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Daniela Bleichmar

Dados Biográficos

ID409022
NOMEDaniela Bleichmar
PRENOMESDaniela
SOBRENOMEBleichmar
ASSINATURABLEICHMAR D
AFILIAÇÕESUniversity of Southern California
VERIFICADONão
TOTAL DE OBRAS25
TOTAL DE CITAÇÕES39
OBRAS COMO AUTOR22
OBRAS COMO EDITOR3
PRIMEIRO ANO DE PUBLICAÇÃO2006
ANO MAIS RECENTE DE PUBLICAÇÃO2021
ÍNDICE H4
  • The cabinet and the world

    Open Access•Daniela Bleichmar•ARTICLE•Journal of the History of…•2021

    Early modern European collectors proclaimed that their cabinets contained ‘the world’. What do collections from the sixteenth and seventeenth centuries reveal about the ways in which those who assembled, owned and visited them understood objects from other regions and cultures? Inventories, catalogues and descriptions of European collections from the period reveal that the reception of non-European objects was characterized, above all, by practic…

  • Painting the Aztec Past in Early Colonial Mexico

    Open Access•Daniela Bleichmar•ARTICLE•Renaissance Quarterly•2019•Citada por: 3•Referências: 44

    The “Codex Mendoza” is one of the earliest, most detailed, and most important postconquest accounts of pre-Hispanic Aztec life. Nahuas and Spaniards manufactured the codex through a complex process that involved translations across media, languages, and cultural framings. Translations made Aztec culture legible and acceptable to nonnative viewers and readers by recasting indigenous practices, knowledge, ontology, and epistemology. Following a str…

  • Visual History

    Daniela Bleichmar, Vanessa R Schwartz•ARTICLE•Representations•2019•Citada por: 4

    This essay defines the category of "visual history" and introduces its operations across the essays included in this special issue. It proposes that such narratives accelerated time in cultures where it became increasingly common to traverse spatial distances. In this way, visual histories are not simply guides to the times, but guides to time itself

  • Botanical conquistadors

    Open Access•Daniela Bleichmar•CHAPTER•Worlds of Natural History•2018

  • Imagining the Americas in Medici Florence

    Daniela Bleichmar•ARTICLE•Colonial Latin American Review•2018

    Imagining the Americas in Medici Florence is a revelatory study of the multiple ways in which three powerful members of the Medici family engaged with the New World through the images and objects t

  • Visual Voyages

    Daniela Bleichmar, Getty Foundation et al.•BOOK•Visual Voyages•2017

    Review of Visual Voyages: Images of Latin American Nature from Columbus to Darwin, Reviewed May 2018 by Clayton C. Kirking, Independent Library Consultant, New York, N.Y., [email protected]

  • Translation, Mobility, and Mediation

    Daniela Bleichmar•CHAPTER•Sites of Mediation•2016

    This book explores the relationships between sites, people, objects, and images during the early globalization. It investigates interconnections and entanglements on both micro and macro levels, and aims to understand the dynamics of processes of translocal and transcultural intersection

  • The Imperial Visual Archive

    Daniela Bleichmar•ARTICLE•Colonial Latin American Review•2015•Citada por: 4•Referências: 24

    This article examines the role of images as evidence and sources of knowledge in the early modern Hispanic world, arguing for the continued importance of visual epistemology as a technique for producing and circulating knowledge from the sixteenth through the eighteenth centuries. Visual materials played a central role in the production of knowledge, scientific and imperial, and served as key instruments for addressing the considerable challenges…

  • Introduction

    Open Access•Meredith Martin, Daniela Bleichmar•ARTICLE•Art History•2015•Citada por: 7

    Imagine a varied collection of objects from the sixteenth to eighteenth centuries, assembled together under a large silk tent, the size of a spacious meeting hall. The tent itself, made in north India, is lavishly decorated with gold embroidered flowers against a red and blue ground. French mirrors and large almanac prints ornament its soft but sturdy interior walls, interspersed with dozens of Chinese blue and white porcelain plates that hang in…

