    (1982). A Consideration of Observational Error in Lithic Use Wear Analysis. Lithic Technology: Vol. 11, No. 3, pp. 59-63

  • A Comparative Evaluation of the Producer-Consumer Model for Lithic Exchange in Northern Belize, Central America

    Open Access•Rebecca Mcswain•ARTICLE•Latin American Antiquity•1991•Citada por: 12•Referências: 12

    New lithic data from the early Maya site of Cuello in northern Belize provide a basis for examining a production-consumption model for intersite exchange of stone tools. Comparison of lithic evidence from Cuello, Pulltrouser Swamp, and Cerros, putative consumer communities, with evidence from Colhá, the production community, suggests that during the Late Preclassic two highly standardized formal tools were manufactured at Colhá and distributed to…

  • The power of the electric guitar

    Rebecca Mcswain•ARTICLE•Popular Music & Society•1995•Citada por: 1•Referências: 4

  • Instruments of Desire

    Rebecca Mcswain•ARTICLE•Technology and Culture•2000

    In a striking display of cultural-technological interaction, Bob Dylan picked up an electric guitar at Newport, Rhode Island, in 1965, and forever changed his position in popular culture. It was then, Steve Waksman says, that the electric guitar was defined "as an object invested with deep significance" (p. 2). The goal of his study is to explain that significance. Technology is backgrounded; foregrounded are key individuals in the history of the…

Archaeology (2 obras) · Art (2 obras) · Guitar (2 obras) · History (2 obras) · Pleistocene-Era Hominins and Archaeology (2 obras) · Acoustics (1 obras) · Active listening (1 obras) · Aesthetics (1 obras) · Archaeology and ancient environmental studies (1 obras) · Biology (1 obras)

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