Mary W Blanchard
Dados Biográficos
| ID | 3998424 |
|---|---|
| NOME | Mary W Blanchard |
| PRENOMES | Mary W |
| SOBRENOME | Blanchard |
| ASSINATURA | BLANCHARD M W |
| AFILIAÇÕES | Rutgers, the State University of New Jersey |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAÇÕES | 14 |
| TOTAL COMO AUTOR | 7 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1994 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2006 |
| ÍNDICE H | 1 |
Stanford White
Wayne Craven has a justified position in the field of American decorative arts. He has published, among other works, Sculpture in America (1968; 1984), Colonial American Portraiture (1986), and American Art (1994). Craven, currently the H. F. du Pont Professor of Art History, Emeritus, at the University of Delaware, has impeccable credentials. Perusing his current book, Stanford White, one finds the expected: authoritative research in archives, a…
Fashion and Its Social Agendas
It seems surprising that historians have not paid more attention to the fashion world. Material culture is now an acceptable tool for historical analysis, but the material of the fashion world is usually given only token attention. Diana Crane's Fashion and Its Social Agendas and Jenna Weissman Joselit's A Perfect Fit are, however, welcome corrections to this oversight. These two books are for different audiences and achieve different ends. Josel…
Comic Strips and Consumer Culture, 1890-1945
Journal Article Comic Strips and Consumer Culture, 1890–1945. By Ian Gordon. (Washington: Smithsonian Institution Press, 1998. xii, 233 pp. $29.95, ISBN 1-56098-856-8.) Get access Mary W. Blanchard Mary W. Blanchard Rutgers University, New Brunswick, New Jersey Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 86, Issue 3, December 1999, Pages 1365–1366, https://doi.org/10.2307/2568674 Pu…
Boston Bohemia, 1881-1900. Volume 1 of Ralph Adams Cram
American Iconology
This volume offers fresh and sometimes extended discussions of single works as well as re-evaluations of artistic and literary conventions and analyses of the economic, social and technological forces that gave them shape and were influenced by them in turn. A wide range of figures are reassesed
Boundaries and the Victorian Body
Boundaries and the Victorian Body: Aesthetic Fashion in Gilded Age America Get access Mary W. Blanchard Mary W. Blanchard Search for other works by this author on: Oxford Academic Google Scholar The American Historical Review, Volume 100, Issue 1, February 1995, Pages 21-50, https://doi.org/10.1086/ahr/100.1.21 Published: 01 February 1995
Modernism as Biography
In one of the often piquant asides addressed to his readers, Robert M. Crunden complains off-handedly that too much literary history has text speaking to text in a vacuum (p. 107). This unobtrusive homily is, in fact, the premise for Crunden's monumental kaleidoscope American Salons: Encounters with European Modernism, 1885-1917. For Crunden envisions modernism as a rich canvas of individual personalities, interacting and influencing each other i…
Comic Strips and Consumer Culture, 1890-1945
Journal Article Comic Strips and Consumer Culture, 1890–1945. By Ian Gordon. (Washington: Smithsonian Institution Press, 1998. xii, 233 pp. $29.95, ISBN 1-56098-856-8.) Get access Mary W. Blanchard Mary W. Blanchard Rutgers University, New Brunswick, New Jersey Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 86, Issue 3, December 1999, Pages 1365–1366, https://doi.org/10.2307/2568674 Pu…
Fashion and Its Social Agendas
It seems surprising that historians have not paid more attention to the fashion world. Material culture is now an acceptable tool for historical analysis, but the material of the fashion world is usually given only token attention. Diana Crane's Fashion and Its Social Agendas and Jenna Weissman Joselit's A Perfect Fit are, however, welcome corrections to this oversight. These two books are for different audiences and achieve different ends. Josel…
Modernism as Biography
In one of the often piquant asides addressed to his readers, Robert M. Crunden complains off-handedly that too much literary history has text speaking to text in a vacuum (p. 107). This unobtrusive homily is, in fact, the premise for Crunden's monumental kaleidoscope American Salons: Encounters with European Modernism, 1885-1917. For Crunden envisions modernism as a rich canvas of individual personalities, interacting and influencing each other i…
Boundaries and the Victorian Body
Boundaries and the Victorian Body: Aesthetic Fashion in Gilded Age America Get access Mary W. Blanchard Mary W. Blanchard Search for other works by this author on: Oxford Academic Google Scholar The American Historical Review, Volume 100, Issue 1, February 1995, Pages 21-50, https://doi.org/10.1086/ahr/100.1.21 Published: 01 February 1995
Boston Bohemia, 1881-1900. Volume 1 of Ralph Adams Cram
American Iconology
This volume offers fresh and sometimes extended discussions of single works as well as re-evaluations of artistic and literary conventions and analyses of the economic, social and technological forces that gave them shape and were influenced by them in turn. A wide range of figures are reassesed
Comic Strips and Consumer Culture, 1890-1945
Journal Article Comic Strips and Consumer Culture, 1890–1945. By Ian Gordon. (Washington: Smithsonian Institution Press, 1998. xii, 233 pp. $29.95, ISBN 1-56098-856-8.) Get access Mary W. Blanchard Mary W. Blanchard Rutgers University, New Brunswick, New Jersey Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 86, Issue 3, December 1999, Pages 1365–1366, https://doi.org/10.2307/2568674 Pu…
Fashion and Its Social Agendas
It seems surprising that historians have not paid more attention to the fashion world. Material culture is now an acceptable tool for historical analysis, but the material of the fashion world is usually given only token attention. Diana Crane's Fashion and Its Social Agendas and Jenna Weissman Joselit's A Perfect Fit are, however, welcome corrections to this oversight. These two books are for different audiences and achieve different ends. Josel…
Stanford White
Wayne Craven has a justified position in the field of American decorative arts. He has published, among other works, Sculpture in America (1968; 1984), Colonial American Portraiture (1986), and American Art (1994). Craven, currently the H. F. du Pont Professor of Art History, Emeritus, at the University of Delaware, has impeccable credentials. Perusing his current book, Stanford White, one finds the expected: authoritative research in archives, a…
Art (6 obras) · Art history (5 obras) · History (5 obras) · History (4 obras) · Law (3 obras) · Political science (3 obras) · Archaeology (2 obras) · Architecture, Design, and Social History (2 obras) · Fashion and Cultural Textiles (2 obras) · Law (2 obras)