  • History in Pictures

    Open Access•Daniela Bleichmar•ARTICLE•Art History•2015•Citada por: 2

  • Early Modern Things

    Open Access•Daniela Bleichmar•ARTICLE•Renaissance Quarterly•2014

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Painting as Exploration

    Open Access•Daniela Bleichmar•CHAPTER•Empires of Vision•2013

  • Conquering Nature in Spain and its Empire, 1750-1850

    Daniela Bleichmar•ARTICLE•Journal of the History of…•2013

    Journal Article Conquering Nature in Spain and its Empire, 1750–1850 Get access Helen Cowie, Conquering Nature in Spain and its Empire, 1750–1850. Manchester and New York, Manchester University Press, 2011. isbn978-0-7190-8493-5. 234 pp., 20 b. & w. illus. £60. Daniela Bleichmar Daniela Bleichmar Search for other works by this author on: Oxford Academic Google Scholar Journal of the History of Collections, Volume 25, Issue 3, November 2013, Pages…

  • Visible Empire

    Daniela Bleichmar•BOOK•Visible Empire•2012

  • Collecting Across Cultures

    Daniela Bleichmar, Peter C Mancall•EDITOR•BOOK•Collecting Across Cultures•2011

    Authored by historians, art historians, and historians of science working in the United States, Europe, and South America, each of the fourteen essays in Collecting Across Cultures explores a specific aspect of the history of collecting, collections, or collectors in the early modern period.

  • Peruvian nature up close, seen from afar

    Open Access•Daniela Bleichmar•ARTICLE•Res: Anthropology and Aesthetics•2011•Citada por: 1

  • Science in the Spanish and Portuguese empires, 1500-1800

    Íris Kantor, Daniela Bleichmar et al.•EDITOR•BOOK•Science in the Spanish and…•2009

    "This collection of essays is the first book published in English to provide a thorough survey of the practices of science in the Spanish and Portuguese empires from 1500 to 1800. Authored by an interdisciplinary team of specialists from the United States, Latin America, and Europe, the book consists of fifteen original essays, as well as an Introduction and an Afterword by renowned scholars in the field. The topics discussed include navigation, …

  • Visible empire

    Daniela Bleichmar•ARTICLE•Postcolonial Studies•2009•Citada por: 6

    This essay discusses the connections between botany and visual culture in the Hispanic enlightenment, addressing the importance of natural history to the economic aims of imperialism as well as the cultural and intellectual importance of imperialism to the development of natural history. It focuses on the thousands of botanical paintings produced between 1783 and 1816 by a large team working in New Granada (now Colombia) under the direction of th…

  • Science in the Spanish and Portuguese Empires, 1500–1800

    Open Access•Daniela Bleichmar, Paula De Vos et al.•EDITOR•BOOK•Science in the Spanish and…•2008

  • Science in the Spanish and Portuguese Empires, 1500-1800

    Daniela Bleichmar, Kevin Sheehan et al.•BOOK•Science in the Spanish and…•2008

  • Atlantic Competitions

    Daniela Bleichmar•CHAPTER•Science and empire in the…•2008

    A better-known and efficiently administered empire, it was hoped, would furnish rich revenues by providing new natural products that Spain could sell within Europe or use to compete with trade monopolies maintained by other countries. This chapter discusses metropolitan and colonial efforts to locate, exploit, and promote valuable spices throughout the Spanish empire. It highlights the fiercely competitive nature of Atlantic science, which pitted…

  • A Visible and Useful Empire

    Open Access•Daniela Bleichmar•CHAPTER•Science in the Spanish and…•2008

  • Skilled Visions

    Daniela Bleichmar, Simon Cohn et al.•BOOK•Skilled Visions•2007

  • Exploration in Print

    Daniela Bleichmar•ARTICLE•Huntington Library Quarterly•2007•Citada por: 4•Referências: 1

    In this article Daniela Bleichmar examines the ways in which botanists traveling in the Spanish Americas in the late eighteenth century used books: to train themselves as expert observers and rigorous classifiers, to signal adherence to international communities of practitioners through their familiarity with specific publications and the methodologies they espoused, to make sense of the natural world they encountered by means of constant compari…

