Dinko Fabris

• Community opera

  Dinko Fabris, Vania Cauzillo•ARTICLE•International Journal of…•2024

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  Around the beginning of the 2000s, among various responses to the crisis in traditional opera, a few Western theatres and festivals started to propose community operas based on the involvement of professional and amateur performers as co-creators. This article traces the idea back to the pre-Second World War United States and its more general use from the 1950s onwards, although it carried with it the negative connotation of being the naive outpu…

• Sabino family

  Argia Bertini, Dinko Fabris•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

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• Molinaro, Simone

  Glenn Watkins, Dinko Fabris•CHAPTER•The new Grove dictionary of music…•2001

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• Sabino, Francesco

  Argia Bertini, Dinko Fabris•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

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• Lorenzino

  Dinko Fabris•CHAPTER•The new Grove dictionary of music…•2001

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• Sabino, Donato Antonio

  Argia Bertini, Dinko Fabris•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

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• Basile, Giovanni Battista

  Argia Bertini, Dinko Fabris•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

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• Provenzale, Francesco

  Michael F Robinson, Dinko Fabris•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

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• Garsi [Garsi da Parma], Santino

  Arthur J Ness, Henry Sybrandy et al.•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

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• Naples

  Giulia Anna Romana Veneziano, Renato Di Benedetto et al.•CHAPTER•The new Grove dictionary of music…•2001

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• Sabino, Giovanni Maria

  Argia Bertini, Dinko Fabris•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

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• Influenze stilistiche e circolazione manoscritta della musica per liuto in Italia e in Francia nella prima metà del Seicento

  Dinko Fabris•ARTICLE•Revue de musicologie•1991

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  Dinko Fabris, Influenze stilistiche e circolazione manoscritta della musica per liuto in Italia e in Francia nella prima metà del Seicento, Revue de Musicologie, T. 77, No. 2, Musique Française Et Musique Italienne Au XVIIe Siécle (Villecroze, 2-4 octobre 1990) (1991), pp. 311-333

• Influenze stilistiche e circolazione manoscritta della musica per liuto in Italia e in Francia nella prima metà del Seicento

  Dinko Fabris•ARTICLE•Revue de musicologie•1991

  Incluir item

  Dinko Fabris, Influenze stilistiche e circolazione manoscritta della musica per liuto in Italia e in Francia nella prima metà del Seicento, Revue de Musicologie, T. 77, No. 2, Musique Française Et Musique Italienne Au XVIIe Siécle (Villecroze, 2-4 octobre 1990) (1991), pp. 311-333

• Sabino family

  Argia Bertini, Dinko Fabris•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

  Incluir item

• Molinaro, Simone

  Glenn Watkins, Dinko Fabris•CHAPTER•The new Grove dictionary of music…•2001

  Incluir item

• Sabino, Francesco

  Argia Bertini, Dinko Fabris•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

  Incluir item

• Lorenzino

  Dinko Fabris•CHAPTER•The new Grove dictionary of music…•2001

  Incluir item

• Sabino, Donato Antonio

  Argia Bertini, Dinko Fabris•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

  Incluir item

• Basile, Giovanni Battista

  Argia Bertini, Dinko Fabris•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

  Incluir item

• Provenzale, Francesco

  Michael F Robinson, Dinko Fabris•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

  Incluir item

• Garsi [Garsi da Parma], Santino

  Arthur J Ness, Henry Sybrandy et al.•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

  Incluir item

• Naples

  Giulia Anna Romana Veneziano, Renato Di Benedetto et al.•CHAPTER•The new Grove dictionary of music…•2001

  Incluir item

• Sabino, Giovanni Maria

  Argia Bertini, Dinko Fabris•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

  Incluir item

• Community opera

  Dinko Fabris, Vania Cauzillo•ARTICLE•International Journal of…•2024

  Incluir item

  Around the beginning of the 2000s, among various responses to the crisis in traditional opera, a few Western theatres and festivals started to propose community operas based on the involvement of professional and amateur performers as co-creators. This article traces the idea back to the pre-Second World War United States and its more general use from the 1950s onwards, although it carried with it the negative connotation of being the naive outpu…

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