Alexander Lingas
Dados Biográficos
| ID | 4119248 |
|---|---|
| NOME | Alexander Lingas |
| PRENOMES | Alexander |
| SOBRENOME | Lingas |
| ASSINATURA | LINGAS A |
| AFILIAÇÕES | University of London |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 7 |
| TOTAL DE CITAÇÕES | 0 |
| OBRAS COMO AUTOR | 7 |
| OBRAS COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2001 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2019 |
| ÍNDICE H | 0 |
Greece
The Oriental music broadcasts, 1936–1937
A series entitled ‘Recent Researches in the Oral Traditions of Music’ may at first glance appear to be a strange host for a publication built around a series of musically illustrated talks on ‘Orie
Greek Orthodox Music in Ottoman Istanbul
In recent years musicologists writing in western European languages have analysed nineteenth-century efforts to renew or reform Catholic, Protestant, and Jewish liturgical music, including the ‘restoration’ of Gregorian chant by the monks of Solesmes, the introduction of harmonized choral music to the synagogue, and revivals of the sacred polyphony of Palestrina and J. S. Bach. Yet parallel movements in the churches of the Christian East remain, …
Chant (liturgical)
Defined broadly as singing integral to the performance of public (and usually religious) ceremonies, liturgical chant covers a wide range of ancientmusical repertories and practices.
Liturgy, Byzantine
Defined broadly as Christian services held within the bounds of the (East) Roman Empire after Constantine, Byzantine liturgy encompasses a host of regional variations on urban and monastic patterns of communal worship celebrated in languages including Coptic, Greek, Latin, and Syriac.
Music, Byzantine
Music rooted in the secular, pagan, and Christian musical cultures of Late Antiquity was ubiquitous in Byzantium.
Byzantine Greece, Sacred music
Sem obras proeminentes nesta página.
Byzantine Greece, Sacred music
Chant (liturgical)
Defined broadly as singing integral to the performance of public (and usually religious) ceremonies, liturgical chant covers a wide range of ancientmusical repertories and practices.
Liturgy, Byzantine
Defined broadly as Christian services held within the bounds of the (East) Roman Empire after Constantine, Byzantine liturgy encompasses a host of regional variations on urban and monastic patterns of communal worship celebrated in languages including Coptic, Greek, Latin, and Syriac.
Music, Byzantine
Music rooted in the secular, pagan, and Christian musical cultures of Late Antiquity was ubiquitous in Byzantium.
Greek Orthodox Music in Ottoman Istanbul
In recent years musicologists writing in western European languages have analysed nineteenth-century efforts to renew or reform Catholic, Protestant, and Jewish liturgical music, including the ‘restoration’ of Gregorian chant by the monks of Solesmes, the introduction of harmonized choral music to the synagogue, and revivals of the sacred polyphony of Palestrina and J. S. Bach. Yet parallel movements in the churches of the Christian East remain, …
The Oriental music broadcasts, 1936–1937
A series entitled ‘Recent Researches in the Oral Traditions of Music’ may at first glance appear to be a strange host for a publication built around a series of musically illustrated talks on ‘Orie
Greece
Art (5 obras) · Ancient history (3 obras) · Byzantine architecture (3 obras) · Classics (3 obras) · Archaeology (2 obras) · Byzantine Studies and History (2 obras) · Diverse Musicological Studies (2 obras) · Geography (2 obras) · Historical and Archaeological Studies (2 obras) · Historical and Religious Studies of Rome (2 obras)