  • Painting as Exploration

    Daniela Bleichmar•ARTICLE•Colonial Latin American Review•2006•Citada por: 8•Referências: 11

    This essay discusses the production of botanical illustrations by Spain's Royal Botanical Expedition to the New Kingdom of Granada (1783–1810), directed by the Spanish physician Jose Celestino Muti

  • Painting as Exploration

    Daniela Bleichmar•ARTICLE•Colonial Latin American Review•2006•Citada por: 8•Referências: 11

    This essay discusses the production of botanical illustrations by Spain's Royal Botanical Expedition to the New Kingdom of Granada (1783–1810), directed by the Spanish physician Jose Celestino Muti

  • Introduction

    Open Access•Meredith Martin, Daniela Bleichmar•ARTICLE•Art History•2015•Citada por: 7

    Imagine a varied collection of objects from the sixteenth to eighteenth centuries, assembled together under a large silk tent, the size of a spacious meeting hall. The tent itself, made in north India, is lavishly decorated with gold embroidered flowers against a red and blue ground. French mirrors and large almanac prints ornament its soft but sturdy interior walls, interspersed with dozens of Chinese blue and white porcelain plates that hang in…

  • Visible empire

    Daniela Bleichmar•ARTICLE•Postcolonial Studies•2009•Citada por: 6

    This essay discusses the connections between botany and visual culture in the Hispanic enlightenment, addressing the importance of natural history to the economic aims of imperialism as well as the cultural and intellectual importance of imperialism to the development of natural history. It focuses on the thousands of botanical paintings produced between 1783 and 1816 by a large team working in New Granada (now Colombia) under the direction of th…

  • Visual History

    Daniela Bleichmar, Vanessa R Schwartz•ARTICLE•Representations•2019•Citada por: 4

    This essay defines the category of "visual history" and introduces its operations across the essays included in this special issue. It proposes that such narratives accelerated time in cultures where it became increasingly common to traverse spatial distances. In this way, visual histories are not simply guides to the times, but guides to time itself

  • The Imperial Visual Archive

    Daniela Bleichmar•ARTICLE•Colonial Latin American Review•2015•Citada por: 4•Referências: 24

    This article examines the role of images as evidence and sources of knowledge in the early modern Hispanic world, arguing for the continued importance of visual epistemology as a technique for producing and circulating knowledge from the sixteenth through the eighteenth centuries. Visual materials played a central role in the production of knowledge, scientific and imperial, and served as key instruments for addressing the considerable challenges…

  • Exploration in Print

    Daniela Bleichmar•ARTICLE•Huntington Library Quarterly•2007•Citada por: 4•Referências: 1

    In this article Daniela Bleichmar examines the ways in which botanists traveling in the Spanish Americas in the late eighteenth century used books: to train themselves as expert observers and rigorous classifiers, to signal adherence to international communities of practitioners through their familiarity with specific publications and the methodologies they espoused, to make sense of the natural world they encountered by means of constant compari…

  • Painting the Aztec Past in Early Colonial Mexico

    Open Access•Daniela Bleichmar•ARTICLE•Renaissance Quarterly•2019•Citada por: 3•Referências: 44

    The “Codex Mendoza” is one of the earliest, most detailed, and most important postconquest accounts of pre-Hispanic Aztec life. Nahuas and Spaniards manufactured the codex through a complex process that involved translations across media, languages, and cultural framings. Translations made Aztec culture legible and acceptable to nonnative viewers and readers by recasting indigenous practices, knowledge, ontology, and epistemology. Following a str…

  • History in Pictures

    Open Access•Daniela Bleichmar•ARTICLE•Art History•2015•Citada por: 2

  • Peruvian nature up close, seen from afar

    Open Access•Daniela Bleichmar•ARTICLE•Res: Anthropology and Aesthetics•2011•Citada por: 1

  • Painting as Exploration

    Daniela Bleichmar•ARTICLE•Colonial Latin American Review•2006•Citada por: 8•Referências: 11

