Christopher Collard
Dados Biográficos
| ID | 3874587 |
|---|---|
| NOME | Christopher Collard |
| PRENOMES | Christopher |
| SOBRENOME | Collard |
| ASSINATURA | COLLARD C |
| AFILIAÇÕES | University of Kent |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 17 |
| TOTAL DE CITAÇÕES | 6 |
| TOTAL COMO AUTOR | 10 |
| TOTAL COMO EDITOR | 7 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1963 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2017 |
| ÍNDICE H | 1 |
Euripides
Iphigenia at Aulis dramatises the myth of Iphigenia, the young virgin sacrificed by her father Agamemnon at the start of the expedition against Troy. The ongoing debates around Iphigenia's voluntary sacrifice, the corruption of the play's moral universe, and the corruption of its text make Iphigenia at Aulis one of Euripides' most intriguing and challenging plays. This Companion provides a summary of the plot, discusses the characters and main th…
Euripides: Cyclops
Satyric is the most thinly attested genre of Greek drama, but it appears to have been the oldest and, according to Aristotle, formative for tragedy. By the 5th century BC at Athens, it shared most of its compositional elements with tragedy, to which it became an adjunct; for at the annual great dramatic festivals, it was performed only together with, and after, the three tragedies which each poet was required to present in competition. It was in …
Oxford World's Classics
Persians
"The Persians" published on by null.
Atreids In Fragments (And Elsewhere)
There is no evidence that any tragedian dramatized the family disasters before Aeschylus in his undated Iphigenia and his Oresteia of 458 bc. After Aeschylus' Oresteia almost all dramatic treatments of the Atreids, and literary allusions to them, reflect it in some way. Apart from his Electra , Sophocles wrote an astonishing number of plays about the Pelopids and Atreids, all of them now undatable. This chapter invites through its title alone rec…
Tragedy, Euripides and Euripideans
Twenty of the author's shorter pieces first published between 1963 and 2004 (when the book was initially prepared), which emphasize textual questions, verbal criticism, dramatic form and general interpretation. They are grouped roughly under the three words of the title, and handle subjects ranging from A: phenomena general to Greek Tragedy: its demand upon students and readers; stichomythia; the fragmentary tragedian Chaeremon; the attribution o…
Euripides, Alcestis 320–2
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Colloquial Language in Tragedy
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Oxford World's Classics
The Oresteian trilogy established the themes of Greek tragedy - the inexorable nature of Fate, the relationship between justice, revenge, and religion. The plays dramatize the murder of Agamemnon by his wife Clytemnestra, the revenge of her son Orestes, and his judgement by the court of Athens
Agamemnon
"Agamemnon" published on by null.
Aeschylus, Septem contra Thebas 577
Two Early Collectors of Euripidean Fragments
Euripides
The Funeral Oration in Euripides'supplices
Journal Article THE FUNERAL ORATION IN EURIPIDES'SUPPLICES Get access C. Collard C. Collard Rutherford College, University of Kent at Canterbury Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 19, Issue 1, December 1972, Pages 39–53, https://doi.org/10.1111/j.2041-5370.1972.tb00305.x Published: 12 March 2010
Proposal for a Lexicon to Euripides (Bics 18 (1971) 134–43)
PROPOSAL FOR A LEXICON TO EURIPIDES (BICS 18 (1971) 134–43): SEQUEL Get access C. Collard C. Collard Rutherford College, University of Kent at Canterbury Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 19, Issue 1, December 1972, Page 141, https://doi.org/10.1111/j.2041-5370.1972.tb00316.x Published: 12 March 2010
A Proposal for a Lexicon to Euripides
I have to begin by thanking the Editors for giving space to a paper of this kind, which deliberately invites criticism and may, if sufficiently ill-received, turn out to be an obituary rather than a prospectus. I think I have convinced myself of the need for a Lexicon to Euripides, and my informal soundings of fellow tragedians have been, by and large, encouraging. If I here try to demonstrate the need, I am not yet clear about the form the Lexic…
Notes on Euripides' Supplices
This difficult passage has been much discussed and the text of L emended usually by rearrangement of the verses. The work of commentators before Wilamowitz is practically valueless, for their inexact knowledge of Theban topography, with which Euripides' account of this battle shows a good acquaintance, was based largely upon the unsatisfactory description of Pausanias: despite the good sense of Markland, they misunderstood 653
