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Jesse Freedman

Dados Biográficos

ID3845910
NOMEJesse Freedman
PRENOMESJesse
SOBRENOMEFreedman
ASSINATURAFREEDMAN J
AFILIAÇÕESSaint Joseph's University
ORCID0000-0002-5336-2035
VERIFICADOSim
TOTAL DE OBRAS4
TOTAL DE CITAÇÕES0
TOTAL COMO AUTOR4
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2020
ANO MAIS RECENTE DE PUBLICAÇÃO2023
ÍNDICE H0
  • Reimagining space, history and memory in East Germany through sonic fragments of Chilean exile

    Jesse Freedman•ARTICLE•Crossings Journal of Migration…•2023•Referências: 4

    This article addresses ongoing discussions regarding the material and cultural legacies of the German Democratic Republic (GDR). It draws on texts produced by two individuals that were members of the Chilean artistic community that lived in exile in the GDR during the Chilean military dictatorship (1973–90). I argue that descriptions of musical activity and sonic memories within these texts offer a powerful counterpoint to some of the more prevai…

  • Memories of Captured Song

    Open Access•Jesse Freedman•ARTICLE•Music and Politics•2022

    This article examines the role and potential of the digital archive project Cantos Cautivos (Captive Songs) in the climate of post-dictatorship memory and reconciliation in contemporary Chile. I argue that the site’s flexible and dynamic architecture and its approach to collecting testimonies, which is centered specifically around musical memories, contribute to a dialogic exchange with and critique of state-sponsored memory projects. Through thi…

  • Political Participation and Engagement in East Germany Through ChileanNueva Canción

    Open Access•Jesse Freedman•ARTICLE•Yearbook for Traditional Music•2022•Referências: 12

    Chilean musical and political themes were an important element of East German life during the socialist presidency of Salvador Allende (1970-1973) and the violent military dictatorship (1973-1990) that overthrew him. The musical movementnueva canción(new song) was critical in mobilising solidarity with Chile around the world. In East Germany, the state-sponsoredSingebewegung(singing movement) and theLiedermacher*innen1(song makers) who were somet…

  • Resizing 60 Years of Chilean Politics

    Open Access•Jesse Freedman•ARTICLE•Latin American Perspectives•2020•Referências: 3

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  • Resizing 60 Years of Chilean Politics

    Open Access•Jesse Freedman•ARTICLE•Latin American Perspectives•2020•Referências: 3

  • Memories of Captured Song

    Open Access•Jesse Freedman•ARTICLE•Music and Politics•2022

    This article examines the role and potential of the digital archive project Cantos Cautivos (Captive Songs) in the climate of post-dictatorship memory and reconciliation in contemporary Chile. I argue that the site’s flexible and dynamic architecture and its approach to collecting testimonies, which is centered specifically around musical memories, contribute to a dialogic exchange with and critique of state-sponsored memory projects. Through thi…

  • Political Participation and Engagement in East Germany Through ChileanNueva Canción

    Open Access•Jesse Freedman•ARTICLE•Yearbook for Traditional Music•2022•Referências: 12

    Chilean musical and political themes were an important element of East German life during the socialist presidency of Salvador Allende (1970-1973) and the violent military dictatorship (1973-1990) that overthrew him. The musical movementnueva canción(new song) was critical in mobilising solidarity with Chile around the world. In East Germany, the state-sponsoredSingebewegung(singing movement) and theLiedermacher*innen1(song makers) who were somet…

  • Reimagining space, history and memory in East Germany through sonic fragments of Chilean exile

    Jesse Freedman•ARTICLE•Crossings Journal of Migration…•2023•Referências: 4

    This article addresses ongoing discussions regarding the material and cultural legacies of the German Democratic Republic (GDR). It draws on texts produced by two individuals that were members of the Chilean artistic community that lived in exile in the GDR during the Chilean military dictatorship (1973–90). I argue that descriptions of musical activity and sonic memories within these texts offer a powerful counterpoint to some of the more prevai…

History (3 obras) · Law (3 obras) · Political science (3 obras) · Politics (3 obras) · Sociology (3 obras) · Aesthetics (2 obras) · Art (2 obras) · Communism, Protests, Social Movements (2 obras) · Dictatorship (2 obras) · German History and Society (2 obras)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae