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Mary E Weems

Dados Biográficos

ID3887628
NOMEMary E Weems
PRENOMESMary E
SOBRENOMEWeems
ASSINATURAWEEMS M E
AFILIAÇÕESJohn Carroll University
VERIFICADONão
TOTAL DE OBRAS47
TOTAL DE CITAÇÕES21
TOTAL COMO AUTOR47
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1999
ANO MAIS RECENTE DE PUBLICAÇÃO2026
ÍNDICE H2
  • “Still Hanging? A Revisitation of Ghosts From the Past and the (Re)Authorization of Human Dignity in Americanism ( or Motions of Discovery )”

    Open Access•B K Alexander, Mary E Weems•ARTICLE•Qualitative Inquiry•2026

    In this project, the two authors further theorize on a collaborative spiriting-writing activity that pivots on the public story of a Black male body found “hung/hanging” near a public roadway in Milwaukee, Wisconsin. In three movements, the authors tease through politics of the happening in relation to a history of hanging Black bodies against the backdrop of the current race-based political climate in the United States, with wholesale commentary…

  • “I Thought It Was Going to Be Simple, But It Wasn’t

    Open Access•B K Alexander, Mary E Weems•ARTICLE•International Review of…•2026

    The performative essay, constructed through a method of collaborative spirit-writing, teases through three textual encounters: Trump’s public statement that the 1960 Civil Rights Act led to white people being very badly treated ; the experience of two Black subjects at airport security that become analogous to the surveillance of national borders, and the politics of race and the materiality of bodies in the United States. All making an argument …

  • Black Poetic Inquiry

    Bryant Keith Alexander, Mary E Weems•BOOK•Black Poetic Inquiry•2025

    The poems in this project were written within a 24‐hour period of each other and are presented in order of their appearance for the month of January 2024. Written as a call and response to each other, the poems are at times direct responses in content and form, or a mediation on what the offering triggered in the other. Using poetry writing as a methodological engagement with the reflective and reflexive attributes of autoethnography, this projec…

  • Dear Norman

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2024

    This autoethnographic response written in letter form to the late, Norman K. Denzin reflects the author's admiration, respect and love for a professor, dissertation chair and colleague

  • What’s Found in Loss

    Open Access•Mary E Weems•ARTICLE•International Review of…•2023

  • Performative Intergenerational Dialogues of a Black Quartet

    Bryant Keith Alexander, Mary E Weems et al.•BOOK•Performative Intergenerational…•2022

  • Theme Introduction to Special Issue

    Open Access•B K Alexander, Mary E Weems•ARTICLE•Culture Studies ↔ Critical…•2022•Citada por: 1

    The essays in this Special Issue respond in part to a call to acknowledge the multiple crises we now face: the global covid-19 virus pandemic; natural disasters caused by climate change and more. The essays call for a critical collaborative engagement over issues of trauma and survival, to build new templates of sociality towards progressive futures

  • Taking the Pulse

    Open Access•B K Alexander, Mary E Weems•ARTICLE•International Review of…•2021

    This performative dialogue focuses on the authors’ collaborative process in constructing the Special Issue— “June 12, 2016: Terrorism and Hate in Orlando, America (Poetic and Performative Responses),” Qualitative Inquiry, 23.7: 483-571

  • Loss and found

    Mary E Weems•ARTICLE•International Journal of…•2020•Citada por: 1

    Loss and Found is an autoethnographic, performative text which contextualizes Black mother/daughter relationships from a collective, cultural perspective informed by race, gender and class in the midst of life altering grief. The work is written in two reflexive voices that reflect the experiences of a bi-polar daughter and worried mother on a journey through what it means to deal with mental illness, homelessness and suicide surrounded by the si…

  • Love

    Mary Weems, Mary E Weems•ARTICLE•African American Review•2020

    Love Mary Weems (bio) I keep trying to get him to take herbal pillshe has no interest in worry daily about places in his arteriesforced open by man-placed mesh each winter I buy him gloveshe never wears nights I wait till he’s fast asleepmemorize his snoring patternskiss his headtake off his glassesclean, then put them where I knowhe’ll reach for them pray each day he’ll outlive meso I don’t have to rememberwhat it was like to be alonein the dark…

  • Room 329

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2019

    Rm. 329 chronicles an unexpected experience during a playwriting residency at a Cleveland, Ohio arts school. It's an exemplar of what's possible when student activists organize to protest against institutional racism and for education as the practice of freedom

  • June 12, 2016

    Open Access•B K Alexander, Mary E Weems•ARTICLE•Qualitative Inquiry•2017•Citada por: 1

  • Epilogue

    Open Access•Mary E Weems, B K Alexander•ARTICLE•Qualitative Inquiry•2017•Citada por: 1

  • Sense

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2017•Citada por: 2

  • Make America Great Again

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2017•Citada por: 2

  • The Value of a Realist Understanding of Causality for Qualitative Research

    Mary E Weems, Carolyne J White et al.•CHAPTER•Qualitative Inquiry and the…•2016

  • More than Enough

    Mary E Weems•ARTICLE•Departures in Critical…•2015

    I wrote this for Bird as a response to the Sweetwater panel I both witnessed and participated in at the 10th International Congress of Qualitative Inquiry conference at the University of Illinois, Urbana-Champaign. As the editor of the Peter Lang book series “What's Going On: Black Studies and the Arts,” I had a particular interest in immersing myself in this tribute to one of my authors. The poem is both an investigation of and reflection of tha…

  • Love, Peace, and Soooooul

    Open Access•Mary E Weems, Durell M Callier et al.•ARTICLE•Culture Studies ↔ Critical…•2014•Citada por: 1•Referências: 2

    The Fire This Time (TFTT), a Black writers' collaboration which uses multiple genres of writing as our method is grounded in what Don Cornelius used to call Love, Peace, and Soul. Love, because our love for writing and the complexities and challenges of the Black experience, coupled with a passion for connecting with other Black scholars in ways that have the potential for making a difference in the world, is at the heart of this work. Peace, bec…

  • Sadie Stories

    Mary E Weems•ARTICLE•International Journal of…•2012•Citada por: 1

    In their seminal work Poetic Inquiry: Vibrant Voices in the Social Sciences, Prendergast et al. (Citation2009) point out that: “[t]he need for a plurality of methods that can be applied to individual research projects on the human condition has never had a stronger calling than it does now ... [p]oetic methods are qualitative and call for self-conscious participation ... with life as lived, up close and personal ...” (xi). As a language artist-sc…

  • For Trayvon Martin

    Open Access•Mary E Weems•ARTICLE•Culture Studies ↔ Critical…•2012•Citada por: 1

    Continuing Laurel Richardson's call to use writing as my method and specifically utilizing poetic inquiry, 'For Trayvon Martin' represents my interpretation of this tragedy filtered through a lens shaped by an epistemology of color, the history of racism, and local and national news reports both in print and on-line, as well as informal conversations with a wide variety of family, friends, and colleagues. The work's theoretical frame incorporates…

  • Sun Dance

    Open Access•Mary E Weems•ARTICLE•Culture Studies ↔ Critical…•2011

  • Race Is *Not* an Additive

    Open Access•Mary E Weems•ARTICLE•Culture Studies ↔ Critical…•2011

    Continuing Laurel Richardson's call to use writing as my method (1994, 2000) Race is 'not' an additive uses the African American woman author's experience during a visit to a lynching memorial to frame a discussion about racism in the United States, including whether or not this country is post-racial since the election of President Barack Obama

  • Speak Truth and Shame the Devil

    Open Access•Adah Ward Randolph, Mary E Weems•ARTICLE•Qualitative Inquiry•2010•Citada por: 7

    This ethnodrama examines how two African American women experience racism in the academe. Both scholars examine the social/political context of racism in higher education and its manifestation in institutional practices. Both authors seek to “speak truth and shame the devil” by examining institutional responses to the racism they encounter in their courses. The authors conclude by sharing how educational leaders, particularly chairs, deans, and o…

  • Rhyme Scheme

    Open Access•Mary E Weems•ARTICLE•Culture Studies ↔ Critical…•2010

  • Till the Well Runs

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2010

Próximo
  • Speak Truth and Shame the Devil

    Open Access•Adah Ward Randolph, Mary E Weems•ARTICLE•Qualitative Inquiry•2010•Citada por: 7

    This ethnodrama examines how two African American women experience racism in the academe. Both scholars examine the social/political context of racism in higher education and its manifestation in institutional practices. Both authors seek to “speak truth and shame the devil” by examining institutional responses to the racism they encounter in their courses. The authors conclude by sharing how educational leaders, particularly chairs, deans, and o…

