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Jarl A Ahlkvist

Dados Biográficos

ID3875757
NOMEJarl A Ahlkvist
PRENOMESJarl A
SOBRENOMEAhlkvist
ASSINATURAAHLKVIST J A
AFILIAÇÕESPennsylvania State University
VERIFICADONão
TOTAL DE OBRAS11
TOTAL DE CITAÇÕES68
TOTAL COMO AUTOR11
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1999
ANO MAIS RECENTE DE PUBLICAÇÃO2020
ÍNDICE H6
  • Reducing the Biological and Psychological Toxicity of Poverty‐related Stress

    Open Access•Martha E Wadsworth, Ashley McDonald et al.•ARTICLE•American Journal of Community…•2020•Referências: 46

    This proof‐of‐concept study tests the initial efficacy of the Building a Strong Identity and Coping Skills (Ba SICS ) intervention, a selective prevention of internalizing problems program for early adolescents exposed to high levels of poverty‐related stress. Eighty‐four early adolescents ( M age = 11.36 years) residing in very low‐income neighborhoods were randomized to receive the 16‐session intervention ( n = 44) or to an assessment‐only cont…

  • Climbing the Charts

    Open Access•Jarl Ahlkvist, Jarl A Ahlkvist•ARTICLE•Contemporary Sociology A Journal…•2015

  • What Makes Rock Music “Prog”? Fan Evaluation and the Struggle to Define Progressive Rock

    Jarl A Ahlkvist•ARTICLE•Popular Music & Society•2011•Citada por: 6•Referências: 10

    In this article I demonstrate how fan-written reviews of symphonic and neo-progressive rock albums reflect and project a discursive struggle over what makes rock music "prog." I use ethnographic content analysis of online reviews to examine how fan evaluations of progressive rock albums defend or challenge the inclusion of neo-progressive albums in the progressive rock canon. My research reveals that the ties that bind these two styles of progres…

  • Coping with Terrorism

    Martha E Wadsworth, Gretchen R Gudmundsen et al.•ARTICLE•Applied Developmental Science•2004

    This study examined age and gender differences and similarities in stress responses to September 11th. Adolescents, young adults, and adults reported using a variety of strategies to cope with the terrorist attacks including acceptance, positive thinking, and emotional expression. In addition, involuntary stress responses such as physio-logical arousal, rumination, and emotional numbing were common. A number of age trends emerged, showing increas…

  • Will This Record Work for Us

    Open Access•Jarl A Ahlkvist, Robert R Faulkner et al.•ARTICLE•Qualitative Sociology•2002•Citada por: 23•Referências: 33

  • Programming philosophies and the rationalization of music radio

    Open Access•Jarl A Ahlkvist•ARTICLE•Media Culture & Society•2001•Citada por: 6•Referências: 24

    Deregulation and ownership concentration have been accompanied by increased rationalization of programming strategies in commercial music radio in many industrial nations. However, understanding of the impact of these trends on music programming is incomplete because little research has examined music radio's `culture of production'. This article addresses this deficit by exploring the knowledge frameworks that radio programmers draw on to transf…

  • Sound and Vision

    Jarl A Ahlkvist•ARTICLE•Teaching Sociology•2001•Citada por: 8

    theory to students' experiences. Another is the use of popular music in the sociology classroom. The literature on using music to teach sociology suggests that the medium is well .suited for use in a range of courses, and that it is an effective way of stimulating student interest and enhancing active learning. Among sociology instructors, the most common uses of music involve playing selected songs in class and discussing how the lyrics illustra…

  • Sociology beyond Societies

    Jarl A Ahlkvist•REVIEW•Teaching Sociology•2000•Citada por: 8

  • And the hits just keep on coming

    Open Access•Jarl A Ahlkvist, Gene A Fisher et al.•ARTICLE•Poetics•2000•Citada por: 8•Referências: 20

  • Music and Cultural Analysis in the Classroom

    Jarl A Ahlkvist•ARTICLE•Teaching Sociology•1999•Citada por: 9

    This article demonstrates that popular music's potential as a tool for teaching interactive introductory sociology courses is enhanced when a cultural analysis of a specific music genre is incorporated into the classroom. Using this type of analysis as an integrative course theme promotes active learning as students apply sociological ideas to explain empirical reality. Using heavy metal music as an example, I present a two-part model for integra…

  • Notes from the Underground

    Jarl A Ahlkvist, Thomas Cushman•ARTICLE•Social Forces•1999

  • Will This Record Work for Us

    Open Access•Jarl A Ahlkvist, Robert R Faulkner et al.•ARTICLE•Qualitative Sociology•2002•Citada por: 23•Referências: 33

  • Music and Cultural Analysis in the Classroom

    Jarl A Ahlkvist•ARTICLE•Teaching Sociology•1999•Citada por: 9

    This article demonstrates that popular music's potential as a tool for teaching interactive introductory sociology courses is enhanced when a cultural analysis of a specific music genre is incorporated into the classroom. Using this type of analysis as an integrative course theme promotes active learning as students apply sociological ideas to explain empirical reality. Using heavy metal music as an example, I present a two-part model for integra…

  • Sound and Vision

    Jarl A Ahlkvist•ARTICLE•Teaching Sociology•2001•Citada por: 8

    theory to students' experiences. Another is the use of popular music in the sociology classroom. The literature on using music to teach sociology suggests that the medium is well .suited for use in a range of courses, and that it is an effective way of stimulating student interest and enhancing active learning. Among sociology instructors, the most common uses of music involve playing selected songs in class and discussing how the lyrics illustra…