    This essay discusses the production of botanical illustrations by Spain's Royal Botanical Expedition to the New Kingdom of Granada (1783–1810), directed by the Spanish physician Jose Celestino Muti

  • Skilled Visions

    Daniela Bleichmar, Simon Cohn et al.•BOOK•Skilled Visions•2007

  • Exploration in Print

    Daniela Bleichmar•ARTICLE•Huntington Library Quarterly•2007•Citada por: 4•Referências: 1

    In this article Daniela Bleichmar examines the ways in which botanists traveling in the Spanish Americas in the late eighteenth century used books: to train themselves as expert observers and rigorous classifiers, to signal adherence to international communities of practitioners through their familiarity with specific publications and the methodologies they espoused, to make sense of the natural world they encountered by means of constant compari…

  • Science in the Spanish and Portuguese Empires, 1500–1800

    Open Access•Daniela Bleichmar, Paula De Vos et al.•EDITOR•BOOK•Science in the Spanish and…•2008

  • Science in the Spanish and Portuguese Empires, 1500-1800

    Daniela Bleichmar, Kevin Sheehan et al.•BOOK•Science in the Spanish and…•2008

  • Atlantic Competitions

    Daniela Bleichmar•CHAPTER•Science and empire in the…•2008

    A better-known and efficiently administered empire, it was hoped, would furnish rich revenues by providing new natural products that Spain could sell within Europe or use to compete with trade monopolies maintained by other countries. This chapter discusses metropolitan and colonial efforts to locate, exploit, and promote valuable spices throughout the Spanish empire. It highlights the fiercely competitive nature of Atlantic science, which pitted…

  • A Visible and Useful Empire

    Open Access•Daniela Bleichmar•CHAPTER•Science in the Spanish and…•2008

  • Science in the Spanish and Portuguese empires, 1500-1800

    Íris Kantor, Daniela Bleichmar et al.•EDITOR•BOOK•Science in the Spanish and…•2009

    "This collection of essays is the first book published in English to provide a thorough survey of the practices of science in the Spanish and Portuguese empires from 1500 to 1800. Authored by an interdisciplinary team of specialists from the United States, Latin America, and Europe, the book consists of fifteen original essays, as well as an Introduction and an Afterword by renowned scholars in the field. The topics discussed include navigation, …

  • Visible empire

    Daniela Bleichmar•ARTICLE•Postcolonial Studies•2009•Citada por: 6

    This essay discusses the connections between botany and visual culture in the Hispanic enlightenment, addressing the importance of natural history to the economic aims of imperialism as well as the cultural and intellectual importance of imperialism to the development of natural history. It focuses on the thousands of botanical paintings produced between 1783 and 1816 by a large team working in New Granada (now Colombia) under the direction of th…

  • Collecting Across Cultures

    Daniela Bleichmar, Peter C Mancall•EDITOR•BOOK•Collecting Across Cultures•2011

    Authored by historians, art historians, and historians of science working in the United States, Europe, and South America, each of the fourteen essays in Collecting Across Cultures explores a specific aspect of the history of collecting, collections, or collectors in the early modern period.

  • Peruvian nature up close, seen from afar

    Open Access•Daniela Bleichmar•ARTICLE•Res: Anthropology and Aesthetics•2011•Citada por: 1

  • Visible Empire

    Daniela Bleichmar•BOOK•Visible Empire•2012

  • Painting as Exploration

    Open Access•Daniela Bleichmar•CHAPTER•Empires of Vision•2013

  • Conquering Nature in Spain and its Empire, 1750-1850

    Daniela Bleichmar•ARTICLE•Journal of the History of…•2013

    Journal Article Conquering Nature in Spain and its Empire, 1750–1850 Get access Helen Cowie, Conquering Nature in Spain and its Empire, 1750–1850. Manchester and New York, Manchester University Press, 2011. isbn978-0-7190-8493-5. 234 pp., 20 b. & w. illus. £60. Daniela Bleichmar Daniela Bleichmar Search for other works by this author on: Oxford Academic Google Scholar Journal of the History of Collections, Volume 25, Issue 3, November 2013, Pages…