Colloquial Language in Tragedy
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Notes on Euripides' Supplices
This difficult passage has been much discussed and the text of L emended usually by rearrangement of the verses. The work of commentators before Wilamowitz is practically valueless, for their inexact knowledge of Theban topography, with which Euripides' account of this battle shows a good acquaintance, was based largely upon the unsatisfactory description of Pausanias: despite the good sense of Markland, they misunderstood 653
A Proposal for a Lexicon to Euripides
I have to begin by thanking the Editors for giving space to a paper of this kind, which deliberately invites criticism and may, if sufficiently ill-received, turn out to be an obituary rather than a prospectus. I think I have convinced myself of the need for a Lexicon to Euripides, and my informal soundings of fellow tragedians have been, by and large, encouraging. If I here try to demonstrate the need, I am not yet clear about the form the Lexic…
The Funeral Oration in Euripides'supplices
Journal Article THE FUNERAL ORATION IN EURIPIDES'SUPPLICES Get access C. Collard C. Collard Rutherford College, University of Kent at Canterbury Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 19, Issue 1, December 1972, Pages 39–53, https://doi.org/10.1111/j.2041-5370.1972.tb00305.x Published: 12 March 2010
Proposal for a Lexicon to Euripides (Bics 18 (1971) 134–43)
PROPOSAL FOR A LEXICON TO EURIPIDES (BICS 18 (1971) 134–43): SEQUEL Get access C. Collard C. Collard Rutherford College, University of Kent at Canterbury Search for other works by this author on: Oxford Academic Google Scholar Bulletin of the Institute of Classical Studies, Volume 19, Issue 1, December 1972, Page 141, https://doi.org/10.1111/j.2041-5370.1972.tb00316.x Published: 12 March 2010
Euripides
Aeschylus, Septem contra Thebas 577
Two Early Collectors of Euripidean Fragments
Oxford World's Classics
The Oresteian trilogy established the themes of Greek tragedy - the inexorable nature of Fate, the relationship between justice, revenge, and religion. The plays dramatize the murder of Agamemnon by his wife Clytemnestra, the revenge of her son Orestes, and his judgement by the court of Athens
Agamemnon
"Agamemnon" published on by null.
Colloquial Language in Tragedy
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Tragedy, Euripides and Euripideans
Twenty of the author's shorter pieces first published between 1963 and 2004 (when the book was initially prepared), which emphasize textual questions, verbal criticism, dramatic form and general interpretation. They are grouped roughly under the three words of the title, and handle subjects ranging from A: phenomena general to Greek Tragedy: its demand upon students and readers; stichomythia; the fragmentary tragedian Chaeremon; the attribution o…
Euripides, Alcestis 320–2
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Oxford World's Classics
Persians
"The Persians" published on by null.
Atreids In Fragments (And Elsewhere)
There is no evidence that any tragedian dramatized the family disasters before Aeschylus in his undated Iphigenia and his Oresteia of 458 bc. After Aeschylus' Oresteia almost all dramatic treatments of the Atreids, and literary allusions to them, reflect it in some way. Apart from his Electra , Sophocles wrote an astonishing number of plays about the Pelopids and Atreids, all of them now undatable. This chapter invites through its title alone rec…
Euripides: Cyclops
Satyric is the most thinly attested genre of Greek drama, but it appears to have been the oldest and, according to Aristotle, formative for tragedy. By the 5th century BC at Athens, it shared most of its compositional elements with tragedy, to which it became an adjunct; for at the annual great dramatic festivals, it was performed only together with, and after, the three tragedies which each poet was required to present in competition. It was in …
Euripides
Iphigenia at Aulis dramatises the myth of Iphigenia, the young virgin sacrificed by her father Agamemnon at the start of the expedition against Troy. The ongoing debates around Iphigenia's voluntary sacrifice, the corruption of the play's moral universe, and the corruption of its text make Iphigenia at Aulis one of Euripides' most intriguing and challenging plays. This Companion provides a summary of the plot, discusses the characters and main th…
Art (12 obras) · History (8 obras) · Literature (8 obras) · Classical Antiquity Studies (7 obras) · Philosophy (6 obras) · Biblical Studies and Interpretation (5 obras) · Classics (5 obras) · Linguistics (4 obras) · Philosophy (4 obras) · Computer Science (3 obras)