  • Sociology beyond Societies

    Jarl A Ahlkvist•REVIEW•Teaching Sociology•2000•Citada por: 8

  • And the hits just keep on coming

    Open Access•Jarl A Ahlkvist, Gene A Fisher et al.•ARTICLE•Poetics•2000•Citada por: 8•Referências: 20

  • What Makes Rock Music “Prog”? Fan Evaluation and the Struggle to Define Progressive Rock

    Jarl A Ahlkvist•ARTICLE•Popular Music & Society•2011•Citada por: 6•Referências: 10

    In this article I demonstrate how fan-written reviews of symphonic and neo-progressive rock albums reflect and project a discursive struggle over what makes rock music "prog." I use ethnographic content analysis of online reviews to examine how fan evaluations of progressive rock albums defend or challenge the inclusion of neo-progressive albums in the progressive rock canon. My research reveals that the ties that bind these two styles of progres…

  • Programming philosophies and the rationalization of music radio

    Open Access•Jarl A Ahlkvist•ARTICLE•Media Culture & Society•2001•Citada por: 6•Referências: 24

    Deregulation and ownership concentration have been accompanied by increased rationalization of programming strategies in commercial music radio in many industrial nations. However, understanding of the impact of these trends on music programming is incomplete because little research has examined music radio's `culture of production'. This article addresses this deficit by exploring the knowledge frameworks that radio programmers draw on to transf…

  • Music and Cultural Analysis in the Classroom

    Jarl A Ahlkvist•ARTICLE•Teaching Sociology•1999•Citada por: 9

    This article demonstrates that popular music's potential as a tool for teaching interactive introductory sociology courses is enhanced when a cultural analysis of a specific music genre is incorporated into the classroom. Using this type of analysis as an integrative course theme promotes active learning as students apply sociological ideas to explain empirical reality. Using heavy metal music as an example, I present a two-part model for integra…

  • Notes from the Underground

    Jarl A Ahlkvist, Thomas Cushman•ARTICLE•Social Forces•1999

  • Sociology beyond Societies

    Jarl A Ahlkvist•REVIEW•Teaching Sociology•2000•Citada por: 8

  • And the hits just keep on coming

    Open Access•Jarl A Ahlkvist, Gene A Fisher et al.•ARTICLE•Poetics•2000•Citada por: 8•Referências: 20

  • Programming philosophies and the rationalization of music radio

    Open Access•Jarl A Ahlkvist•ARTICLE•Media Culture & Society•2001•Citada por: 6•Referências: 24

    Deregulation and ownership concentration have been accompanied by increased rationalization of programming strategies in commercial music radio in many industrial nations. However, understanding of the impact of these trends on music programming is incomplete because little research has examined music radio's `culture of production'. This article addresses this deficit by exploring the knowledge frameworks that radio programmers draw on to transf…

  • Sound and Vision

    Jarl A Ahlkvist•ARTICLE•Teaching Sociology•2001•Citada por: 8

    theory to students' experiences. Another is the use of popular music in the sociology classroom. The literature on using music to teach sociology suggests that the medium is well .suited for use in a range of courses, and that it is an effective way of stimulating student interest and enhancing active learning. Among sociology instructors, the most common uses of music involve playing selected songs in class and discussing how the lyrics illustra…

  • Will This Record Work for Us

    Open Access•Jarl A Ahlkvist, Robert R Faulkner et al.•ARTICLE•Qualitative Sociology•2002•Citada por: 23•Referências: 33

  • Coping with Terrorism

    Martha E Wadsworth, Gretchen R Gudmundsen et al.•ARTICLE•Applied Developmental Science•2004

    This study examined age and gender differences and similarities in stress responses to September 11th. Adolescents, young adults, and adults reported using a variety of strategies to cope with the terrorist attacks including acceptance, positive thinking, and emotional expression. In addition, involuntary stress responses such as physio-logical arousal, rumination, and emotional numbing were common. A number of age trends emerged, showing increas…

  • What Makes Rock Music “Prog”? Fan Evaluation and the Struggle to Define Progressive Rock

    Jarl A Ahlkvist•ARTICLE•Popular Music & Society•2011•Citada por: 6•Referências: 10

    In this article I demonstrate how fan-written reviews of symphonic and neo-progressive rock albums reflect and project a discursive struggle over what makes rock music "prog." I use ethnographic content analysis of online reviews to examine how fan evaluations of progressive rock albums defend or challenge the inclusion of neo-progressive albums in the progressive rock canon. My research reveals that the ties that bind these two styles of progres…

  • Climbing the Charts

    Open Access•Jarl Ahlkvist, Jarl A Ahlkvist•ARTICLE•Contemporary Sociology A Journal…•2015

  • Reducing the Biological and Psychological Toxicity of Poverty‐related Stress

    Open Access•Martha E Wadsworth, Ashley McDonald et al.•ARTICLE•American Journal of Community…•2020•Referências: 46

    This proof‐of‐concept study tests the initial efficacy of the Building a Strong Identity and Coping Skills (Ba SICS ) intervention, a selective prevention of internalizing problems program for early adolescents exposed to high levels of poverty‐related stress. Eighty‐four early adolescents ( M age = 11.36 years) residing in very low‐income neighborhoods were randomized to receive the 16‐session intervention ( n = 44) or to an assessment‐only cont…

Sociology (5 obras) · Music History and Culture (4 obras) · Art (3 obras) · Political science (3 obras) · Psychology (3 obras) · Anthropology (2 obras) · Clinical Psychology (2 obras) · Cognition (2 obras) · Computer Science (2 obras) · Developmental psychology (2 obras)

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