  • Sense

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2017•Citada por: 2

  • Make America Great Again

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2017•Citada por: 2

  • Theme Introduction to Special Issue

    Open Access•B K Alexander, Mary E Weems•ARTICLE•Culture Studies ↔ Critical…•2022•Citada por: 1

    The essays in this Special Issue respond in part to a call to acknowledge the multiple crises we now face: the global covid-19 virus pandemic; natural disasters caused by climate change and more. The essays call for a critical collaborative engagement over issues of trauma and survival, to build new templates of sociality towards progressive futures

  • Loss and found

    Mary E Weems•ARTICLE•International Journal of…•2020•Citada por: 1

    Loss and Found is an autoethnographic, performative text which contextualizes Black mother/daughter relationships from a collective, cultural perspective informed by race, gender and class in the midst of life altering grief. The work is written in two reflexive voices that reflect the experiences of a bi-polar daughter and worried mother on a journey through what it means to deal with mental illness, homelessness and suicide surrounded by the si…

  • June 12, 2016

    Open Access•B K Alexander, Mary E Weems•ARTICLE•Qualitative Inquiry•2017•Citada por: 1

  • Epilogue

    Open Access•Mary E Weems, B K Alexander•ARTICLE•Qualitative Inquiry•2017•Citada por: 1

  • Love, Peace, and Soooooul

    Open Access•Mary E Weems, Durell M Callier et al.•ARTICLE•Culture Studies ↔ Critical…•2014•Citada por: 1•Referências: 2

    The Fire This Time (TFTT), a Black writers' collaboration which uses multiple genres of writing as our method is grounded in what Don Cornelius used to call Love, Peace, and Soul. Love, because our love for writing and the complexities and challenges of the Black experience, coupled with a passion for connecting with other Black scholars in ways that have the potential for making a difference in the world, is at the heart of this work. Peace, bec…

  • Sadie Stories

    Mary E Weems•ARTICLE•International Journal of…•2012•Citada por: 1

    In their seminal work Poetic Inquiry: Vibrant Voices in the Social Sciences, Prendergast et al. (Citation2009) point out that: “[t]he need for a plurality of methods that can be applied to individual research projects on the human condition has never had a stronger calling than it does now ... [p]oetic methods are qualitative and call for self-conscious participation ... with life as lived, up close and personal ...” (xi). As a language artist-sc…

  • For Trayvon Martin

    Open Access•Mary E Weems•ARTICLE•Culture Studies ↔ Critical…•2012•Citada por: 1

    Continuing Laurel Richardson's call to use writing as my method and specifically utilizing poetic inquiry, 'For Trayvon Martin' represents my interpretation of this tragedy filtered through a lens shaped by an epistemology of color, the history of racism, and local and national news reports both in print and on-line, as well as informal conversations with a wide variety of family, friends, and colleagues. The work's theoretical frame incorporates…

  • Heartbeats

    Open Access•Mary E Weems, Carolyne J White et al.•ARTICLE•Qualitative Inquiry•2009•Citada por: 1

    One of the ways to participate as change agents in the struggle toward a true participatory global democracy is constructing spaces in which to communicate across race, ethnicity, religion, class, and culture. This collaborative, auto/ethnographic performance text was started during a pre-conference workshop titled "Heartbeats: Writing Performance Texts," I designed and facilitated with the help of my colleague Carolyne J. White. The purpose of t…

  • Black Madonna

    Open Access•Mary E Weems•ARTICLE•Culture Studies ↔ Critical…•2008•Citada por: 1

  • Windows

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2000•Citada por: 1

  • Poetry

    Mary Weems, Mary E Weems•ARTICLE•African American Review•1999

  • Poetry

    Mary Weems, Mary E Weems•ARTICLE•African American Review•1999

  • Windows

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2000•Citada por: 1

  • My Tuesdays With Morrie

    Open Access•Mary E Weems•ARTICLE•Culture Studies ↔ Critical…•2001

    Mitch Albom's book, Tuesdays with Morrie: An Old Man, A Young Man and Life's Greatest Lesson (1997), entered the poet's life during a time when death and terminal illness were affecting her immediate family and one of her closest friends. This life-affirming case study, the result of a series of taped conversations between Albom and his beloved undergraduate professor, the late Morrie Schwartz, represents good art in the Deweyian sense because it…

