Julia Peck
Dados Biográficos
| ID | 3989225 |
|---|---|
| NOME | Julia Peck |
| PRENOMES | Julia |
| SOBRENOME | Peck |
| ASSINATURA | PECK J |
| AFILIAÇÕES | University of Roehampton |
| ORCID | 0000-0001-5134-2471 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 8 |
| TOTAL DE CITAÇÕES | 0 |
| OBRAS COMO AUTOR | 8 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2010 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2026 |
| ÍNDICE H | 0 |
Ladino on the Internet
Children's exploration of the concepts of home and belonging
Understanding one's sense of belonging is a central part of identity formation and self-awareness; feeling safe somewhere, with specific people is identified as a basic human need. This paper explores the ideas of children from three age groups in five different European as they discussed the concepts of ‘home’ and ‘belonging’. Findings showed that the children's ideas could be organised into six interrelated aspects: Spatiality, Materiality, Mul…
In a World Fit for Humans? Posthumanism and the Nature-Culture Continuum in the Prix Pictet
The Prix Pictet is a photography prize focussing on sustainability. Anthropocentric in its world-view, the prize was endorsed and supported by Kofi Annan, who until 2006 was the Secretary-General of the United Nations. This article argues three points. Firstly, that the Prix Pictet’s model of sustainability is anthropocentric and produces a framework in which myriad inequalities in human relationships become representable. The prize as a symptom …
Vibrant Photography
Jane Bennett’s thesis in Vibrant Matter argues that we need to find ways to acknowledge and engage with the agency of all factors that create ecologies and environments, including non-human actants. This essay argues that Richard Misrach and Kate Orff’s project Petrochemical America signals some important strategies that are useful for developing visual political ecologies and understanding non-human actants, including the non-living. Although so…
Why it does not Have to be in Focus
Book review: Why it does not have to be in focus: Modern photography explained \nby Jackie Higgins \nLondon: Thames and Hudson, 2013, 224 pages \nISBN: 978-0500290958
Eco-aesthetics
Book review: Eco-aesthetics: Art, literature and architecture in a period of climate change \nby Malcolm Miles \nLondon; New Delhi; New York; Sydney: Bloomsbury, 2014, 256 pages \nISBN: 978-1-4725-2940-4
Pulletop and Thornthwaite
This article compares two different photographic accounts of working pastoral landscapes in nineteenth-century New South Wales between 1860 and the mid 1890s. Joseph and Ernest Docker's photographs of their property (c. 1860–1869) disavow details of labour and land productivity in favour of producing picturesque landscape photographs. Both Dockers were educated amateurs, producing delicate, hand-made photographs demonstrating their cultural sophi…
Performing Aboriginality
This paper re-investigates notions of performed Aboriginality in relation to photographs \nmade at Lake Tyers Mission Station, Victoria, Australia, and argues that \nNicholas Caire’s photographs reveal complex Aboriginal subjectivities. The photographs, \nmade originally in 1886 and distributed to tourists, were later reproduced \nand circulated in book format in 1897. The first presentation of the photographs, \nwhilst focusing on historical Abo…
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Performing Aboriginality
This paper re-investigates notions of performed Aboriginality in relation to photographs \nmade at Lake Tyers Mission Station, Victoria, Australia, and argues that \nNicholas Caire’s photographs reveal complex Aboriginal subjectivities. The photographs, \nmade originally in 1886 and distributed to tourists, were later reproduced \nand circulated in book format in 1897. The first presentation of the photographs, \nwhilst focusing on historical Abo…
Pulletop and Thornthwaite
This article compares two different photographic accounts of working pastoral landscapes in nineteenth-century New South Wales between 1860 and the mid 1890s. Joseph and Ernest Docker's photographs of their property (c. 1860–1869) disavow details of labour and land productivity in favour of producing picturesque landscape photographs. Both Dockers were educated amateurs, producing delicate, hand-made photographs demonstrating their cultural sophi…
Vibrant Photography
Jane Bennett’s thesis in Vibrant Matter argues that we need to find ways to acknowledge and engage with the agency of all factors that create ecologies and environments, including non-human actants. This essay argues that Richard Misrach and Kate Orff’s project Petrochemical America signals some important strategies that are useful for developing visual political ecologies and understanding non-human actants, including the non-living. Although so…
Why it does not Have to be in Focus
Book review: Why it does not have to be in focus: Modern photography explained \nby Jackie Higgins \nLondon: Thames and Hudson, 2013, 224 pages \nISBN: 978-0500290958
Eco-aesthetics
Book review: Eco-aesthetics: Art, literature and architecture in a period of climate change \nby Malcolm Miles \nLondon; New Delhi; New York; Sydney: Bloomsbury, 2014, 256 pages \nISBN: 978-1-4725-2940-4
Children's exploration of the concepts of home and belonging
Understanding one's sense of belonging is a central part of identity formation and self-awareness; feeling safe somewhere, with specific people is identified as a basic human need. This paper explores the ideas of children from three age groups in five different European as they discussed the concepts of ‘home’ and ‘belonging’. Findings showed that the children's ideas could be organised into six interrelated aspects: Spatiality, Materiality, Mul…
In a World Fit for Humans? Posthumanism and the Nature-Culture Continuum in the Prix Pictet
The Prix Pictet is a photography prize focussing on sustainability. Anthropocentric in its world-view, the prize was endorsed and supported by Kofi Annan, who until 2006 was the Secretary-General of the United Nations. This article argues three points. Firstly, that the Prix Pictet’s model of sustainability is anthropocentric and produces a framework in which myriad inequalities in human relationships become representable. The prize as a symptom …
Ladino on the Internet
Art (6 obras) · Aesthetics (5 obras) · Sociology (5 obras) · Visual arts (5 obras) · Geographies of human-animal interactions (4 obras) · History (3 obras) · Psychology (3 obras) · Archaeology (2 obras) · Art history (2 obras) · Australian History and Society (2 obras)