Xiaohu Jiang
Dados Biográficos
| ID | 3859458 |
|---|---|
| NOME | Xiaohu Jiang |
| PRENOMES | Xiaohu |
| SOBRENOME | Jiang |
| ASSINATURA | JIANG X |
| AFILIAÇÕES | Yangzhou University |
| ORCID | 0000-0002-0412-2828 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 11 |
| TOTAL DE CITAÇÕES | 1 |
| TOTAL COMO AUTOR | 11 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2019 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 1 |
EU’s exclusion or enlargement, popularity or populism
Qian Zhongshu’s continuation and expansion of Lessing’s Laokoon
Through a close comparative reading of Lessing’s Laokoon (1766) with two essays by Qian Zhongshu, entitled ‘Chinese Poetry and Chinese Painting’ (1940/1979/1985) and ‘On Reading Laokoon’ (1962/1985), this article produces a new understanding of Qian’s interpretation and, more importantly, expansion of the key aesthetic and philological concepts that Lessing raises in Laokoon. One of Lessing’s crucial motives for writing Laokoon was to challenge t…
Creating a Blutbuche and Barebacking archive
Blutbuch, Kim de l’Horizon’s debut and semi-autobiographical novel, portrays a homosexual protagonist resisting constraints upon their body, gender and sexuality – the normative and taken-for-granted division between the two sexes. As the protagonist adds new academic materials and sexual experiences to their Blutbuche (copper beech) and Barebacking (unprotected sexual practices) archive, they also realise how the plant’s cultural history resembl…
Paratextual visibility and academic authorship of Monika Motsch, Qian Zhongshu’s German translator, scholar and friend
Monika Motsch is the German translator of Qian Zhongshu’s novel Wei cheng (1947) and his wife Yang Jiang’s memoir Wo’men sa (2003), which are entitled Die umzingelte Festung and Wir Drei, respectively. A close friend of the renowned couple for over two decades, Motsch is also a sinologist who has written tirelessly on Qian and whose academic interests and methodology are greatly influenced by him. This paper references Gérard Genette’s notion of …
Qian Zhongshus Erzähltechniken und Freuds psychoanalytische Theorie
The writer and scholar Qian Zhongshu became famous in the West primarily for his novel Wei cheng (Fortress besieged, 1946/47), and in China for his writings on aesthetics and comparative literature. Fortress besieged is a magnificent work of satire aimed at the weakness of mankind and in particular at a group of Chinese who blindly worship and superficially adopt Western ideas and styles. However, his innovative application of Freud's theory was …
A Bourdieusian and Simmelian analysis of the doomed interpersonal relationships in Eileen Chang’s “Red rose, white rose” and Elfriede Jelinek’s Die Liebhaberinnen
A Victimized Daughter in a Post-Nazi Austrian Family
Wie kommt das Salz ins Meer was Brigitte Schwaiger's first attempt to expose the challenges faced by young women in their relationships with their fathers and husbands. This novel deserves more attention in that it set the tone for Schwaiger's later novels, to which it shows distinct thematic and narrative resemblances. Starting with theories on family studies, this paper discusses the daughter's status in two families—one dominated by her father…
Between translation studies and adaptation studies
This article investigates the Chinese director Li Shaohong’s film Bloody Morning (1992), which was adapted from Gabriel García Márquez’s novella Chronicle of a Death Foretold (1981), and the Chinese philosophical and cultural tradition that shaped this case of adaptation. By incorporating the Colombian story, Li Shaohong expressed her concern about China’s backwards rural areas. Her adaptation localizes and incorporates the foreignness of the sou…
Sex and Desire in Eileen Chang’s “Red Rose, White Rose”
Eileen Chang’s novella “Red Rose, White Rose” presents a love triangle between one man and two women, who struggle in the turbulent 1940s, a radically transitional period in China. The traditional lifestyle and morality upheld by the Chinese public for several generations were challenged by the importation of foreign civilization, a process accompanied by military and ideological tensions. Drawing upon the theory of Deleuze and Guattari, this art…
The Relational Arrangement of People, Materials, and Nature in Eileen Chang's Spatial Description
Applying Martina Löw's sociological theory of space, this essay presents an analysis of the relational arrangement of people, man-made objects, and nature in Eileen Chang's narratives, through which she vividly depicts the external effectuality of objective social goods subjectively perceived by people in a space and combines spatiality with temporality
An Adlerian Analysis of the Problematic Mother-Daughter Relationship in Eileen Chang's The Golden Cangue and Elfriede Jelinek's Die Klavierspielerin
The Chinese writer Eileen Chang's novella Jinsuo Ji (The Golden Cangue, 1943) and Elfriede Jelinek's novel Die Klavierspielerin (1983) depict a problematic mother-daughter relationship. Despite their disparate dynastic and national backgrounds, these two works bear many similarities in terms of extreme maternal manipulation and despair the daughters undergo. Unlike the idealized stereotype of a mother who selflessly nurtures and protects her daug…
Paratextual visibility and academic authorship of Monika Motsch, Qian Zhongshu’s German translator, scholar and friend
