Jenny Stümer
Dados Biográficos
| ID | 4149807 |
|---|---|
| NOME | Jenny Stümer |
| PRENOMES | Jenny |
| SOBRENOME | Stümer |
| ASSINATURA | STÜMER J |
| AFILIAÇÕES | Media and Communication, The University of Auckland, New Zealand |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 6 |
| TOTAL DE CITAÇÕES | 7 |
| TOTAL COMO AUTOR | 6 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2018 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2024 |
| ÍNDICE H | 2 |
A time of broken futures
With a particular view to the workings of intergenerational time and postmemory within (and against) hegemonic power formations, Larissa Sansour’s sci-fi short film In Vitro (2019) examines the biopolitics of temporality under conditions of occupation. Starting from the premise of a post-apocalyptic Palestine, the film stages postmemory as a form of inversed futurity or speculative futurism that provides insight into the enduring repercussions of…
The Border Wall Imaginary at the End of the World
What can the border wall tell us about the end of the world? As anthropogenic violence fastens its grip, border walls have been increasingly flaunted as a way to mitigate fears about viral, ecological, and human invasion in the name of climate security. The paper suggests that border walls help stage investments in the end of the world that are steeped in a kind of anthropogenic "impasse of the present," (Berlant, Lauren. 2011. Cruel Optimism. Du…
Her Body, Her Choice
When anti-lockdown protests erupted in the United States during the 2020 onset of the COVID-19 pandemic, many right-wing women crudely appropriated the feminist slogan “my body, my choice” in defiance of liberal fears and in support of Donald Trump. Looking at the widely shared image of a young woman holding a sign with the phrase at a rally in Texas, I discuss the communal charge of what I call tough girl affect—a politically saturated vibe, tou…
(Un)masking femininity
Anna Biller’s highly stylized Technicolor homage The Love Witch (2016) follows the titular witch Elaine in her relentless pursuit of romance. Renegotiating feminine sensibilities in relation to cinematic pleasure, the film challenges the established gendered visuality of gaze, fantasy and cinema through a politics of masquerading. By utilizing the mask (and the witch wearing it) as a challenge to gendered visuality, the film reworks the cinematic…
A World Under Water
The Dead are Coming
The escalating death tolls of migrants seeking to enter Europe are a dramatic testimony to the cynical, dehumanizing, and violent fortification of the European Union, whereby refugees and asylum seekers have become the emblematic figures of contemporary political exclusion. Rather than emerge as a peaceful, open, and postnational community, fortress Europe increasingly relies on a process of (re)walling, evoking the legacy of the camp and redrawi…
The Dead are Coming
The escalating death tolls of migrants seeking to enter Europe are a dramatic testimony to the cynical, dehumanizing, and violent fortification of the European Union, whereby refugees and asylum seekers have become the emblematic figures of contemporary political exclusion. Rather than emerge as a peaceful, open, and postnational community, fortress Europe increasingly relies on a process of (re)walling, evoking the legacy of the camp and redrawi…
Her Body, Her Choice
When anti-lockdown protests erupted in the United States during the 2020 onset of the COVID-19 pandemic, many right-wing women crudely appropriated the feminist slogan “my body, my choice” in defiance of liberal fears and in support of Donald Trump. Looking at the widely shared image of a young woman holding a sign with the phrase at a rally in Texas, I discuss the communal charge of what I call tough girl affect—a politically saturated vibe, tou…
The Dead are Coming
The escalating death tolls of migrants seeking to enter Europe are a dramatic testimony to the cynical, dehumanizing, and violent fortification of the European Union, whereby refugees and asylum seekers have become the emblematic figures of contemporary political exclusion. Rather than emerge as a peaceful, open, and postnational community, fortress Europe increasingly relies on a process of (re)walling, evoking the legacy of the camp and redrawi…
(Un)masking femininity
Anna Biller’s highly stylized Technicolor homage The Love Witch (2016) follows the titular witch Elaine in her relentless pursuit of romance. Renegotiating feminine sensibilities in relation to cinematic pleasure, the film challenges the established gendered visuality of gaze, fantasy and cinema through a politics of masquerading. By utilizing the mask (and the witch wearing it) as a challenge to gendered visuality, the film reworks the cinematic…
A World Under Water
Her Body, Her Choice
When anti-lockdown protests erupted in the United States during the 2020 onset of the COVID-19 pandemic, many right-wing women crudely appropriated the feminist slogan “my body, my choice” in defiance of liberal fears and in support of Donald Trump. Looking at the widely shared image of a young woman holding a sign with the phrase at a rally in Texas, I discuss the communal charge of what I call tough girl affect—a politically saturated vibe, tou…
A time of broken futures
With a particular view to the workings of intergenerational time and postmemory within (and against) hegemonic power formations, Larissa Sansour’s sci-fi short film In Vitro (2019) examines the biopolitics of temporality under conditions of occupation. Starting from the premise of a post-apocalyptic Palestine, the film stages postmemory as a form of inversed futurity or speculative futurism that provides insight into the enduring repercussions of…
The Border Wall Imaginary at the End of the World
What can the border wall tell us about the end of the world? As anthropogenic violence fastens its grip, border walls have been increasingly flaunted as a way to mitigate fears about viral, ecological, and human invasion in the name of climate security. The paper suggests that border walls help stage investments in the end of the world that are steeped in a kind of anthropogenic "impasse of the present," (Berlant, Lauren. 2011. Cruel Optimism. Du…
Sociology (5 obras) · Aesthetics (4 obras) · Art (4 obras) · Law (4 obras) · Political science (4 obras) · Politics (4 obras) · Law (3 obras) · Psychology (3 obras) · Biopower (2 obras) · Cinema and Media Studies (2 obras)