Susanna Välimäki
Dados Biográficos
| ID | 4055362 |
|---|---|
| NOME | Susanna Välimäki |
| PRENOMES | Susanna |
| SOBRENOME | Välimäki |
| ASSINATURA | VÄLIMÄKI S |
| AFILIAÇÕES | University of Turku |
| ORCID | 0000-0003-0073-8075 |
| VERIFICADO | Sim |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAÇÕES | 1 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2015 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2025 |
| ÍNDICE H | 1 |
The Representation of Holocaust Trauma in The Song of Terezin by Franz Waxman
The article discusses music as a cultural processor of a social trauma within the Holocaust. According to psychoanalytic music research, music is especially capable of representing trauma via its nonverbal, affective, and bodily-based means of expression. As an analytical example, the study focuses on the vocal and orchestral work The Song of Terezin (1965), composed by the German-American, Jewish composer Franz Waxman (1906–1967) and based on po…
Miksi tutkia säveltäjänaisia
Naiset ovat aina luoneet musiikkia, onhan musiikillinen ilmaisu ihmisille ja kulttuureille luontaista kaikkialla ja kaikkina aikoina. Säveltävien naisten perinne on silti usein jäänyt piiloon, myös Suomen musiikinhistoriankirjoituksessa
Composer Betzy Holmberg Deis (1860–1900)
This article concerns the life and career of composer Betzy Holmberg Deis (1860–1900), a woman artist of Finnish-Norwegian heritage who pursued an active career in Central Europe in the late 19th Century. Methodologically the research represents feminist music history and biographical research, which highlights women’s agency. The research material consists of original historical material from several archives, mainly in Finland, Norway, Denmark …
Psychoanalysis, resonance, and the art of listening
Psychoanalysis, resonance, and the art of listening
Composer Betzy Holmberg Deis (1860–1900)
This article concerns the life and career of composer Betzy Holmberg Deis (1860–1900), a woman artist of Finnish-Norwegian heritage who pursued an active career in Central Europe in the late 19th Century. Methodologically the research represents feminist music history and biographical research, which highlights women’s agency. The research material consists of original historical material from several archives, mainly in Finland, Norway, Denmark …
Miksi tutkia säveltäjänaisia
Naiset ovat aina luoneet musiikkia, onhan musiikillinen ilmaisu ihmisille ja kulttuureille luontaista kaikkialla ja kaikkina aikoina. Säveltävien naisten perinne on silti usein jäänyt piiloon, myös Suomen musiikinhistoriankirjoituksessa
The Representation of Holocaust Trauma in The Song of Terezin by Franz Waxman
The article discusses music as a cultural processor of a social trauma within the Holocaust. According to psychoanalytic music research, music is especially capable of representing trauma via its nonverbal, affective, and bodily-based means of expression. As an analytical example, the study focuses on the vocal and orchestral work The Song of Terezin (1965), composed by the German-American, Jewish composer Franz Waxman (1906–1967) and based on po…
Active listening (2 obras) · Geography (2 obras) · Philosophy (2 obras) · Psychoanalysis (2 obras) · Psychology (2 obras) · Art (1 obras) · Audiology (1 obras) · Communication (1 obras) · German History and Society (1 obras) · Humanities (1 obras)