  • Three Wishes

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2002

  • Reflections

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2002

  • My Monster's Ball

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2003

  • Good Years of Life

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2003

  • Universe Music

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2003

  • Poetry

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2003

  • Not in Our Name

    Open Access•Michael D Giardina, Mary E Weems•ARTICLE•Qualitative Inquiry•2004

    Born out of anger and frustration with the Bush administration's unilateral intervention in Iraq and the attendant mediated responses to such action that question the patriotism of peace activists and those who dare speak out against the draconian neoconservative agenda currently dominating American cultural politics, "Not in Our Name!" marks an ongoing conversation about and critical interrogation of the post-9/11 moment. Re/presented as a symbo…

  • Peace on Earth, Give Peace a Chance

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2004

  • The Difference Between a Pair of Manicure Scissors and Freedom

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2005

  • Blues Clues

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2005

  • Numbers

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2006

    The United States of America has had a long history of stigmatizing the issue of mental health. The current push in and outside social organizations to break the silence around mental health is beginning to make inroads toward positive social change, but we are a long way from conquering the negative stereotypes that adversely affect the lives of millions of people. This play was written in response to a lived experience during a walk through a c…

  • Collateral Damage

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2006

  • The Color of Fear

    Open Access•Mary E Weems•ARTICLE•Culture Studies ↔ Critical…•2007

    This auto/ethnographic performance text is my critical response to Lee Mun Wah's documentary The Color of Fear. The film records one focus group's weekend long journey to face their fears regarding racism and sexism. To create the piece, I watched the film with a group of students and noted lines of dialogue I wanted to include in my response. I share it in the hope that it will inspire more people to begin to face their own fears around issues o…

  • Black Madonna

    Open Access•Mary E Weems•ARTICLE•Culture Studies ↔ Critical…•2008•Citada por: 1

  • Voodoo Formula

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2008

  • Happy to Nappy but Not a Ho

    Open Access•Mary E Weems•ARTICLE•International Review of…•2009

    I’m hearing words reduced to Imus alone strike the screen over and over—I think bullshit, bullets, bamboozled wish for Malcolm’s response, Angela Davis’s words, hear the screams of millions of women fire forged in pain that covers me like cloth, takes me back to when most Black women were ashamed of their hair, kept pressing combs in drawers by the stove kept their kitchens smooth, their hair straight as white women rushed to beauty shops to make…

  • W

    Open Access•Mary E Weems•ARTICLE•Culture Studies ↔ Critical…•2009

    This autoethnographic text takes a critical look at the aftermath of the George W. Bush era from an African American female's, lived experience perspective. It references three specific and unforgettable defining moments: No Child Left Behind, The War on Terror and Hurricane Katrina

  • Heartbeats

    Open Access•Mary E Weems, Carolyne J White et al.•ARTICLE•Qualitative Inquiry•2009•Citada por: 1

    One of the ways to participate as change agents in the struggle toward a true participatory global democracy is constructing spaces in which to communicate across race, ethnicity, religion, class, and culture. This collaborative, auto/ethnographic performance text was started during a pre-conference workshop titled "Heartbeats: Writing Performance Texts," I designed and facilitated with the help of my colleague Carolyne J. White. The purpose of t…

  • Speak Truth and Shame the Devil

    Open Access•Adah Ward Randolph, Mary E Weems•ARTICLE•Qualitative Inquiry•2010•Citada por: 7

    This ethnodrama examines how two African American women experience racism in the academe. Both scholars examine the social/political context of racism in higher education and its manifestation in institutional practices. Both authors seek to “speak truth and shame the devil” by examining institutional responses to the racism they encounter in their courses. The authors conclude by sharing how educational leaders, particularly chairs, deans, and o…

  • Rhyme Scheme

    Open Access•Mary E Weems•ARTICLE•Culture Studies ↔ Critical…•2010

  • Till the Well Runs

    Open Access•Mary E Weems•ARTICLE•Qualitative Inquiry•2010

Sociology (34 obras) · Art (25 obras) · Philosophy (23 obras) · Philosophy (20 obras) · Gender Studies (19 obras) · Aesthetics (18 obras) · Epistemology (18 obras) · Psychology (16 obras) · Gender Studies (14 obras) · Literature (13 obras)

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