Monika Motsch is the German translator of Qian Zhongshu’s novel Wei cheng (1947) and his wife Yang Jiang’s memoir Wo’men sa (2003), which are entitled Die umzingelte Festung and Wir Drei, respectively. A close friend of the renowned couple for over two decades, Motsch is also a sinologist who has written tirelessly on Qian and whose academic interests and methodology are greatly influenced by him. This paper references Gérard Genette’s notion of …
An Adlerian Analysis of the Problematic Mother-Daughter Relationship in Eileen Chang's The Golden Cangue and Elfriede Jelinek's Die Klavierspielerin
The Chinese writer Eileen Chang's novella Jinsuo Ji (The Golden Cangue, 1943) and Elfriede Jelinek's novel Die Klavierspielerin (1983) depict a problematic mother-daughter relationship. Despite their disparate dynastic and national backgrounds, these two works bear many similarities in terms of extreme maternal manipulation and despair the daughters undergo. Unlike the idealized stereotype of a mother who selflessly nurtures and protects her daug…
A Victimized Daughter in a Post-Nazi Austrian Family
Wie kommt das Salz ins Meer was Brigitte Schwaiger's first attempt to expose the challenges faced by young women in their relationships with their fathers and husbands. This novel deserves more attention in that it set the tone for Schwaiger's later novels, to which it shows distinct thematic and narrative resemblances. Starting with theories on family studies, this paper discusses the daughter's status in two families—one dominated by her father…
Between translation studies and adaptation studies
This article investigates the Chinese director Li Shaohong’s film Bloody Morning (1992), which was adapted from Gabriel García Márquez’s novella Chronicle of a Death Foretold (1981), and the Chinese philosophical and cultural tradition that shaped this case of adaptation. By incorporating the Colombian story, Li Shaohong expressed her concern about China’s backwards rural areas. Her adaptation localizes and incorporates the foreignness of the sou…
Sex and Desire in Eileen Chang’s “Red Rose, White Rose”
Eileen Chang’s novella “Red Rose, White Rose” presents a love triangle between one man and two women, who struggle in the turbulent 1940s, a radically transitional period in China. The traditional lifestyle and morality upheld by the Chinese public for several generations were challenged by the importation of foreign civilization, a process accompanied by military and ideological tensions. Drawing upon the theory of Deleuze and Guattari, this art…
The Relational Arrangement of People, Materials, and Nature in Eileen Chang's Spatial Description
Applying Martina Löw's sociological theory of space, this essay presents an analysis of the relational arrangement of people, man-made objects, and nature in Eileen Chang's narratives, through which she vividly depicts the external effectuality of objective social goods subjectively perceived by people in a space and combines spatiality with temporality
A Bourdieusian and Simmelian analysis of the doomed interpersonal relationships in Eileen Chang’s “Red rose, white rose” and Elfriede Jelinek’s Die Liebhaberinnen
Qian Zhongshus Erzähltechniken und Freuds psychoanalytische Theorie
The writer and scholar Qian Zhongshu became famous in the West primarily for his novel Wei cheng (Fortress besieged, 1946/47), and in China for his writings on aesthetics and comparative literature. Fortress besieged is a magnificent work of satire aimed at the weakness of mankind and in particular at a group of Chinese who blindly worship and superficially adopt Western ideas and styles. However, his innovative application of Freud's theory was …
Creating a Blutbuche and Barebacking archive
Blutbuch, Kim de l’Horizon’s debut and semi-autobiographical novel, portrays a homosexual protagonist resisting constraints upon their body, gender and sexuality – the normative and taken-for-granted division between the two sexes. As the protagonist adds new academic materials and sexual experiences to their Blutbuche (copper beech) and Barebacking (unprotected sexual practices) archive, they also realise how the plant’s cultural history resembl…
Paratextual visibility and academic authorship of Monika Motsch, Qian Zhongshu’s German translator, scholar and friend
Monika Motsch is the German translator of Qian Zhongshu’s novel Wei cheng (1947) and his wife Yang Jiang’s memoir Wo’men sa (2003), which are entitled Die umzingelte Festung and Wir Drei, respectively. A close friend of the renowned couple for over two decades, Motsch is also a sinologist who has written tirelessly on Qian and whose academic interests and methodology are greatly influenced by him. This paper references Gérard Genette’s notion of …
Qian Zhongshu’s continuation and expansion of Lessing’s Laokoon
Through a close comparative reading of Lessing’s Laokoon (1766) with two essays by Qian Zhongshu, entitled ‘Chinese Poetry and Chinese Painting’ (1940/1979/1985) and ‘On Reading Laokoon’ (1962/1985), this article produces a new understanding of Qian’s interpretation and, more importantly, expansion of the key aesthetic and philological concepts that Lessing raises in Laokoon. One of Lessing’s crucial motives for writing Laokoon was to challenge t…
EU’s exclusion or enlargement, popularity or populism
Art (9 obras) · Philosophy (8 obras) · Law (7 obras) · Literature (7 obras) · Political science (7 obras) · Sociology (6 obras) · Gender Studies (4 obras) · History (4 obras) · Politics (4 obras) · China (3 obras)