Candace Bailey
Dados Biográficos
| ID | 3910376 |
|---|---|
| NOME | Candace Bailey |
| PRENOMES | Candace |
| SOBRENOME | Bailey |
| ASSINATURA | BAILEY C |
| AFILIAÇÕES | Brock University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAÇÕES | 0 |
| OBRAS COMO AUTOR | 8 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2001 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2023 |
| ÍNDICE H | 0 |
Black women and the cultural performance of music in mid-nineteenth century Natchez
Anna and Kate Johnson's experiences typify that of thousands of women who lived in the United States during the mid-nineteenth century. In this microhistory of Anna and Kate and performativity among Black women living in a slave state, I expose the evidence of their lived experiences outside the metanarrative of music history in the United States.
Women's Work in Music
I am honored to provide a brief essay in this issue celebrating forty years of American Music, but I confess the opportunity to write an op-ed for the discipline is daunting. To be able to express my own wishes for where I would like to see musicological discourse move in the coming years seems almost luxurious—as if it were a substitute for a late-night conversation among friends at a Society for American Music, American Musicological Society, o…
Stephen A. Marini. The Cashaway Psalmody
Early American Music and the Construction of Race
An ideology of racial difference is baked into American music history. The staggering diversity of music heard in the sixteenth through nineteenth centuries, as waves of colonization, forced migration, enslavement, expulsion, and immigration brought different peoples into prolonged and often violent contact with each other, created lasting ideas and praxes of musical alterity. This holds true across genres and contexts. Native peoples and Europea…
Remember Those Beautiful Songs”
Research Article| October 01 2020 “Remember Those Beautiful Songs”: Preserving Antebellum Cultural Practices through Music Collection during the Civil War Candace Bailey Candace Bailey Candace Bailey is professor of musicology at NC Central University, and in 2019-20 she has also been a fellow at the National Humanities Center and at the American Antiquarian Society (Keller Fellowship). She is the author of several books and articles, including U…
Beyond Boundaries
Austern, Linda Phyllis, Candace Bailey, Amanda Eubanks Winkler, éds. Beyond Boundaries: Rethinking Music Circulation in Early Modern England. An article from journal Renaissance and Reformation / Renaissance et Réforme (Utopia for 500 Years), on Érudit
The Antebellum "Piano Girl" in the American South
Throughout the nineteenth century, the education of young gentlewomen almost always included music lessons, with piano lessons being the most frequently recommended. The social context for these young women pianists, “piano girls,” has been described in several modern works, particularly since Arthur Loesser’s seminal work Men, Women, and Pianos: A Social History.1 In the 1980s, Judith Tick made the term “piano girl” a familiar one in musicologic…
Des preludes "non mesures" en Angleterre
Several authors have pointed to a French-inspired style in a few compositions by English composers of the 1670s, particularly those of Matthew Locke and John Roberts. However, close inspection yields the possibility thatthe influence is not from France but from Johann Jakob Froberger, whose style made a significant impact on the clavecinistes and who also visited England during the midseventeenth century. This article will examine the likelihood …
Sem obras proeminentes nesta página.
Des preludes "non mesures" en Angleterre
Several authors have pointed to a French-inspired style in a few compositions by English composers of the 1670s, particularly those of Matthew Locke and John Roberts. However, close inspection yields the possibility thatthe influence is not from France but from Johann Jakob Froberger, whose style made a significant impact on the clavecinistes and who also visited England during the midseventeenth century. This article will examine the likelihood …
The Antebellum "Piano Girl" in the American South
Throughout the nineteenth century, the education of young gentlewomen almost always included music lessons, with piano lessons being the most frequently recommended. The social context for these young women pianists, “piano girls,” has been described in several modern works, particularly since Arthur Loesser’s seminal work Men, Women, and Pianos: A Social History.1 In the 1980s, Judith Tick made the term “piano girl” a familiar one in musicologic…
Beyond Boundaries
Austern, Linda Phyllis, Candace Bailey, Amanda Eubanks Winkler, éds. Beyond Boundaries: Rethinking Music Circulation in Early Modern England. An article from journal Renaissance and Reformation / Renaissance et Réforme (Utopia for 500 Years), on Érudit
Remember Those Beautiful Songs”
Research Article| October 01 2020 “Remember Those Beautiful Songs”: Preserving Antebellum Cultural Practices through Music Collection during the Civil War Candace Bailey Candace Bailey Candace Bailey is professor of musicology at NC Central University, and in 2019-20 she has also been a fellow at the National Humanities Center and at the American Antiquarian Society (Keller Fellowship). She is the author of several books and articles, including U…
Early American Music and the Construction of Race
An ideology of racial difference is baked into American music history. The staggering diversity of music heard in the sixteenth through nineteenth centuries, as waves of colonization, forced migration, enslavement, expulsion, and immigration brought different peoples into prolonged and often violent contact with each other, created lasting ideas and praxes of musical alterity. This holds true across genres and contexts. Native peoples and Europea…
Women's Work in Music
I am honored to provide a brief essay in this issue celebrating forty years of American Music, but I confess the opportunity to write an op-ed for the discipline is daunting. To be able to express my own wishes for where I would like to see musicological discourse move in the coming years seems almost luxurious—as if it were a substitute for a late-night conversation among friends at a Society for American Music, American Musicological Society, o…
Stephen A. Marini. The Cashaway Psalmody
Black women and the cultural performance of music in mid-nineteenth century Natchez
Anna and Kate Johnson's experiences typify that of thousands of women who lived in the United States during the mid-nineteenth century. In this microhistory of Anna and Kate and performativity among Black women living in a slave state, I expose the evidence of their lived experiences outside the metanarrative of music history in the United States.
History (6 obras) · Art (5 obras) · Music History and Culture (4 obras) · Musicology and Musical Analysis (4 obras) · Sociology (4 obras) · Archaeology (3 obras) · History (3 obras) · Art history (2 obras) · Cultural History and Identity Formation (2 obras) · Gender Studies (2 obras)