  • Early Modern Things

    Open Access•Daniela Bleichmar•ARTICLE•Renaissance Quarterly•2014

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Imperial Visual Archive

    Daniela Bleichmar•ARTICLE•Colonial Latin American Review•2015•Citada por: 4•Referências: 24

    This article examines the role of images as evidence and sources of knowledge in the early modern Hispanic world, arguing for the continued importance of visual epistemology as a technique for producing and circulating knowledge from the sixteenth through the eighteenth centuries. Visual materials played a central role in the production of knowledge, scientific and imperial, and served as key instruments for addressing the considerable challenges…

  • Introduction

    Open Access•Meredith Martin, Daniela Bleichmar•ARTICLE•Art History•2015•Citada por: 7

    Imagine a varied collection of objects from the sixteenth to eighteenth centuries, assembled together under a large silk tent, the size of a spacious meeting hall. The tent itself, made in north India, is lavishly decorated with gold embroidered flowers against a red and blue ground. French mirrors and large almanac prints ornament its soft but sturdy interior walls, interspersed with dozens of Chinese blue and white porcelain plates that hang in…

  • History in Pictures

    Open Access•Daniela Bleichmar•ARTICLE•Art History•2015•Citada por: 2

  • Translation, Mobility, and Mediation

    Daniela Bleichmar•CHAPTER•Sites of Mediation•2016

    This book explores the relationships between sites, people, objects, and images during the early globalization. It investigates interconnections and entanglements on both micro and macro levels, and aims to understand the dynamics of processes of translocal and transcultural intersection

  • Visual Voyages

    Daniela Bleichmar, Getty Foundation et al.•BOOK•Visual Voyages•2017

    Review of Visual Voyages: Images of Latin American Nature from Columbus to Darwin, Reviewed May 2018 by Clayton C. Kirking, Independent Library Consultant, New York, N.Y., [email protected]

  • Botanical conquistadors

    Open Access•Daniela Bleichmar•CHAPTER•Worlds of Natural History•2018

  • Imagining the Americas in Medici Florence

    Daniela Bleichmar•ARTICLE•Colonial Latin American Review•2018

    Imagining the Americas in Medici Florence is a revelatory study of the multiple ways in which three powerful members of the Medici family engaged with the New World through the images and objects t

  • Painting the Aztec Past in Early Colonial Mexico

    Open Access•Daniela Bleichmar•ARTICLE•Renaissance Quarterly•2019•Citada por: 3•Referências: 44

    The “Codex Mendoza” is one of the earliest, most detailed, and most important postconquest accounts of pre-Hispanic Aztec life. Nahuas and Spaniards manufactured the codex through a complex process that involved translations across media, languages, and cultural framings. Translations made Aztec culture legible and acceptable to nonnative viewers and readers by recasting indigenous practices, knowledge, ontology, and epistemology. Following a str…

  • Visual History

    Daniela Bleichmar, Vanessa R Schwartz•ARTICLE•Representations•2019•Citada por: 4

    This essay defines the category of "visual history" and introduces its operations across the essays included in this special issue. It proposes that such narratives accelerated time in cultures where it became increasingly common to traverse spatial distances. In this way, visual histories are not simply guides to the times, but guides to time itself

  • The cabinet and the world

    Open Access•Daniela Bleichmar•ARTICLE•Journal of the History of…•2021

    Early modern European collectors proclaimed that their cabinets contained ‘the world’. What do collections from the sixteenth and seventeenth centuries reveal about the ways in which those who assembled, owned and visited them understood objects from other regions and cultures? Inventories, catalogues and descriptions of European collections from the period reveal that the reception of non-European objects was characterized, above all, by practic…

History (19 obras) · Art (13 obras) · Art history (11 obras) · Archaeology (8 obras) · Computer Science (8 obras) · Empire (7 obras) · History (7 obras) · Geography (6 obras) · Latin American history and culture (6 obras) · Law (6 obras)

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